Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/127915 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846709.pdf |
Resumo: | The research field in which this work can be inserted in is that of the intricate relations between literature and cinema, and its subject matter is Guerra conjugal (1975), a film adaptation by one of the exponents of Cinema Novo in Brazil, Joaquim Pedro de Andrade, for some short-stories by Dalton Trevisan, one of the most important writers in Portuguese. Taking the adaptive effort as a critical translation and not at all accustomed, therefore, to the requirement of fidelity to the original work, the objective of this research is to demonstrate, by the analysis of the filmic narrative sequence dedicated to the decadent vampire figure of Nelsinho, the anthropophagic orientation that (1), in a positive sense, guides the creative method of the filmmaker Joaquim Pedro, whose work holds closely and fruitful dialogue with the Brazilian literature, but without undergoing the books; and (2), now in a negative way, permeates the loving battles of Guerra conjugal, which characters' intentions are to dominate, to impose, finally, to eat each other through the sexual experience, in a choice that lines up the film to at least two major inclinations of the cinema from that decade: sex as a political banner and the picture of decay through the chronic of private life. To achieve this goal, efforts will be made to identify the short-stories by Dalton Trevisan used for the composition of Nelsinho's path along the film as well as the main literary expedients of the writer from Curitiba, while considering the context of growth of the short-story in Brazil between the decades 1960-1970. Then it will be tried to analyze in details the narrative of the film adaptation, in a way to highlight how Joaquim Pedro translated the short-stories to the screen, rewriting Trevisan's literature in a filmic genre of a broad popular appeal, the pornochanchada, to which recurring features the filmmaker adheres in principle just to subvert them after |
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Guerra conjugal: o cinema antropofágico de Joaquim Pedro de AndradeAndrade, Joaquim Pedro de 1932-1988Trevisan, Dalton 1925AntropofagiaCinemaRepresentação cinematográficaMotion picture actingThe research field in which this work can be inserted in is that of the intricate relations between literature and cinema, and its subject matter is Guerra conjugal (1975), a film adaptation by one of the exponents of Cinema Novo in Brazil, Joaquim Pedro de Andrade, for some short-stories by Dalton Trevisan, one of the most important writers in Portuguese. Taking the adaptive effort as a critical translation and not at all accustomed, therefore, to the requirement of fidelity to the original work, the objective of this research is to demonstrate, by the analysis of the filmic narrative sequence dedicated to the decadent vampire figure of Nelsinho, the anthropophagic orientation that (1), in a positive sense, guides the creative method of the filmmaker Joaquim Pedro, whose work holds closely and fruitful dialogue with the Brazilian literature, but without undergoing the books; and (2), now in a negative way, permeates the loving battles of Guerra conjugal, which characters' intentions are to dominate, to impose, finally, to eat each other through the sexual experience, in a choice that lines up the film to at least two major inclinations of the cinema from that decade: sex as a political banner and the picture of decay through the chronic of private life. To achieve this goal, efforts will be made to identify the short-stories by Dalton Trevisan used for the composition of Nelsinho's path along the film as well as the main literary expedients of the writer from Curitiba, while considering the context of growth of the short-story in Brazil between the decades 1960-1970. Then it will be tried to analyze in details the narrative of the film adaptation, in a way to highlight how Joaquim Pedro translated the short-stories to the screen, rewriting Trevisan's literature in a filmic genre of a broad popular appeal, the pornochanchada, to which recurring features the filmmaker adheres in principle just to subvert them afterO campo de pesquisa no qual este trabalho se insere é o das intricadas relações entre literatura e cinema, e seu objeto de estudo é Guerra conjugal (1975), adaptação cinematográfica de Joaquim Pedro de Andrade, um dos expoentes do Cinema Novo, para alguns contos de Dalton Trevisan, um dos mais importantes escritores em língua portuguesa. Tomando-se o esforço adaptativo por tradução crítica e, portanto, nada afeito à exigência de fidelidade à obra original, o objetivo deste trabalho consiste em demonstrar, mediante análise do seguimento narrativo fílmico dedicado à decadente figura vampírica de Nelsinho, a orientação antropofágica que (1), em sentido positivo, norteia o método criativo do cineasta, cuja obra mantém estreito e fértil diálogo com a literatura nacional, mas sem a ela se submeter; e (2), agora em chave negativa, permeia as batalhas amorosas registradas em Guerra conjugal, em sua declarada intenção de dominar, impor-se, enfim, devorar o outro através do sexo, em tratamento que alinha o filme a ao menos duas grandes tendências do cinema de então: o sexo como bandeira política e o retrato da decadência via crônica da vida privada. Para a consecução de tal objetivo, procurar-se-á identificar os contos-base de Dalton Trevisan utilizados para a composição da trajetória de Nelsinho no longa-metragem, bem como os principais expedientes da literatura do escritor curitibano, sem deixar de considerar o contexto de explosão do gênero conto no Brasil entre as décadas de 1960-1970. Em seguida, analisarse- á pormenorizadamente a narrativa do filme-resultado, procurando-se evidenciar o modo como Joaquim Pedro traduziu os contos, ao reelaborar a literatura de Trevisan no interior de um gênero cinematográfico de amplo apelo popular, a pornochanchada, a cujos traços mais recorrentes o cineasta adere, em princípio, apenas para subvertê-los na sequênciaUniversidade Estadual Paulista (Unesp)Baldan, Maria de Lourdes Ortiz Gandini [UNESP]Universidade Estadual Paulista (Unesp)Ferreira, Douglas de Magalhães [UNESP]2015-09-17T15:26:29Z2015-09-17T15:26:29Z2015-05-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis154 f. : fots.application/pdfFERREIRA, Douglas de Magalhães. Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade. 2015. 154 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015.http://hdl.handle.net/11449/127915000846709http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846709.pdf33004030016P09077609822284701Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2024-06-12T14:27:42Zoai:repositorio.unesp.br:11449/127915Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T19:41:09.161032Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
title |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
spellingShingle |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade Ferreira, Douglas de Magalhães [UNESP] Andrade, Joaquim Pedro de 1932-1988 Trevisan, Dalton 1925 Antropofagia Cinema Representação cinematográfica Motion picture acting |
title_short |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
title_full |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
title_fullStr |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
title_full_unstemmed |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
title_sort |
Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade |
author |
Ferreira, Douglas de Magalhães [UNESP] |
author_facet |
Ferreira, Douglas de Magalhães [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Baldan, Maria de Lourdes Ortiz Gandini [UNESP] Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Ferreira, Douglas de Magalhães [UNESP] |
dc.subject.por.fl_str_mv |
Andrade, Joaquim Pedro de 1932-1988 Trevisan, Dalton 1925 Antropofagia Cinema Representação cinematográfica Motion picture acting |
topic |
Andrade, Joaquim Pedro de 1932-1988 Trevisan, Dalton 1925 Antropofagia Cinema Representação cinematográfica Motion picture acting |
description |
The research field in which this work can be inserted in is that of the intricate relations between literature and cinema, and its subject matter is Guerra conjugal (1975), a film adaptation by one of the exponents of Cinema Novo in Brazil, Joaquim Pedro de Andrade, for some short-stories by Dalton Trevisan, one of the most important writers in Portuguese. Taking the adaptive effort as a critical translation and not at all accustomed, therefore, to the requirement of fidelity to the original work, the objective of this research is to demonstrate, by the analysis of the filmic narrative sequence dedicated to the decadent vampire figure of Nelsinho, the anthropophagic orientation that (1), in a positive sense, guides the creative method of the filmmaker Joaquim Pedro, whose work holds closely and fruitful dialogue with the Brazilian literature, but without undergoing the books; and (2), now in a negative way, permeates the loving battles of Guerra conjugal, which characters' intentions are to dominate, to impose, finally, to eat each other through the sexual experience, in a choice that lines up the film to at least two major inclinations of the cinema from that decade: sex as a political banner and the picture of decay through the chronic of private life. To achieve this goal, efforts will be made to identify the short-stories by Dalton Trevisan used for the composition of Nelsinho's path along the film as well as the main literary expedients of the writer from Curitiba, while considering the context of growth of the short-story in Brazil between the decades 1960-1970. Then it will be tried to analyze in details the narrative of the film adaptation, in a way to highlight how Joaquim Pedro translated the short-stories to the screen, rewriting Trevisan's literature in a filmic genre of a broad popular appeal, the pornochanchada, to which recurring features the filmmaker adheres in principle just to subvert them after |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-09-17T15:26:29Z 2015-09-17T15:26:29Z 2015-05-28 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
FERREIRA, Douglas de Magalhães. Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade. 2015. 154 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015. http://hdl.handle.net/11449/127915 000846709 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846709.pdf 33004030016P0 9077609822284701 |
identifier_str_mv |
FERREIRA, Douglas de Magalhães. Guerra conjugal: o cinema antropofágico de Joaquim Pedro de Andrade. 2015. 154 f. Dissertação (mestrado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciencias e Letras (Campus de Araraquara), 2015. 000846709 33004030016P0 9077609822284701 |
url |
http://hdl.handle.net/11449/127915 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-09-2015/000846709.pdf |
dc.language.iso.fl_str_mv |
por |
language |
por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
154 f. : fots. application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
publisher.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
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Aleph reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
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Universidade Estadual Paulista (UNESP) |
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UNESP |
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UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
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1808129106968051712 |