Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance

Detalhes bibliográficos
Autor(a) principal: Pereira, Cilene Margarete
Data de Publicação: 2019
Outros Autores: Esposito, Domynique Roberta de Oliveira
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448
Resumo: Slam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs.
id UNISUL-2_fbde1dd4be979addc735f76ddaedc6a2
oai_identifier_str oai:portaldeperiodicos.animaeducacao.com.br:article/7448
network_acronym_str UNISUL-2
network_name_str Crítica Cultural (Online)
repository_id_str
spelling Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz PerformanceEspaço feminino nas competições de poesias Slam: discurso de resistência na performance de GabzPoetrySlamPerformanceSubpolitics.PoesiaSlamPerformanceSubpolíticaSlam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs.As Competições ou batalhas de poesias Slam têm sido compreendidas como um movimento social urbano de poetas-Slammers da periferia, que se juntam em espaços públicos para uma competição de poesia falada, na qual questões da atualidade são debatidas de forma poetizada e politizada. O movimento tem recebido maior visibilidade pela mídia digital, através das publicações realizadas pelas comunidades Slams em suas plataformas virtuais, revelando o espaço virtual como importante veículo de exercício da subpolítica. Considerando o exposto, este artigo objetiva analisar a performance poética feita pela jovem Slammer Gabz, no Slam do Grito filmes, veiculada no facebook. Na performance, são observados o discurso poético de Gabz, partindo do seu “lugar de fala”, conforme entendido por Djamila Ribeiro (2017), no qual ela denuncia a violência contra a mulher negra da periferia.Universidade do Sul de Santa Catarina2019-07-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/744810.19177/rcc.v14e1201999-110Revista Crítica Cultural; v. 14 n. 1 (2019); 99-1101980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448/pdfCopyright (c) 2019 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessPereira, Cilene MargareteEsposito, Domynique Roberta de Oliveira2019-07-08T20:31:50Zoai:portaldeperiodicos.animaeducacao.com.br:article/7448Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2019-07-08T20:31:50Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
Espaço feminino nas competições de poesias Slam: discurso de resistência na performance de Gabz
title Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
spellingShingle Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
Pereira, Cilene Margarete
Poetry
Slam
Performance
Subpolitics.
Poesia
Slam
Performance
Subpolítica
title_short Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
title_full Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
title_fullStr Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
title_full_unstemmed Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
title_sort Female Space in Slam’s Poetry Competitions: the Resistance Speech in Gabz Performance
author Pereira, Cilene Margarete
author_facet Pereira, Cilene Margarete
Esposito, Domynique Roberta de Oliveira
author_role author
author2 Esposito, Domynique Roberta de Oliveira
author2_role author
dc.contributor.author.fl_str_mv Pereira, Cilene Margarete
Esposito, Domynique Roberta de Oliveira
dc.subject.por.fl_str_mv Poetry
Slam
Performance
Subpolitics.
Poesia
Slam
Performance
Subpolítica
topic Poetry
Slam
Performance
Subpolitics.
Poesia
Slam
Performance
Subpolítica
description Slam’s competitions or battles have been understood as a poets social urban movement. – Suburbs Slammers, who get together in public spaces for a spoken poetry competition, where presente issues are debated in politicized and poetic ways. The movement has received greater view through digital media, through publications by Slam communities in their virtual platforms, revealing the virtual space as an importante mean for the exercice of subpolitics. Considering the exposed, this article aims at analyzing the poetic performance by the Young Slammer Gabz, from its “speech origin”, as understood by Djamila Ribeiro (2017), in which she denounces violence against black women in the suburbs.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448
10.19177/rcc.v14e1201999-110
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448
identifier_str_mv 10.19177/rcc.v14e1201999-110
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/7448/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 14 n. 1 (2019); 99-110
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220553246670848