A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012 |
Resumo: | The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history. |
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A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.Uma Abordagem Decolonial da História e da Cultura Indígena: Ente Silenciamentos e Protagonismos.Invisibilization. Subalterns. Indigenous. Resistance. Protagonism.InvisibilizaçãoSubalternosIndígenasResistênciaProtagonismo.The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history.A trajetória histórica conflituosa entre povos indígenas e colonizadores no Brasil foi o pressuposto que motivou a pesquisa em tela, numa abordagem e analisa da história indígena na sala de aula, lócus de formação de identidades. O objetivo deste estudo é compreender como a história desses povos é abordada na disciplina de Arte a partir da Lei 11.645/08, que torna obrigatório o ensino da história e cultura indígenas na escola. A pesquisa se baseou na análise do currículo referência de Goiás e na coleção didática Projeto Mosaico-Arte, para o Ensino Fundamental. Entre os resultados, observou-se que o currículo não evidencia expectativas em relação às artes indígenas, enquanto o livro didático oferece mais possibilidades ao professor, ainda de forma tímida. O fundo teórico se baseou em análises do pensamento decolonial, considerando que a prática do professor pode ser decisiva no processo de superação da subalternidade, promovendo reflexão crítica sobre a história perpetuada.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701210.19177/rcc.v13e22018245-254Revista Crítica Cultural; v. 13 n. 2 (2018); 245-2541980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessSilva, Keyde Taisa daBicalho, Poliene Soares dos Santos2018-12-19T17:21:13Zoai:portaldeperiodicos.animaeducacao.com.br:article/7012Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-19T17:21:13Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. Uma Abordagem Decolonial da História e da Cultura Indígena: Ente Silenciamentos e Protagonismos. |
title |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
spellingShingle |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. Silva, Keyde Taisa da Invisibilization. Subalterns. Indigenous. Resistance. Protagonism. Invisibilização Subalternos Indígenas Resistência Protagonismo. |
title_short |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
title_full |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
title_fullStr |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
title_full_unstemmed |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
title_sort |
A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms. |
author |
Silva, Keyde Taisa da |
author_facet |
Silva, Keyde Taisa da Bicalho, Poliene Soares dos Santos |
author_role |
author |
author2 |
Bicalho, Poliene Soares dos Santos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Keyde Taisa da Bicalho, Poliene Soares dos Santos |
dc.subject.por.fl_str_mv |
Invisibilization. Subalterns. Indigenous. Resistance. Protagonism. Invisibilização Subalternos Indígenas Resistência Protagonismo. |
topic |
Invisibilization. Subalterns. Indigenous. Resistance. Protagonism. Invisibilização Subalternos Indígenas Resistência Protagonismo. |
description |
The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012 10.19177/rcc.v13e22018245-254 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012 |
identifier_str_mv |
10.19177/rcc.v13e22018245-254 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 13 n. 2 (2018); 245-254 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553231990784 |