Estética em revolução
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2012 |
| Outros Autores: | , , , , , |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Repositório Institucional da UNESP |
| Texto Completo: | http://proceedings.copec.org.br/index.php/wcca/article/view/164 http://hdl.handle.net/11449/134976 |
Resumo: | The difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma. |
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Estética em revoluçãoLanguagesAlmada negreirosAestheticsThe difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma.Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Comunicação Social, Bauru, SP, BrasilUniversidade Estadual de Maringá (UEM), Maringá, PR, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Comunicação Social, Bauru, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista (Unesp)Universidade Estadual de Maringá (UEM)Domingos, Adenil Alfeu [UNESP]Cortez, Clarice ZamonaroSerrano, Eliane Patrícia Grandini [UNESP]Biondo, Guiomar Josefina [UNESP]Costa, Maria Luiza Calim de Carvalho [UNESP]Salzedas, Nelyse Apparecida Melro [UNESP]Brito, Sônia de [UNESP]2016-03-02T12:59:12Z2016-03-02T12:59:12Z2012info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article186-190application/pdfhttp://proceedings.copec.org.br/index.php/wcca/article/view/164Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012.2317-1707http://hdl.handle.net/11449/134976ISSN2317-1707-2012-05-01-186-190.pdf83669578240030302885006257077847220914376719838243107383141794960000-0003-0086-643XCurrículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporProceedings of World Congress on Communication and Artsinfo:eu-repo/semantics/openAccess2024-04-17T15:50:20Zoai:repositorio.unesp.br:11449/134976Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T19:18:49.782415Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
| dc.title.none.fl_str_mv |
Estética em revolução |
| title |
Estética em revolução |
| spellingShingle |
Estética em revolução Domingos, Adenil Alfeu [UNESP] Languages Almada negreiros Aesthetics |
| title_short |
Estética em revolução |
| title_full |
Estética em revolução |
| title_fullStr |
Estética em revolução |
| title_full_unstemmed |
Estética em revolução |
| title_sort |
Estética em revolução |
| author |
Domingos, Adenil Alfeu [UNESP] |
| author_facet |
Domingos, Adenil Alfeu [UNESP] Cortez, Clarice Zamonaro Serrano, Eliane Patrícia Grandini [UNESP] Biondo, Guiomar Josefina [UNESP] Costa, Maria Luiza Calim de Carvalho [UNESP] Salzedas, Nelyse Apparecida Melro [UNESP] Brito, Sônia de [UNESP] |
| author_role |
author |
| author2 |
Cortez, Clarice Zamonaro Serrano, Eliane Patrícia Grandini [UNESP] Biondo, Guiomar Josefina [UNESP] Costa, Maria Luiza Calim de Carvalho [UNESP] Salzedas, Nelyse Apparecida Melro [UNESP] Brito, Sônia de [UNESP] |
| author2_role |
author author author author author author |
| dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) Universidade Estadual de Maringá (UEM) |
| dc.contributor.author.fl_str_mv |
Domingos, Adenil Alfeu [UNESP] Cortez, Clarice Zamonaro Serrano, Eliane Patrícia Grandini [UNESP] Biondo, Guiomar Josefina [UNESP] Costa, Maria Luiza Calim de Carvalho [UNESP] Salzedas, Nelyse Apparecida Melro [UNESP] Brito, Sônia de [UNESP] |
| dc.subject.por.fl_str_mv |
Languages Almada negreiros Aesthetics |
| topic |
Languages Almada negreiros Aesthetics |
| description |
The difficulty lies in dealing with the texts of Almada Negreiros focuses on language, search for expression. Saramago, in his texts of various kinds, "Manual of Painting and Calligraphy" and "The world's largest flower," suffers by seeking representative languages. Which one is less difficult, less traumatic, painting or writing? In conclusion, the two are so much paint as painful to write. Compare them to the knife ripping a sheet of paper. Almada entangled in them all as a poet, novelist, painter, designer, playwright. Through them, we sought from "Before You Begin" to "Getting Started", always be in alpha. The text that follows is entitled Aesthetics in Revolution, it may cover the surrounding poetic Alma. |
| publishDate |
2012 |
| dc.date.none.fl_str_mv |
2012 2016-03-02T12:59:12Z 2016-03-02T12:59:12Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/article |
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article |
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publishedVersion |
| dc.identifier.uri.fl_str_mv |
http://proceedings.copec.org.br/index.php/wcca/article/view/164 Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012. 2317-1707 http://hdl.handle.net/11449/134976 ISSN2317-1707-2012-05-01-186-190.pdf 8366957824003030 2885006257077847 2209143767198382 4310738314179496 0000-0003-0086-643X |
| url |
http://proceedings.copec.org.br/index.php/wcca/article/view/164 http://hdl.handle.net/11449/134976 |
| identifier_str_mv |
Proceedings of World Congress on Communication and Arts, v. 5, n. 1, p. 186-190, 2012. 2317-1707 ISSN2317-1707-2012-05-01-186-190.pdf 8366957824003030 2885006257077847 2209143767198382 4310738314179496 0000-0003-0086-643X |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
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Proceedings of World Congress on Communication and Arts |
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info:eu-repo/semantics/openAccess |
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openAccess |
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186-190 application/pdf |
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Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
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Universidade Estadual Paulista (UNESP) |
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UNESP |
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UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP |
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Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
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1808129051208974336 |