“Unsilencing” the Silence: Unacknowledged silent pieces
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.20504/OPUS2020C2617 http://hdl.handle.net/11449/205937 |
Resumo: | The following work seeks to restore from obscurity three silent pieces of music that predate John Cage’s 4’33” and establish the reasons why they have not been acknowledged as being the first silent pieces. Hence, we present our methodology, analysis, and conclusion based on the motives that led them to musicological oblivion, their relevance in the context of experimental music, and why 4’33” was possible in its zeitgeist. |
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2946 |
spelling |
“Unsilencing” the Silence: Unacknowledged silent piecesQuebrando o silêncio: Peças silenciosas não reconhecidasExperimentalismHumorous musicSilent piecesThe following work seeks to restore from obscurity three silent pieces of music that predate John Cage’s 4’33” and establish the reasons why they have not been acknowledged as being the first silent pieces. Hence, we present our methodology, analysis, and conclusion based on the motives that led them to musicological oblivion, their relevance in the context of experimental music, and why 4’33” was possible in its zeitgeist.UnespUnespUniversidade Estadual Paulista (Unesp)Borges Pena, Eder Wilker [UNESP]2021-06-25T10:23:55Z2021-06-25T10:23:55Z2020-09-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://dx.doi.org/10.20504/OPUS2020C2617Opus, v. 26, n. 3, 2020.1517-70170103-7412http://hdl.handle.net/11449/20593710.20504/OPUS2020C26172-s2.0-85101375213Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPengOpusinfo:eu-repo/semantics/openAccess2021-10-22T20:04:17Zoai:repositorio.unesp.br:11449/205937Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T22:59:41.382354Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
“Unsilencing” the Silence: Unacknowledged silent pieces Quebrando o silêncio: Peças silenciosas não reconhecidas |
title |
“Unsilencing” the Silence: Unacknowledged silent pieces |
spellingShingle |
“Unsilencing” the Silence: Unacknowledged silent pieces Borges Pena, Eder Wilker [UNESP] Experimentalism Humorous music Silent pieces |
title_short |
“Unsilencing” the Silence: Unacknowledged silent pieces |
title_full |
“Unsilencing” the Silence: Unacknowledged silent pieces |
title_fullStr |
“Unsilencing” the Silence: Unacknowledged silent pieces |
title_full_unstemmed |
“Unsilencing” the Silence: Unacknowledged silent pieces |
title_sort |
“Unsilencing” the Silence: Unacknowledged silent pieces |
author |
Borges Pena, Eder Wilker [UNESP] |
author_facet |
Borges Pena, Eder Wilker [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Borges Pena, Eder Wilker [UNESP] |
dc.subject.por.fl_str_mv |
Experimentalism Humorous music Silent pieces |
topic |
Experimentalism Humorous music Silent pieces |
description |
The following work seeks to restore from obscurity three silent pieces of music that predate John Cage’s 4’33” and establish the reasons why they have not been acknowledged as being the first silent pieces. Hence, we present our methodology, analysis, and conclusion based on the motives that led them to musicological oblivion, their relevance in the context of experimental music, and why 4’33” was possible in its zeitgeist. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-01 2021-06-25T10:23:55Z 2021-06-25T10:23:55Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.20504/OPUS2020C2617 Opus, v. 26, n. 3, 2020. 1517-7017 0103-7412 http://hdl.handle.net/11449/205937 10.20504/OPUS2020C2617 2-s2.0-85101375213 |
url |
http://dx.doi.org/10.20504/OPUS2020C2617 http://hdl.handle.net/11449/205937 |
identifier_str_mv |
Opus, v. 26, n. 3, 2020. 1517-7017 0103-7412 10.20504/OPUS2020C2617 2-s2.0-85101375213 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
Opus |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1808129479643496448 |