Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola

Detalhes bibliográficos
Autor(a) principal: Borsato, Fabiane Renata [UNESP]
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/227184
Resumo: The work Corola, by Claudia Roquette-Pinto (2000), introduces a consistent poetic project arising from the use of expressive metalinguistic resources and of its cohesive structure. Resorting to intratextuality promotes the unity and the metalinguistic reflections of the book's 48 poems. The dialog with the literary tradition is simultaneous with the awareness of the enunciators that the poetry of Corola is intervallic and fissile. The initial 47 untitled poems build a strong relationship of continuity and revealing interdependence of a presence of a theory of the poetic creation based on misfortunes. The lyricism in Corola does not present marks of self-pity related to the castaway situation announced in the last poem of the work. The adjectives exhausted, torn, discredited ascribed to the poetic self, make it unfold into another, critical appreciator of their own poetic noises and a conscious hostage of an intermittent and lacunar time which favors the construction of a poetics of a patient wait for the rescue of the poetry and of the development into a reader-spectator of himself or herself and of the poetic text. We will analyze some metalinguistic procedures and compositional concerns announced by Corolas poetic selves, as well as the recurrent figure of the garden as a poetic space.
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spelling Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de CorolaThe solitude of a castaway: Claudia Roquette-Pinto's poetics in the gardens of CorolaClaudia Roquette-PintoCorolaGardenMetalanguageThe work Corola, by Claudia Roquette-Pinto (2000), introduces a consistent poetic project arising from the use of expressive metalinguistic resources and of its cohesive structure. Resorting to intratextuality promotes the unity and the metalinguistic reflections of the book's 48 poems. The dialog with the literary tradition is simultaneous with the awareness of the enunciators that the poetry of Corola is intervallic and fissile. The initial 47 untitled poems build a strong relationship of continuity and revealing interdependence of a presence of a theory of the poetic creation based on misfortunes. The lyricism in Corola does not present marks of self-pity related to the castaway situation announced in the last poem of the work. The adjectives exhausted, torn, discredited ascribed to the poetic self, make it unfold into another, critical appreciator of their own poetic noises and a conscious hostage of an intermittent and lacunar time which favors the construction of a poetics of a patient wait for the rescue of the poetry and of the development into a reader-spectator of himself or herself and of the poetic text. We will analyze some metalinguistic procedures and compositional concerns announced by Corolas poetic selves, as well as the recurrent figure of the garden as a poetic space.UNESP - Universidade Estadual Paulista Júlio de Mesquita Filho Departamento de Literatura, Araraquara - SP - 14800-901UNESP - Universidade Estadual Paulista Júlio de Mesquita Filho Departamento de Literatura, Araraquara - SP - 14800-901Universidade Estadual Paulista (UNESP)Borsato, Fabiane Renata [UNESP]2022-04-29T07:11:52Z2022-04-29T07:11:52Z2011-12-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article83-100Revista de Letras, v. 51, n. 2, p. 83-100, 2011.0101-35051981-7886http://hdl.handle.net/11449/2271842-s2.0-84879401685Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRevista de Letrasinfo:eu-repo/semantics/openAccess2024-06-11T13:38:16Zoai:repositorio.unesp.br:11449/227184Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T23:41:20.673640Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
The solitude of a castaway: Claudia Roquette-Pinto's poetics in the gardens of Corola
title Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
spellingShingle Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
Borsato, Fabiane Renata [UNESP]
Claudia Roquette-Pinto
Corola
Garden
Metalanguage
title_short Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
title_full Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
title_fullStr Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
title_full_unstemmed Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
title_sort Solidão de náufrago: A poética de Claudia Roquette-Pinto nos jardins de Corola
author Borsato, Fabiane Renata [UNESP]
author_facet Borsato, Fabiane Renata [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (UNESP)
dc.contributor.author.fl_str_mv Borsato, Fabiane Renata [UNESP]
dc.subject.por.fl_str_mv Claudia Roquette-Pinto
Corola
Garden
Metalanguage
topic Claudia Roquette-Pinto
Corola
Garden
Metalanguage
description The work Corola, by Claudia Roquette-Pinto (2000), introduces a consistent poetic project arising from the use of expressive metalinguistic resources and of its cohesive structure. Resorting to intratextuality promotes the unity and the metalinguistic reflections of the book's 48 poems. The dialog with the literary tradition is simultaneous with the awareness of the enunciators that the poetry of Corola is intervallic and fissile. The initial 47 untitled poems build a strong relationship of continuity and revealing interdependence of a presence of a theory of the poetic creation based on misfortunes. The lyricism in Corola does not present marks of self-pity related to the castaway situation announced in the last poem of the work. The adjectives exhausted, torn, discredited ascribed to the poetic self, make it unfold into another, critical appreciator of their own poetic noises and a conscious hostage of an intermittent and lacunar time which favors the construction of a poetics of a patient wait for the rescue of the poetry and of the development into a reader-spectator of himself or herself and of the poetic text. We will analyze some metalinguistic procedures and compositional concerns announced by Corolas poetic selves, as well as the recurrent figure of the garden as a poetic space.
publishDate 2011
dc.date.none.fl_str_mv 2011-12-01
2022-04-29T07:11:52Z
2022-04-29T07:11:52Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv Revista de Letras, v. 51, n. 2, p. 83-100, 2011.
0101-3505
1981-7886
http://hdl.handle.net/11449/227184
2-s2.0-84879401685
identifier_str_mv Revista de Letras, v. 51, n. 2, p. 83-100, 2011.
0101-3505
1981-7886
2-s2.0-84879401685
url http://hdl.handle.net/11449/227184
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv Revista de Letras
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 83-100
dc.source.none.fl_str_mv Scopus
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
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institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
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