“Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg

Detalhes bibliográficos
Autor(a) principal: Ramos, André Carneiro
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/728
Resumo: The present paper presents a reflection on the idea that Humanity needs risks in order not to stagnate. From such a perspective –and based on the book Shipwreck with Spectator, by Hans Blumberg – I will discuss how art presents invocative-elements of a “decomposer” barbarism not only of the subject, but of each and every civilization, so to point it as a paradoxical condition for man to experience his great aspirations. For such, I will use as a corpus for reflection fragments by two twentieth-century Portuguese poets, Ricardo Reis and Fiama Hasse Paes Brandão, in addition to the painting “The Raft of the Medusa,” by Theodore Géricault, and also the novel Shipwrecks.
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spelling “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg“Inutilmente parecemos grandes”, ou à deriva –nota sobre a metáfora do naufrágio, de Hans BlumenbergLiteratureComparativesMetaphorShipwreckBarbarismLiteraturaComparativismoMetáforaNaufrágioBarbárieThe present paper presents a reflection on the idea that Humanity needs risks in order not to stagnate. From such a perspective –and based on the book Shipwreck with Spectator, by Hans Blumberg – I will discuss how art presents invocative-elements of a “decomposer” barbarism not only of the subject, but of each and every civilization, so to point it as a paradoxical condition for man to experience his great aspirations. For such, I will use as a corpus for reflection fragments by two twentieth-century Portuguese poets, Ricardo Reis and Fiama Hasse Paes Brandão, in addition to the painting “The Raft of the Medusa,” by Theodore Géricault, and also the novel Shipwrecks.O objetivo deste ensaio é refletir acerca da ideia de que a Humanidade necessita de riscos para superar estados de estagnação. Sob essa perspectiva – e a partir do livro “Naufrágios com espectador”, de Hans Blumenberg –, discutiremos como a arte apresenta elementos-invocadores de uma barbárie “desagregadora” não apenas do sujeito, mas de toda e qualquer civilização, para apontá-la como condição paradoxal para o homem vivenciar grandes aspirações. Para tanto, empregarei como corpus de reflexão fragmentos de dois poetas portugueses do século XX, Ricardo Reis e Fiama Hasse Paes Brandão, além da pintura de Theodore Géricault, intitulada "A balsa da Medusa", bem como o romance “Naufrágios”, do escritor japonês Akira Yoshimura.Universidade do Sul de Santa Catarina2011-06-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/72810.19177/rcc.v6e12011115-128Revista Crítica Cultural; v. 6 n. 1 (2011); 115-1281980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/728/pdf_14Ramos, André Carneiroinfo:eu-repo/semantics/openAccess2016-09-30T20:06:55Zoai:portaldeperiodicos.animaeducacao.com.br:article/728Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:06:55Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
“Inutilmente parecemos grandes”, ou à deriva –nota sobre a metáfora do naufrágio, de Hans Blumenberg
title “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
spellingShingle “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
Ramos, André Carneiro
Literature
Comparatives
Metaphor
Shipwreck
Barbarism
Literatura
Comparativismo
Metáfora
Naufrágio
Barbárie
title_short “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
title_full “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
title_fullStr “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
title_full_unstemmed “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
title_sort “Uselessly we seem great,” or Adrift – Notes on the Metaphor of the Shipwreck, by Hans Blumberg
author Ramos, André Carneiro
author_facet Ramos, André Carneiro
author_role author
dc.contributor.author.fl_str_mv Ramos, André Carneiro
dc.subject.por.fl_str_mv Literature
Comparatives
Metaphor
Shipwreck
Barbarism
Literatura
Comparativismo
Metáfora
Naufrágio
Barbárie
topic Literature
Comparatives
Metaphor
Shipwreck
Barbarism
Literatura
Comparativismo
Metáfora
Naufrágio
Barbárie
description The present paper presents a reflection on the idea that Humanity needs risks in order not to stagnate. From such a perspective –and based on the book Shipwreck with Spectator, by Hans Blumberg – I will discuss how art presents invocative-elements of a “decomposer” barbarism not only of the subject, but of each and every civilization, so to point it as a paradoxical condition for man to experience his great aspirations. For such, I will use as a corpus for reflection fragments by two twentieth-century Portuguese poets, Ricardo Reis and Fiama Hasse Paes Brandão, in addition to the painting “The Raft of the Medusa,” by Theodore Géricault, and also the novel Shipwrecks.
publishDate 2011
dc.date.none.fl_str_mv 2011-06-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/728
10.19177/rcc.v6e12011115-128
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/728
identifier_str_mv 10.19177/rcc.v6e12011115-128
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/728/pdf_14
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 6 n. 1 (2011); 115-128
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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