To fictionalise history: León Ferrari and the politics of assemblage
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5364 |
Resumo: | The artist is an assembler. His gesture is to intervene in the apparent consensus that naturalizes the progressive course of history to expose its artifice – its fable. Thus, the artist sets against the grain a disseminating reading of alternative narratives – of fictions. In other words, in front of an archive (of images, texts, times), the artist denatures the montage by means of the critical reinforcement of the montage. It is a kind of Foucaultian proposition, that is to say, a proposition of language to the infinite: addressed to the artistic work that exercises, at the possible threshold of experience, the contestation of the presuppositions of the State, the market, the media, and the Law. León Ferrari, an Argentine artist exiled in São Paulo during the last dictatorships that consumed the Southern Cone, always in conflict with the presuppositions of Western and Christian civilization, teaches with his exilic works that the historical memory is an a posteriori effect. |
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To fictionalise history: León Ferrari and the politics of assemblageFiccionar a história: León Ferrari e a política da montagemFiction. History. León Ferrari. Assemblage. Montage.Ficção. História. León Ferrari. Montagem.The artist is an assembler. His gesture is to intervene in the apparent consensus that naturalizes the progressive course of history to expose its artifice – its fable. Thus, the artist sets against the grain a disseminating reading of alternative narratives – of fictions. In other words, in front of an archive (of images, texts, times), the artist denatures the montage by means of the critical reinforcement of the montage. It is a kind of Foucaultian proposition, that is to say, a proposition of language to the infinite: addressed to the artistic work that exercises, at the possible threshold of experience, the contestation of the presuppositions of the State, the market, the media, and the Law. León Ferrari, an Argentine artist exiled in São Paulo during the last dictatorships that consumed the Southern Cone, always in conflict with the presuppositions of Western and Christian civilization, teaches with his exilic works that the historical memory is an a posteriori effect.O artista é um montador. Seu gesto é o de intervir no aparente consenso que naturaliza o curso progressivo da história para, expondo seu artifício – sua fábula –, estabelecer a contrapelo uma leitura disseminadora de narrativas – de ficções – alternativas.Ou seja: diante de um arquivo (de imagens, de textos, de tempos), o artista desnaturaliza a montagem por meio do reforço crítico da montagem. Espécie de proposição foucaultiana, vale dizer, proposição da linguagem ao infinito: endereçada ao fazer artístico que especula, no limiar possível da experiência, a contestação dos pressupostos do Estado, do mercado, da mídia, do Direito. León Ferrari, artista argentino exilado em São Paulo durante as últimas ditaduras que consumiram o Cone Sul, sempre em pugna com os pressupostos da civilização ocidental e cristã, ensina com seus trabalhos exílicos que a memória histórica é um efeito a posteriori.Universidade do Sul de Santa Catarina2017-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/536410.19177/rcc.v12e22017255-269Revista Crítica Cultural; v. 12 n. 2 (2017); 255-2691980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5364/pdfCopyright (c) 2017 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessGiorgi, Artur de Vargas2017-12-19T18:40:52Zoai:portaldeperiodicos.animaeducacao.com.br:article/5364Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-12-19T18:40:52Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
To fictionalise history: León Ferrari and the politics of assemblage Ficcionar a história: León Ferrari e a política da montagem |
title |
To fictionalise history: León Ferrari and the politics of assemblage |
spellingShingle |
To fictionalise history: León Ferrari and the politics of assemblage Giorgi, Artur de Vargas Fiction. History. León Ferrari. Assemblage. Montage. Ficção. História. León Ferrari. Montagem. |
title_short |
To fictionalise history: León Ferrari and the politics of assemblage |
title_full |
To fictionalise history: León Ferrari and the politics of assemblage |
title_fullStr |
To fictionalise history: León Ferrari and the politics of assemblage |
title_full_unstemmed |
To fictionalise history: León Ferrari and the politics of assemblage |
title_sort |
To fictionalise history: León Ferrari and the politics of assemblage |
author |
Giorgi, Artur de Vargas |
author_facet |
Giorgi, Artur de Vargas |
author_role |
author |
dc.contributor.author.fl_str_mv |
Giorgi, Artur de Vargas |
dc.subject.por.fl_str_mv |
Fiction. History. León Ferrari. Assemblage. Montage. Ficção. História. León Ferrari. Montagem. |
topic |
Fiction. History. León Ferrari. Assemblage. Montage. Ficção. História. León Ferrari. Montagem. |
description |
The artist is an assembler. His gesture is to intervene in the apparent consensus that naturalizes the progressive course of history to expose its artifice – its fable. Thus, the artist sets against the grain a disseminating reading of alternative narratives – of fictions. In other words, in front of an archive (of images, texts, times), the artist denatures the montage by means of the critical reinforcement of the montage. It is a kind of Foucaultian proposition, that is to say, a proposition of language to the infinite: addressed to the artistic work that exercises, at the possible threshold of experience, the contestation of the presuppositions of the State, the market, the media, and the Law. León Ferrari, an Argentine artist exiled in São Paulo during the last dictatorships that consumed the Southern Cone, always in conflict with the presuppositions of Western and Christian civilization, teaches with his exilic works that the historical memory is an a posteriori effect. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5364 10.19177/rcc.v12e22017255-269 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5364 |
identifier_str_mv |
10.19177/rcc.v12e22017255-269 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5364/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 12 n. 2 (2017); 255-269 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220552882814976 |