Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60

Detalhes bibliográficos
Autor(a) principal: da Costa Garcia, Tânia [UNESP]
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/219565
Resumo: Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.
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spelling Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60Popular music, nationalism consumption and politics in chile during the 1940's and 1960'sChilean popular musicConsumptionFolkloreNational identityPoliticsPopular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.UNESP/Franca-São Paulo Universidade Estadual Paulista Júlio de Mesquita FilhoUNESP/Franca-São Paulo Universidade Estadual Paulista Júlio de Mesquita FilhoUniversidade Estadual Paulista (UNESP)da Costa Garcia, Tânia [UNESP]2022-04-28T18:56:15Z2022-04-28T18:56:15Z2009-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article11-28Revista Musical Chilena, v. 64, n. 212, p. 11-28, 2009.0716-27900717-6252http://hdl.handle.net/11449/2195652-s2.0-77953917909Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspaRevista Musical Chilenainfo:eu-repo/semantics/openAccess2022-04-28T18:56:15Zoai:repositorio.unesp.br:11449/219565Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T15:05:58.053191Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
Popular music, nationalism consumption and politics in chile during the 1940's and 1960's
title Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
spellingShingle Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
da Costa Garcia, Tânia [UNESP]
Chilean popular music
Consumption
Folklore
National identity
Politics
title_short Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
title_full Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
title_fullStr Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
title_full_unstemmed Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
title_sort Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60
author da Costa Garcia, Tânia [UNESP]
author_facet da Costa Garcia, Tânia [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (UNESP)
dc.contributor.author.fl_str_mv da Costa Garcia, Tânia [UNESP]
dc.subject.por.fl_str_mv Chilean popular music
Consumption
Folklore
National identity
Politics
topic Chilean popular music
Consumption
Folklore
National identity
Politics
description Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-01
2022-04-28T18:56:15Z
2022-04-28T18:56:15Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv Revista Musical Chilena, v. 64, n. 212, p. 11-28, 2009.
0716-2790
0717-6252
http://hdl.handle.net/11449/219565
2-s2.0-77953917909
identifier_str_mv Revista Musical Chilena, v. 64, n. 212, p. 11-28, 2009.
0716-2790
0717-6252
2-s2.0-77953917909
url http://hdl.handle.net/11449/219565
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv Revista Musical Chilena
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 11-28
dc.source.none.fl_str_mv Scopus
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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