Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)

Detalhes bibliográficos
Autor(a) principal: DA COSTA, Everaldo Batista
Data de Publicação: 2022
Outros Autores: Tirapeli, Percival [UNESP], Moncada, José Omar
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://dx.doi.org/10.1590/1982-02672022v30e26
http://hdl.handle.net/11449/242248
Resumo: The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.
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spelling Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México)Baroque architectureChurchDecolonialityIndigenousLatin AmericaThe artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.Universidade de Brasília, DFUniversidade Estadual Paulista, SPUniversidad Nacional Autónoma de MéxicoUniversidade Estadual Paulista, SPUniversidade de Brasília (UnB)Universidade Estadual Paulista (UNESP)Universidad Nacional Autónoma de MéxicoDA COSTA, Everaldo BatistaTirapeli, Percival [UNESP]Moncada, José Omar2023-03-02T12:25:38Z2023-03-02T12:25:38Z2022-09-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1-44http://dx.doi.org/10.1590/1982-02672022v30e26Anais do Museu Paulista, v. 30, p. 1-44.1982-02670101-4714http://hdl.handle.net/11449/24224810.1590/1982-02672022v30e262-s2.0-85137363567Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspaAnais do Museu Paulistainfo:eu-repo/semantics/openAccess2023-03-02T12:25:38Zoai:repositorio.unesp.br:11449/242248Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462023-03-02T12:25:38Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México)
title Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
spellingShingle Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
DA COSTA, Everaldo Batista
Baroque architecture
Church
Decoloniality
Indigenous
Latin America
title_short Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
title_full Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
title_fullStr Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
title_full_unstemmed Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
title_sort Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
author DA COSTA, Everaldo Batista
author_facet DA COSTA, Everaldo Batista
Tirapeli, Percival [UNESP]
Moncada, José Omar
author_role author
author2 Tirapeli, Percival [UNESP]
Moncada, José Omar
author2_role author
author
dc.contributor.none.fl_str_mv Universidade de Brasília (UnB)
Universidade Estadual Paulista (UNESP)
Universidad Nacional Autónoma de México
dc.contributor.author.fl_str_mv DA COSTA, Everaldo Batista
Tirapeli, Percival [UNESP]
Moncada, José Omar
dc.subject.por.fl_str_mv Baroque architecture
Church
Decoloniality
Indigenous
Latin America
topic Baroque architecture
Church
Decoloniality
Indigenous
Latin America
description The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-05
2023-03-02T12:25:38Z
2023-03-02T12:25:38Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://dx.doi.org/10.1590/1982-02672022v30e26
Anais do Museu Paulista, v. 30, p. 1-44.
1982-0267
0101-4714
http://hdl.handle.net/11449/242248
10.1590/1982-02672022v30e26
2-s2.0-85137363567
url http://dx.doi.org/10.1590/1982-02672022v30e26
http://hdl.handle.net/11449/242248
identifier_str_mv Anais do Museu Paulista, v. 30, p. 1-44.
1982-0267
0101-4714
10.1590/1982-02672022v30e26
2-s2.0-85137363567
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv Anais do Museu Paulista
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 1-44
dc.source.none.fl_str_mv Scopus
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
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