A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.

Detalhes bibliográficos
Autor(a) principal: Silva, Keyde Taisa da
Data de Publicação: 2018
Outros Autores: Bicalho, Poliene Soares dos Santos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012
Resumo: The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history.
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spelling A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.Uma Abordagem Decolonial da História e da Cultura Indígena: Ente Silenciamentos e Protagonismos.Invisibilization. Subalterns. Indigenous. Resistance. Protagonism.InvisibilizaçãoSubalternosIndígenasResistênciaProtagonismo.The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history.A trajetória histórica conflituosa entre povos indígenas e colonizadores no Brasil foi o pressuposto que motivou a pesquisa em tela, numa abordagem e analisa da história indígena na sala de aula, lócus de formação de identidades. O objetivo deste estudo é compreender como a história desses povos é abordada na disciplina de Arte a partir da Lei 11.645/08, que torna obrigatório o ensino da história e cultura indígenas na escola. A pesquisa se baseou na análise do currículo referência de Goiás e na coleção didática Projeto Mosaico-Arte, para o Ensino Fundamental. Entre os resultados, observou-se que o currículo não evidencia expectativas em relação às artes indígenas, enquanto o livro didático oferece mais possibilidades ao professor, ainda de forma tímida. O fundo teórico se baseou em análises do pensamento decolonial, considerando que a prática do professor pode ser decisiva no processo de superação da subalternidade, promovendo reflexão crítica sobre a história perpetuada.Universidade do Sul de Santa Catarina2018-12-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701210.19177/rcc.v13e22018245-254Revista Crítica Cultural; v. 13 n. 2 (2018); 245-2541980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012/pdfCopyright (c) 2018 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessSilva, Keyde Taisa daBicalho, Poliene Soares dos Santos2018-12-19T17:21:13Zoai:portaldeperiodicos.animaeducacao.com.br:article/7012Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2018-12-19T17:21:13Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
Uma Abordagem Decolonial da História e da Cultura Indígena: Ente Silenciamentos e Protagonismos.
title A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
spellingShingle A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
Silva, Keyde Taisa da
Invisibilization. Subalterns. Indigenous. Resistance. Protagonism.
Invisibilização
Subalternos
Indígenas
Resistência
Protagonismo.
title_short A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
title_full A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
title_fullStr A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
title_full_unstemmed A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
title_sort A Decolonial Approach to Indigenous History and Culture: Between Silences and Protagonisms.
author Silva, Keyde Taisa da
author_facet Silva, Keyde Taisa da
Bicalho, Poliene Soares dos Santos
author_role author
author2 Bicalho, Poliene Soares dos Santos
author2_role author
dc.contributor.author.fl_str_mv Silva, Keyde Taisa da
Bicalho, Poliene Soares dos Santos
dc.subject.por.fl_str_mv Invisibilization. Subalterns. Indigenous. Resistance. Protagonism.
Invisibilização
Subalternos
Indígenas
Resistência
Protagonismo.
topic Invisibilization. Subalterns. Indigenous. Resistance. Protagonism.
Invisibilização
Subalternos
Indígenas
Resistência
Protagonismo.
description The conflictive historical trajectory between indigenous peoples and colonizers in Brazil was the presupposition that motivated the research on screen, in an approach and analyzes of indigenous history in the classroom, a locus of identity formation. The objective of this study is to understand how the history of these peoples is approached in the discipline of Art from Law 11.645 / 08, which makes it compulsory to teach indigenous history and culture in school. The research was based on the analysis of the reference curriculum of Goiás and on the didactic collection Mosaico-Arte Project, for Elementary School. Among the results, it was observed that the curriculum does not show expectations regarding the indigenous arts, while the textbook offers more possibilities to the teacher, even in a timid way. The theoretical background was based on analyzes of decolonial thinking, considering that the practice of the teacher can be decisive in the process of overcoming subalternity, promoting critical reflection on the perpetuated history.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012
10.19177/rcc.v13e22018245-254
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012
identifier_str_mv 10.19177/rcc.v13e22018245-254
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7012/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 13 n. 2 (2018); 245-254
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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