The filling and the lump. Narration and painting in Juan José Saer

Detalhes bibliográficos
Autor(a) principal: Dalmaroni, Miguel
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701
Resumo: The ways of Saer’s writing pursue effects like those the writer identifies in the painting that he preferred, between Van Gogh and Pollock, Estrada and Espino. We conceptualize these ways by means of the figure of a work that seeks to move from the plane to the “impasting”, to the “clot”, to the pictorialization in relief; and we analyze its relations with Saer’s narrative method.
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spelling The filling and the lump. Narration and painting in Juan José SaerEl empaste y el grumo. Narración y pintura en Juan José SaerSaerGlosaLiterature and paintingSpatial formArgentinian narrativeSaerGlosaLiteratura y pinturaForma espacialNarrativa argentinaThe ways of Saer’s writing pursue effects like those the writer identifies in the painting that he preferred, between Van Gogh and Pollock, Estrada and Espino. We conceptualize these ways by means of the figure of a work that seeks to move from the plane to the “impasting”, to the “clot”, to the pictorialization in relief; and we analyze its relations with Saer’s narrative method.Los modos de la escritura de Saer persiguen efectos como los que el escritor identifica en la pintura que prefirió, entre Van Gogh y Pollock, entre Estrada y Espino. Conceptualizamos esos modos mediante la figura de un trabajo que busca pasar del plano al “empaste”, al “grumo”, a la pictorización en relieve; y analizamos sus relaciones con el método narrativo de Saer.Universidade do Sul de Santa Catarina2010-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/70110.19177/rcc.v5e22010399-409Revista Crítica Cultural; v. 5 n. 2 (2010): Edição Especial: Dossiê Juan José SAER; 399-4091980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701/656Dalmaroni, Miguelinfo:eu-repo/semantics/openAccess2016-09-30T20:02:16Zoai:portaldeperiodicos.animaeducacao.com.br:article/701Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:02:16Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv The filling and the lump. Narration and painting in Juan José Saer
El empaste y el grumo. Narración y pintura en Juan José Saer
title The filling and the lump. Narration and painting in Juan José Saer
spellingShingle The filling and the lump. Narration and painting in Juan José Saer
Dalmaroni, Miguel
Saer
Glosa
Literature and painting
Spatial form
Argentinian narrative
Saer
Glosa
Literatura y pintura
Forma espacial
Narrativa argentina
title_short The filling and the lump. Narration and painting in Juan José Saer
title_full The filling and the lump. Narration and painting in Juan José Saer
title_fullStr The filling and the lump. Narration and painting in Juan José Saer
title_full_unstemmed The filling and the lump. Narration and painting in Juan José Saer
title_sort The filling and the lump. Narration and painting in Juan José Saer
author Dalmaroni, Miguel
author_facet Dalmaroni, Miguel
author_role author
dc.contributor.author.fl_str_mv Dalmaroni, Miguel
dc.subject.por.fl_str_mv Saer
Glosa
Literature and painting
Spatial form
Argentinian narrative
Saer
Glosa
Literatura y pintura
Forma espacial
Narrativa argentina
topic Saer
Glosa
Literature and painting
Spatial form
Argentinian narrative
Saer
Glosa
Literatura y pintura
Forma espacial
Narrativa argentina
description The ways of Saer’s writing pursue effects like those the writer identifies in the painting that he preferred, between Van Gogh and Pollock, Estrada and Espino. We conceptualize these ways by means of the figure of a work that seeks to move from the plane to the “impasting”, to the “clot”, to the pictorialization in relief; and we analyze its relations with Saer’s narrative method.
publishDate 2010
dc.date.none.fl_str_mv 2010-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701
10.19177/rcc.v5e22010399-409
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701
identifier_str_mv 10.19177/rcc.v5e22010399-409
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/701/656
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 5 n. 2 (2010): Edição Especial: Dossiê Juan José SAER; 399-409
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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