The improper voice: poetry and politics
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4335 |
Resumo: | This article intends to explore some cleavages of creation, or the inscription of political voices in Latin American poetry, departing from processes of appropriation and expropriation, associated with the potentialities of an anachronistic figure, singing. In this sense, being inside or outside singing presupposes both the homogeneity of certain tones – the elegiac, the imperative – or their disowning, and the assumption of a sonorous point of view in relation to the idea of a historical temporality. This would function as a filter, as an eardrum that silences the other voices under the weight of metaphors sustained in nature, or as a perforated surface filtering through the voice of the others. |
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The improper voice: poetry and politicsLa voz impropia: poesía y políticaVoicePoetryLatin AmericaPoliticsSingingVozPoesíaAmérica LatinaPolíticaCantoThis article intends to explore some cleavages of creation, or the inscription of political voices in Latin American poetry, departing from processes of appropriation and expropriation, associated with the potentialities of an anachronistic figure, singing. In this sense, being inside or outside singing presupposes both the homogeneity of certain tones – the elegiac, the imperative – or their disowning, and the assumption of a sonorous point of view in relation to the idea of a historical temporality. This would function as a filter, as an eardrum that silences the other voices under the weight of metaphors sustained in nature, or as a perforated surface filtering through the voice of the others.Este trabajo se propone revisar algunos clivajes de la creación o la inscripción de las voces políticas en la poesía de América Latina a partir de procesos de apropiación y expropiación, asociada a la potencia de una figura anacrónica, el canto. En este sentido, estar adentro o afuera del canto, supone tanto la homogeneidad de ciertos tonos, el elegíaco, el imperativo, o el desalojo de los mismos, como la asunción de un punto de vista sonoro en relación con una idea de la temporalidad histórica que funcionaría como filtro, como tímpano que silencia las otras voces bajo el peso de las metáforas que hacen pie en la naturaleza, o como superficie perforada por donde la voz de los otros se filtra.Universidade do Sul de Santa Catarina2016-12-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/433510.19177/rcc.v11e22016241-249Revista Crítica Cultural; v. 11 n. 2 (2016); 241-2491980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4335/pdfCopyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessPorrúa, Ana2016-12-16T13:04:33Zoai:portaldeperiodicos.animaeducacao.com.br:article/4335Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-12-16T13:04:33Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The improper voice: poetry and politics La voz impropia: poesía y política |
title |
The improper voice: poetry and politics |
spellingShingle |
The improper voice: poetry and politics Porrúa, Ana Voice Poetry Latin America Politics Singing Voz Poesía América Latina Política Canto |
title_short |
The improper voice: poetry and politics |
title_full |
The improper voice: poetry and politics |
title_fullStr |
The improper voice: poetry and politics |
title_full_unstemmed |
The improper voice: poetry and politics |
title_sort |
The improper voice: poetry and politics |
author |
Porrúa, Ana |
author_facet |
Porrúa, Ana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Porrúa, Ana |
dc.subject.por.fl_str_mv |
Voice Poetry Latin America Politics Singing Voz Poesía América Latina Política Canto |
topic |
Voice Poetry Latin America Politics Singing Voz Poesía América Latina Política Canto |
description |
This article intends to explore some cleavages of creation, or the inscription of political voices in Latin American poetry, departing from processes of appropriation and expropriation, associated with the potentialities of an anachronistic figure, singing. In this sense, being inside or outside singing presupposes both the homogeneity of certain tones – the elegiac, the imperative – or their disowning, and the assumption of a sonorous point of view in relation to the idea of a historical temporality. This would function as a filter, as an eardrum that silences the other voices under the weight of metaphors sustained in nature, or as a perforated surface filtering through the voice of the others. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4335 10.19177/rcc.v11e22016241-249 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4335 |
identifier_str_mv |
10.19177/rcc.v11e22016241-249 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/4335/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 11 n. 2 (2016); 241-249 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220552867086336 |