The orchestra on the internet: OSESP and mediations on YouTube
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Memorare |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221 |
Resumo: | Since 2020, following the COVID-19 pandemic and its implications, it has been possible to notice an acceleration in the processes of platformization and digitalization of the production and consumption of cultural goods, products and services. As a result, it is possible to see a great impact on the forms of communication and interaction between the various agents in the cultural field, changing the dynamics of relationships, especially through online interaction tools. This article investigates the impact of such tools on orchestral mediation, analyzing comments made during concerts broadcast by the São Paulo State Symphony Orchestra on YouTube since the beginning of the pandemic. |
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The orchestra on the internet: OSESP and mediations on YouTubeA Orquestra que caiu nas redes: a OSESP e as mediações no YouTubePlatformizationOnline InteractionOrchestral MediationSão Paulo State Symphony OrchestraPlataformizaçãoInteração OnlineMediação OrquestralOrquestra Sinfônica do Estado de São PauloSince 2020, following the COVID-19 pandemic and its implications, it has been possible to notice an acceleration in the processes of platformization and digitalization of the production and consumption of cultural goods, products and services. As a result, it is possible to see a great impact on the forms of communication and interaction between the various agents in the cultural field, changing the dynamics of relationships, especially through online interaction tools. This article investigates the impact of such tools on orchestral mediation, analyzing comments made during concerts broadcast by the São Paulo State Symphony Orchestra on YouTube since the beginning of the pandemic.Desde 2020, a partir da pandemia de COVID-19 e das suas implicações, foi possível notar a aceleração nos processos de plataformização e digitalização da produção e consumo de bens, produtos e serviços culturais. Com isso, percebe-se um grande impacto nas formas de comunicação e interação entre os diversos agentes do campo cultural, alterando as dinâmicas das relações, especialmente a partir de ferramentas de interação online. Este artigo investiga o impacto de tais ferramentas na mediação orquestral, analisando os comentários feitos durante os concertos transmitidos pela Orquestra Sinfônica do Estado de São Paulo no YouTube desde o início da pandemia.Editora Unisul2023-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221Revista Memorare; v. 10 n. 2 (2023): Especial Dossiê: Linguagem e comunicação digital no contexto pós-pandêmico; 52-722358-05932358-0593reponame:Revista Memorareinstname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221/19042Copyright (c) 2023 José Márcio Barros, Pedro Henrique Mendonça Marques, Tayane Bragançahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBarros, José MárcioMendonça Marques, Pedro HenriqueBragança, Tayane2023-12-19T21:57:01Zoai:portaldeperiodicos.animaeducacao.com.br:article/20221Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupepPUBhttps://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/oai||revistamemorare@outlook.com2358-05932358-0593opendoar:2023-12-19T21:57:01Revista Memorare - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
The orchestra on the internet: OSESP and mediations on YouTube A Orquestra que caiu nas redes: a OSESP e as mediações no YouTube |
title |
The orchestra on the internet: OSESP and mediations on YouTube |
spellingShingle |
The orchestra on the internet: OSESP and mediations on YouTube Barros, José Márcio Platformization Online Interaction Orchestral Mediation São Paulo State Symphony Orchestra Plataformização Interação Online Mediação Orquestral Orquestra Sinfônica do Estado de São Paulo |
title_short |
The orchestra on the internet: OSESP and mediations on YouTube |
title_full |
The orchestra on the internet: OSESP and mediations on YouTube |
title_fullStr |
The orchestra on the internet: OSESP and mediations on YouTube |
title_full_unstemmed |
The orchestra on the internet: OSESP and mediations on YouTube |
title_sort |
The orchestra on the internet: OSESP and mediations on YouTube |
author |
Barros, José Márcio |
author_facet |
Barros, José Márcio Mendonça Marques, Pedro Henrique Bragança, Tayane |
author_role |
author |
author2 |
Mendonça Marques, Pedro Henrique Bragança, Tayane |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Barros, José Márcio Mendonça Marques, Pedro Henrique Bragança, Tayane |
dc.subject.por.fl_str_mv |
Platformization Online Interaction Orchestral Mediation São Paulo State Symphony Orchestra Plataformização Interação Online Mediação Orquestral Orquestra Sinfônica do Estado de São Paulo |
topic |
Platformization Online Interaction Orchestral Mediation São Paulo State Symphony Orchestra Plataformização Interação Online Mediação Orquestral Orquestra Sinfônica do Estado de São Paulo |
description |
Since 2020, following the COVID-19 pandemic and its implications, it has been possible to notice an acceleration in the processes of platformization and digitalization of the production and consumption of cultural goods, products and services. As a result, it is possible to see a great impact on the forms of communication and interaction between the various agents in the cultural field, changing the dynamics of relationships, especially through online interaction tools. This article investigates the impact of such tools on orchestral mediation, analyzing comments made during concerts broadcast by the São Paulo State Symphony Orchestra on YouTube since the beginning of the pandemic. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/memorare_grupep/article/view/20221/19042 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 José Márcio Barros, Pedro Henrique Mendonça Marques, Tayane Bragança http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 José Márcio Barros, Pedro Henrique Mendonça Marques, Tayane Bragança http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora Unisul |
publisher.none.fl_str_mv |
Editora Unisul |
dc.source.none.fl_str_mv |
Revista Memorare; v. 10 n. 2 (2023): Especial Dossiê: Linguagem e comunicação digital no contexto pós-pandêmico; 52-72 2358-0593 2358-0593 reponame:Revista Memorare instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Revista Memorare |
collection |
Revista Memorare |
repository.name.fl_str_mv |
Revista Memorare - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
||revistamemorare@outlook.com |
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