O poético alinhave de Murilo Mendes: o poeta, a musa e a metapoesia em As Metamorfoses

• Autor(a) principal: Antonio, Patrícia Aparecida
• Data de Publicação: 2010
• Outros Autores: Pires, Antônio Donizeti [UNESP]
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://www.assis.unesp.br/#!/pos-graduacao/cursos/letras/revista-miscelanea/sumario---volume-7/; http://hdl.handle.net/11449/124931
• topic: Modernismo brasileiro; Musa; Poeta; Metapoesia; Murilo Mendes; Literatura brasileira; Poesia lírica; Modernismo; Metapoesia

Lying under the contribution of a display of characteristics with multiple meanings (Catholicism, Surrealism, unite of contraries, and the dialogue with other types of art), Murilo Mendes focalizes some subjects that are made to become appealing in his works. Some of these subjects appear in his 1945’s poetry book, As metamorfoses, the object of analysis in this present work: the poet’s figure, insert in the historical view of the World War II and by the poet devastated; the muse’s figure, carrier of the sacred and the profane, whose body represents a repository of descriptions with surrealistic meanings, that is shown indistinctly as the poetry itself; and, concluding, the poetry (or the metapoetry) expressed in this context (historical and literary). Therefore, we intend to search, based in the analysis of poems, how each of this instances are configured inside the poetic universe of Murilo Mendes, with the intention of enlighten the constitution of the sewing made of them by the poet from Juiz de Fora; instances that are very precious when we deal with the poetry that gives to his writings the patent feature of modernity.