"Between-place”: a post-colonizing notion, since the century XIX

Detalhes bibliográficos
Autor(a) principal: Rocha Juliano, Dilma Beatriz
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223
Resumo: Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits.
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spelling "Between-place”: a post-colonizing notion, since the century XIX“Entre-Lugar”: Uma noção pós-colonizadora, desde o século XIXAs vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial.Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits.Grande parte dos escritos sobre a escravidão no Brasil tende a ratificar a hierarquia branco/negro atribuindo ao primeiro o poder imposto à força e ao segundo a submissão que o vitimiza. Lançando mão da noção de entre-lugar (Santiago, 2000) pretende-se uma leitura d’As vítimas-algozes. Quadros da escravidão (Macedo, 2006) apontando que, mesmo sob olhar branco abolicionista do autor, há uma figuração potente do negro para a luta contra sua condição de escravizado nas três narrativas que compõe o livro – Simeão: o crioulo; Pai-Raiol: o feiticeiro e Lucinda: a mucana. Nesta leitura, Joaquim Manuel de Macedo criaria uma contracena colonialista em que a perversão da escravidão lança senhores e escravos num jogo em que, ambos, desempenham posições de vítimas-algozes: os senhores almejando o enriquecimento pela exploração da ‘raça’ e os escravizados buscando resistir e revidar. Para o autor, a violência cometida pelos negros e negra não é atribuída à raça como característica biológica, mas à escravidão que é “árvore venenosa plantada no Brasil pelos primeiros colonizadores”. Assim, a escravidão como gesto político pode desnaturalizar a violência, permitindo que a força de luta negra apareça no ‘não-lugar’, no espaço intervalar que o próprio título do livro exibe.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/722310.19177/rcc.v13e22018219-231Revista Crítica Cultural; v. 13 n. 2 (2018); 219-2311980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessRocha Juliano, Dilma Beatriz2018-12-17T17:28:22Zoai:portaldeperiodicos.animaeducacao.com.br:article/7223Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-17T17:28:22Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv "Between-place”: a post-colonizing notion, since the century XIX
“Entre-Lugar”: Uma noção pós-colonizadora, desde o século XIX
title "Between-place”: a post-colonizing notion, since the century XIX
spellingShingle "Between-place”: a post-colonizing notion, since the century XIX
Rocha Juliano, Dilma Beatriz
As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial.
title_short "Between-place”: a post-colonizing notion, since the century XIX
title_full "Between-place”: a post-colonizing notion, since the century XIX
title_fullStr "Between-place”: a post-colonizing notion, since the century XIX
title_full_unstemmed "Between-place”: a post-colonizing notion, since the century XIX
title_sort "Between-place”: a post-colonizing notion, since the century XIX
author Rocha Juliano, Dilma Beatriz
author_facet Rocha Juliano, Dilma Beatriz
author_role author
dc.contributor.author.fl_str_mv Rocha Juliano, Dilma Beatriz
dc.subject.por.fl_str_mv As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial.
topic As vítimas-algozes. Quadros da escravidão. Joaquim Manuel de Macedo. Slavery. Between-place. Post-colonial.
description Much of the writings on slavery in Brazil tend to ratify the black / white hierarchy by attributing to the former the power imposed by force and the latter by the submission that victimizes it. Making use of the notion of between-place (Santiago, 2000) I intend a reading of As vítimas-algozes. Quadros da escravidão (Macedo, 2006), pointing out that, even under the abolitionist white look of the author, there is a powerful figuration of the slave to fight against his condition of enslavement in the three narratives that make up the book – Simeão: o crioulo; Pai-Raiol: o feiticeiro and Lucinda: a mucama. In this reading, Joaquim Manuel de Macedo would create a colonialist counterreality in which the perversion of slavery launches masters and slaves in a game in which both play the role of victim-killers: masters aiming at enrichment by exploiting the 'race' and the enslaved seeking resist and fight back. For the author, black and black violence is not attributed to race as a biological characteristic, but to slavery that is "poisonous tree planted in Brazil by the early settlers." Thus, slavery as a political gesture can denaturalize violence, allowing the black fighting force to appear in the 'non-place', in the interval space that the title of the book itself exhibits.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223
10.19177/rcc.v13e22018219-231
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223
identifier_str_mv 10.19177/rcc.v13e22018219-231
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7223/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 13 n. 2 (2018); 219-231
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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