CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES?
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.18542/RMI.V16I26.11140 http://hdl.handle.net/11449/240514 |
Resumo: | The present work discusses the animated film “The Pirates City” (2018), directed by Otto Guerra and premiered by the cartoonist Laerte Coutinho, that corporates on screen questions about her transgender process, the adoption of a transvestite identity for herself and about the critic/desconstruction of present masculinities in her works since the decade of 1980. In a succession of layers disposed on a bricolage of comic books, construction of scripts, interviews, protagonists dilemmas and historical contexts of power coloniality, from the individual, from nature, from gender and from knowledge in Brazil, the animated film is a producing artifact of a cultural pedagogy to teach ways of being and thinking the “worldcystem” capitalistic - colonial - patriarchal, especially with the late scenery of a fascist neoconservative escalation at political and social territories of the country. Anchored in post-structuralist theorizations and in descolonial and (trans)feminist pluriepistemic benchmark, we have analyzed the animated film, highlighting as a “pirate pedagogy” can shake the normative codes of production of knowledge, speeches and practices imposed to bodies, also performing a different genealogy for the sexualities and genders of people from the (de)construction of a “new” physical body, but also epistemological, from Laerte. |
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CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES?CORPOS CAMBIANTES EM “A CIDADE DOS PIRATAS”: É POSSÍVEL UMA PEDAGOGIA “LAERTE” PARA ABALAR AS COLONIALIDADES E OS FASCISMOS IMPOSTOS AOS GÊNEROS?ColonialityFeminismSexualitiesTransvestilitiesThe present work discusses the animated film “The Pirates City” (2018), directed by Otto Guerra and premiered by the cartoonist Laerte Coutinho, that corporates on screen questions about her transgender process, the adoption of a transvestite identity for herself and about the critic/desconstruction of present masculinities in her works since the decade of 1980. In a succession of layers disposed on a bricolage of comic books, construction of scripts, interviews, protagonists dilemmas and historical contexts of power coloniality, from the individual, from nature, from gender and from knowledge in Brazil, the animated film is a producing artifact of a cultural pedagogy to teach ways of being and thinking the “worldcystem” capitalistic - colonial - patriarchal, especially with the late scenery of a fascist neoconservative escalation at political and social territories of the country. Anchored in post-structuralist theorizations and in descolonial and (trans)feminist pluriepistemic benchmark, we have analyzed the animated film, highlighting as a “pirate pedagogy” can shake the normative codes of production of knowledge, speeches and practices imposed to bodies, also performing a different genealogy for the sexualities and genders of people from the (de)construction of a “new” physical body, but also epistemological, from Laerte.Universidade Estadual de Maringá - UEMDepartamento de Biologia Licenciada em Ciências Biológicas (UNESP)Departamento de Biologia Licenciada em Ciências Biológicas (UNESP)Universidade Estadual de Maringá (UEM)Universidade Estadual Paulista (UNESP)Carvalho, Fabiana Aparecida de [UNESP]Inocêncio, Adalberto Ferdnando2023-03-01T20:20:31Z2023-03-01T20:20:31Z2022-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article137-166http://dx.doi.org/10.18542/RMI.V16I26.11140Margens, v. 16, n. 26, p. 137-166, 2022.1982-53741806-0560http://hdl.handle.net/11449/24051410.18542/RMI.V16I26.111402-s2.0-85134592489Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporMargensinfo:eu-repo/semantics/openAccess2023-03-01T20:20:31Zoai:repositorio.unesp.br:11449/240514Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T15:49:26.836430Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? CORPOS CAMBIANTES EM “A CIDADE DOS PIRATAS”: É POSSÍVEL UMA PEDAGOGIA “LAERTE” PARA ABALAR AS COLONIALIDADES E OS FASCISMOS IMPOSTOS AOS GÊNEROS? |
title |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
spellingShingle |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? Carvalho, Fabiana Aparecida de [UNESP] Coloniality Feminism Sexualities Transvestilities |
title_short |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
title_full |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
title_fullStr |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
title_full_unstemmed |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
title_sort |
CHANGING BODIES IN “THE CITY OF PIRATES”: IS A “LAERTE” PEDAGOGY POSSIBLE TO SHAKE COLONIALITIES AND FASCISMS IMPOSED ON GENRES? |
author |
Carvalho, Fabiana Aparecida de [UNESP] |
author_facet |
Carvalho, Fabiana Aparecida de [UNESP] Inocêncio, Adalberto Ferdnando |
author_role |
author |
author2 |
Inocêncio, Adalberto Ferdnando |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual de Maringá (UEM) Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Carvalho, Fabiana Aparecida de [UNESP] Inocêncio, Adalberto Ferdnando |
dc.subject.por.fl_str_mv |
Coloniality Feminism Sexualities Transvestilities |
topic |
Coloniality Feminism Sexualities Transvestilities |
description |
The present work discusses the animated film “The Pirates City” (2018), directed by Otto Guerra and premiered by the cartoonist Laerte Coutinho, that corporates on screen questions about her transgender process, the adoption of a transvestite identity for herself and about the critic/desconstruction of present masculinities in her works since the decade of 1980. In a succession of layers disposed on a bricolage of comic books, construction of scripts, interviews, protagonists dilemmas and historical contexts of power coloniality, from the individual, from nature, from gender and from knowledge in Brazil, the animated film is a producing artifact of a cultural pedagogy to teach ways of being and thinking the “worldcystem” capitalistic - colonial - patriarchal, especially with the late scenery of a fascist neoconservative escalation at political and social territories of the country. Anchored in post-structuralist theorizations and in descolonial and (trans)feminist pluriepistemic benchmark, we have analyzed the animated film, highlighting as a “pirate pedagogy” can shake the normative codes of production of knowledge, speeches and practices imposed to bodies, also performing a different genealogy for the sexualities and genders of people from the (de)construction of a “new” physical body, but also epistemological, from Laerte. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-01 2023-03-01T20:20:31Z 2023-03-01T20:20:31Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.18542/RMI.V16I26.11140 Margens, v. 16, n. 26, p. 137-166, 2022. 1982-5374 1806-0560 http://hdl.handle.net/11449/240514 10.18542/RMI.V16I26.11140 2-s2.0-85134592489 |
url |
http://dx.doi.org/10.18542/RMI.V16I26.11140 http://hdl.handle.net/11449/240514 |
identifier_str_mv |
Margens, v. 16, n. 26, p. 137-166, 2022. 1982-5374 1806-0560 10.18542/RMI.V16I26.11140 2-s2.0-85134592489 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Margens |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
137-166 |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128567605723136 |