THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10253 |
Resumo: | We will seek to analyze in this article the role of researcher-artist of the Argentine writer Ricardo Piglia. For this, we will reconstruct the main arguments of Piglia present in his classes on the short novels of the Uruguayan writer Juan Carlos Onetti, dictated in 1996, but only published in 2019. The first topic that we are interested in highlighting is the articulation between the secret and the Macguffin in the construction of the mystery of the story. The second topic that concerns us is the fictional construction of the narrative framework, considering the narrator’s bias as part of the story. We are especially interested in Piglia’s compositional gaze in his reading of Onetti. Finally, we will analyze two works by Piglia to understand how the author applies the compositional principles of his fictional reading in his own works: Prison perpetua and El camino de Ida. |
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THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHERLAS NOVELAS BREVES DE ONETTI, POR RICARDO PIGLIA: SECRETO, MACGUFFIN Y MARCO NARRATIVO. NOTAS PARA PENSAR EL ARTISTA-INVESTIGADORRicargo PigliaJuan Carlos OnettiNouvelleArtist-researcherMacguffinRicargo PigliaJuan Carlos OnettiNouvelleArtista-investigadorMucguffinWe will seek to analyze in this article the role of researcher-artist of the Argentine writer Ricardo Piglia. For this, we will reconstruct the main arguments of Piglia present in his classes on the short novels of the Uruguayan writer Juan Carlos Onetti, dictated in 1996, but only published in 2019. The first topic that we are interested in highlighting is the articulation between the secret and the Macguffin in the construction of the mystery of the story. The second topic that concerns us is the fictional construction of the narrative framework, considering the narrator’s bias as part of the story. We are especially interested in Piglia’s compositional gaze in his reading of Onetti. Finally, we will analyze two works by Piglia to understand how the author applies the compositional principles of his fictional reading in his own works: Prison perpetua and El camino de Ida.Buscaremos analizar en el presente artículo el rol de investigador-artista del escritor argentino Ricardo Piglia. Para eso, reconstruiremos los principales argumentos de Piglia presentes en sus clases sobre las novelas breves del escritor uruguayo Juan Carlos Onetti, dictadas en 1996, pero publicadas recién en 2019. El primer tema que nos interesa resaltar es la articulación entre el secreto y el Mucguffin en la construcción del misterio del relato. El segundo tema que nos concierne es la construcción ficcional del marco narrativo, teniendo en cuenta el sesgo del narrador como parte del relato. Nos interesa especialmente la mirada compositiva de Piglia en su lectura de Onetti. Finalmente analizaremos dos obras de Piglia para entender cómo el autor aplica los principios compositivos de su lectura ficcional en sus propias obras: Prisión perpetua y El camino de Ida.Universidade do Sul de Santa Catarina2021-08-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1025310.19177/rcc.v16e1202143-60Revista Crítica Cultural; v. 16 n. 1 (2021); 43-601980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULspahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10253/pdfCopyright (c) 2021 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessRauschenberg, Nicholas Dieter Berdaguer2021-08-19T21:35:32Zoai:portaldeperiodicos.animaeducacao.com.br:article/10253Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2021-08-19T21:35:32Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER LAS NOVELAS BREVES DE ONETTI, POR RICARDO PIGLIA: SECRETO, MACGUFFIN Y MARCO NARRATIVO. NOTAS PARA PENSAR EL ARTISTA-INVESTIGADOR |
title |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
spellingShingle |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER Rauschenberg, Nicholas Dieter Berdaguer Ricargo Piglia Juan Carlos Onetti Nouvelle Artist-researcher Macguffin Ricargo Piglia Juan Carlos Onetti Nouvelle Artista-investigador Mucguffin |
title_short |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
title_full |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
title_fullStr |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
title_full_unstemmed |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
title_sort |
THE SHORT NOVELS OF ONETTI, BY RICARDO PIGLIA: SECRET, MACGUFFIN AND NARRATIVE FRAME. NOTES TO THINK THE ARTIST-RESEARCHER |
author |
Rauschenberg, Nicholas Dieter Berdaguer |
author_facet |
Rauschenberg, Nicholas Dieter Berdaguer |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rauschenberg, Nicholas Dieter Berdaguer |
dc.subject.por.fl_str_mv |
Ricargo Piglia Juan Carlos Onetti Nouvelle Artist-researcher Macguffin Ricargo Piglia Juan Carlos Onetti Nouvelle Artista-investigador Mucguffin |
topic |
Ricargo Piglia Juan Carlos Onetti Nouvelle Artist-researcher Macguffin Ricargo Piglia Juan Carlos Onetti Nouvelle Artista-investigador Mucguffin |
description |
We will seek to analyze in this article the role of researcher-artist of the Argentine writer Ricardo Piglia. For this, we will reconstruct the main arguments of Piglia present in his classes on the short novels of the Uruguayan writer Juan Carlos Onetti, dictated in 1996, but only published in 2019. The first topic that we are interested in highlighting is the articulation between the secret and the Macguffin in the construction of the mystery of the story. The second topic that concerns us is the fictional construction of the narrative framework, considering the narrator’s bias as part of the story. We are especially interested in Piglia’s compositional gaze in his reading of Onetti. Finally, we will analyze two works by Piglia to understand how the author applies the compositional principles of his fictional reading in his own works: Prison perpetua and El camino de Ida. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10253 10.19177/rcc.v16e1202143-60 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10253 |
identifier_str_mv |
10.19177/rcc.v16e1202143-60 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10253/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 16 n. 1 (2021); 43-60 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553326362624 |