"Between-place”: a post-colonizing notion, since the century XIX
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223 |
Resumo: | Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits. |
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"Between-place”: a post-colonizing notion, since the century XIX“Entre-Lugar”: Uma noção pós-colonizadora, desde o século XIXAs vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial.Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits.Grande parte dos escritos sobre a escravidão no Brasil tende a ratificar a hierarquia branco/negro atribuindo ao primeiro o poder imposto à força e ao segundo a submissão que o vitimiza. Lançando mão da noção de entre-lugar (Santiago, 2000) pretende-se uma leitura d’As vítimas-algozes. Quadros da escravidão (Macedo, 2006) apontando que, mesmo sob olhar branco abolicionista do autor, há uma figuração potente do negro para a luta contra sua condição de escravizado nas três narrativas que compõe o livro – Simeão: o crioulo; Pai-Raiol: o feiticeiro e Lucinda: a mucana. Nesta leitura, Joaquim Manuel de Macedo criaria uma contracena colonialista em que a perversão da escravidão lança senhores e escravos num jogo em que, ambos, desempenham posições de vítimas-algozes: os senhores almejando o enriquecimento pela exploração da ‘raça’ e os escravizados buscando resistir e revidar. Para o autor, a violência cometida pelos negros e negra não é atribuída à raça como característica biológica, mas à escravidão que é “árvore venenosa plantada no Brasil pelos primeiros colonizadores”. Assim, a escravidão como gesto político pode desnaturalizar a violência, permitindo que a força de luta negra apareça no ‘não-lugar’, no espaço intervalar que o próprio título do livro exibe.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/722310.19177/rcc.v13e22018219-231Revista Crítica Cultural; v. 13 n. 2 (2018); 219-2311980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessRocha Juliano, Dilma Beatriz2018-12-17T17:28:22Zoai:portaldeperiodicos.animaeducacao.com.br:article/7223Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-17T17:28:22Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
"Between-place”: a post-colonizing notion, since the century XIX “Entre-Lugar”: Uma noção pós-colonizadora, desde o século XIX |
title |
"Between-place”: a post-colonizing notion, since the century XIX |
spellingShingle |
"Between-place”: a post-colonizing notion, since the century XIX Rocha Juliano, Dilma Beatriz As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial. |
title_short |
"Between-place”: a post-colonizing notion, since the century XIX |
title_full |
"Between-place”: a post-colonizing notion, since the century XIX |
title_fullStr |
"Between-place”: a post-colonizing notion, since the century XIX |
title_full_unstemmed |
"Between-place”: a post-colonizing notion, since the century XIX |
title_sort |
"Between-place”: a post-colonizing notion, since the century XIX |
author |
Rocha Juliano, Dilma Beatriz |
author_facet |
Rocha Juliano, Dilma Beatriz |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rocha Juliano, Dilma Beatriz |
dc.subject.por.fl_str_mv |
As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial. |
topic |
As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial. |
description |
Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223 10.19177/rcc.v13e22018219-231 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223 |
identifier_str_mv |
10.19177/rcc.v13e22018219-231 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 13 n. 2 (2018); 219-231 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553239330816 |