Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448 |
Resumo: | Slam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs. |
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Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz PerformanceEspaço feminino nas competições de poesias Slam: discurso de resistência na performance de GabzPoetrySlamPerformanceSubpolitics.PoesiaSlamPerformanceSubpolíticaSlam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs.As Competições ou batalhas de poesias Slam têm sido compreendidas como um movimento social urbano de poetas-Slammers da periferia, que se juntam em espaços públicos para uma competição de poesia falada, na qual questões da atualidade são debatidas de forma poetizada e politizada. O movimento tem recebido maior visibilidade pela mídia digital, através das publicações realizadas pelas comunidades Slams em suas plataformas virtuais, revelando o espaço virtual como importante veículo de exercício da subpolítica. Considerando o exposto, este artigo objetiva analisar a performance poética feita pela jovem Slammer Gabz, no Slam do Grito filmes, veiculada no facebook. Na performance, são observados o discurso poético de Gabz, partindo do seu “lugar de fala”, conforme entendido por Djamila Ribeiro (2017), no qual ela denuncia a violência contra a mulher negra da periferia.Universidade do Sul de Santa Catarina2019-07-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/744810.19177/rcc.v14e1201999-110Revista Crítica Cultural; v. 14 n. 1 (2019); 99-1101980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448/pdfCopyright (c) 2019 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessPereira, Cilene MargareteEsposito, Domynique Roberta de Oliveira2019-07-08T20:31:50Zoai:portaldeperiodicos.animaeducacao.com.br:article/7448Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2019-07-08T20:31:50Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance Espaço feminino nas competições de poesias Slam: discurso de resistência na performance de Gabz |
title |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
spellingShingle |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance Pereira, Cilene Margarete Poetry Slam Performance Subpolitics. Poesia Slam Performance Subpolítica |
title_short |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
title_full |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
title_fullStr |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
title_full_unstemmed |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
title_sort |
Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance |
author |
Pereira, Cilene Margarete |
author_facet |
Pereira, Cilene Margarete Esposito, Domynique Roberta de Oliveira |
author_role |
author |
author2 |
Esposito, Domynique Roberta de Oliveira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pereira, Cilene Margarete Esposito, Domynique Roberta de Oliveira |
dc.subject.por.fl_str_mv |
Poetry Slam Performance Subpolitics. Poesia Slam Performance Subpolítica |
topic |
Poetry Slam Performance Subpolitics. Poesia Slam Performance Subpolítica |
description |
Slam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448 10.19177/rcc.v14e1201999-110 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448 |
identifier_str_mv |
10.19177/rcc.v14e1201999-110 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 14 n. 1 (2019); 99-110 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553246670848 |