Dream Theories and Nuruddin Farah’s Dream Novel of Inversion

Detalhes bibliográficos
Autor(a) principal: Carbonieri, Divanize
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/952
Resumo: The aim of this paper is to establish a connection between dream studies and literature, analyzing how different dream theories influenced the reading and possibly the construction of three contemporary African novels. The object of analysis is the trilogy Blood in the sun by Somali writer Nuruddin Farah, in which the author proposes the combination of two narrative layers, one given by the characters’ experience in their vigil and another given by their dreams. The immobility experienced by them when they are fully awake, caused by the political and social oppression they face in their communities, is compensated in dream spaces, reversing what they experience in the real world. For the understanding of such works, in which dreams are not only appendages to narrative, but elements that intensely change the structure of the novels, it is necessary to extend the critical repertoire with the dialogue with multiple dream theories.
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spelling Dream Theories and Nuruddin Farah’s Dream Novel of InversionTeorias Oníricas e O Romance Onírico de Inversão de Nuruddin FarahDreamsLiterature. ImmobilityCompensationNuruddin FarahSonhosLiteratura. ImobilidadeCompensaçãoNuruddin FarahThe aim of this paper is to establish a connection between dream studies and literature, analyzing how different dream theories influenced the reading and possibly the construction of three contemporary African novels. The object of analysis is the trilogy Blood in the sun by Somali writer Nuruddin Farah, in which the author proposes the combination of two narrative layers, one given by the characters’ experience in their vigil and another given by their dreams. The immobility experienced by them when they are fully awake, caused by the political and social oppression they face in their communities, is compensated in dream spaces, reversing what they experience in the real world. For the understanding of such works, in which dreams are not only appendages to narrative, but elements that intensely change the structure of the novels, it is necessary to extend the critical repertoire with the dialogue with multiple dream theories.O objetivo deste trabalho é estabelecer uma conexão entre os estudos dos sonhos e a literatura, analisando como diversas teorias oníricas influenciaram a leitura e possivelmente a construção de três romances africanos contemporâneos. O objeto de análise é a trilogia Blood in the sun, do escritor somali Nuruddin Farah, na qual o autor propõe a combinação de duas camadas narrativas, uma dada pelo que os personagens experimentam em sua vida de vigília e a outra configurada por seus sonhos. A imobilidade experimentada por eles quando despertos, em virtude da opressão política e social que enfrentam em suas comunidades, é compensada nos espaços oníricos, que invertem o que vivenciam no mundo real. Para a compreensão de obras desse tipo, em que os sonhos não são apenas apêndices narrativos, mas elementos que alteram profundamente a estrutura romanesca, é necessário o alargamento do repertório crítico a partir do diálogo com múltiplas teorias oníricas.Universidade do Sul de Santa Catarina2012-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/95210.19177/rcc.v7e1201297-115Revista Crítica Cultural; v. 7 n. 1 (2012); 97-1151980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/952/pdf_42Carbonieri, Divanizeinfo:eu-repo/semantics/openAccess2016-09-30T20:18:46Zoai:portaldeperiodicos.animaeducacao.com.br:article/952Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T20:18:46Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
Teorias Oníricas e O Romance Onírico de Inversão de Nuruddin Farah
title Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
spellingShingle Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
Carbonieri, Divanize
Dreams
Literature. Immobility
Compensation
Nuruddin Farah
Sonhos
Literatura. Imobilidade
Compensação
Nuruddin Farah
title_short Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
title_full Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
title_fullStr Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
title_full_unstemmed Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
title_sort Dream Theories and Nuruddin Farah’s Dream Novel of Inversion
author Carbonieri, Divanize
author_facet Carbonieri, Divanize
author_role author
dc.contributor.author.fl_str_mv Carbonieri, Divanize
dc.subject.por.fl_str_mv Dreams
Literature. Immobility
Compensation
Nuruddin Farah
Sonhos
Literatura. Imobilidade
Compensação
Nuruddin Farah
topic Dreams
Literature. Immobility
Compensation
Nuruddin Farah
Sonhos
Literatura. Imobilidade
Compensação
Nuruddin Farah
description The aim of this paper is to establish a connection between dream studies and literature, analyzing how different dream theories influenced the reading and possibly the construction of three contemporary African novels. The object of analysis is the trilogy Blood in the sun by Somali writer Nuruddin Farah, in which the author proposes the combination of two narrative layers, one given by the characters’ experience in their vigil and another given by their dreams. The immobility experienced by them when they are fully awake, caused by the political and social oppression they face in their communities, is compensated in dream spaces, reversing what they experience in the real world. For the understanding of such works, in which dreams are not only appendages to narrative, but elements that intensely change the structure of the novels, it is necessary to extend the critical repertoire with the dialogue with multiple dream theories.
publishDate 2012
dc.date.none.fl_str_mv 2012-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/952
10.19177/rcc.v7e1201297-115
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/952
identifier_str_mv 10.19177/rcc.v7e1201297-115
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/952/pdf_42
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dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 7 n. 1 (2012); 97-115
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
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