Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.1590/1982-02672022v30e26 http://hdl.handle.net/11449/242248 |
Resumo: | The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters. |
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Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México)Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México)Baroque architectureChurchDecolonialityIndigenousLatin AmericaThe artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters.Universidade de Brasília, DFUniversidade Estadual Paulista, SPUniversidad Nacional Autónoma de MéxicoUniversidade Estadual Paulista, SPUniversidade de Brasília (UnB)Universidade Estadual Paulista (UNESP)Universidad Nacional Autónoma de MéxicoDA COSTA, Everaldo BatistaTirapeli, Percival [UNESP]Moncada, José Omar2023-03-02T12:25:38Z2023-03-02T12:25:38Z2022-09-05info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1-44http://dx.doi.org/10.1590/1982-02672022v30e26Anais do Museu Paulista, v. 30, p. 1-44.1982-02670101-4714http://hdl.handle.net/11449/24224810.1590/1982-02672022v30e262-s2.0-85137363567Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspaAnais do Museu Paulistainfo:eu-repo/semantics/openAccess2023-03-02T12:25:38Zoai:repositorio.unesp.br:11449/242248Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462023-03-02T12:25:38Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) Decolonialidad originaria, barroco mestizo y territorio en América Latina (del Rosario de Puebla a Tonantzintla de Cholula, México) |
title |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
spellingShingle |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) DA COSTA, Everaldo Batista Baroque architecture Church Decoloniality Indigenous Latin America |
title_short |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_full |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_fullStr |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_full_unstemmed |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
title_sort |
Original decoloniality, mestizo baroque and territory in Latin America (from the Rosario of Puebla to Santa María Tonantzintla of Cholula, México) |
author |
DA COSTA, Everaldo Batista |
author_facet |
DA COSTA, Everaldo Batista Tirapeli, Percival [UNESP] Moncada, José Omar |
author_role |
author |
author2 |
Tirapeli, Percival [UNESP] Moncada, José Omar |
author2_role |
author author |
dc.contributor.none.fl_str_mv |
Universidade de Brasília (UnB) Universidade Estadual Paulista (UNESP) Universidad Nacional Autónoma de México |
dc.contributor.author.fl_str_mv |
DA COSTA, Everaldo Batista Tirapeli, Percival [UNESP] Moncada, José Omar |
dc.subject.por.fl_str_mv |
Baroque architecture Church Decoloniality Indigenous Latin America |
topic |
Baroque architecture Church Decoloniality Indigenous Latin America |
description |
The artistic, architectural and historical importance of the Rosario Chapel (Puebla) and the Church of Santa María Tonantzintla (Cholula), in Mexico, considering the small number of studies that relate these temples, makes it a challenge to analyze them simultaneously. Therefore, the objective of this article is to identify aesthetic elements that distinguish, throughout artistic miscegenation, an original decoloniality as an indigenous praxis of re-existence in the New World, after Tonantzintla. This demands an ontological exercise on being, duration and the irruption of aesthetic praxis in the native from the colonizing process and territorial conquest. Indigenous practices, expressions, objects or strategies that demarcate objection to colonial violence are pointed out, using the mechanisms of the Conquest itself, such as the Church and the baroque style. Four fieldworks were carried out, with direct observation, production of images and a detailed description of the ornamentation of the temples. The framework intersects the history and philosophy of the Latin American baroque, decolonial theory and the aesthetic dimension of the temples decoded by its most noteworthy interpreters. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-09-05 2023-03-02T12:25:38Z 2023-03-02T12:25:38Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.1590/1982-02672022v30e26 Anais do Museu Paulista, v. 30, p. 1-44. 1982-0267 0101-4714 http://hdl.handle.net/11449/242248 10.1590/1982-02672022v30e26 2-s2.0-85137363567 |
url |
http://dx.doi.org/10.1590/1982-02672022v30e26 http://hdl.handle.net/11449/242248 |
identifier_str_mv |
Anais do Museu Paulista, v. 30, p. 1-44. 1982-0267 0101-4714 10.1590/1982-02672022v30e26 2-s2.0-85137363567 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
Anais do Museu Paulista |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
1-44 |
dc.source.none.fl_str_mv |
Scopus reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1799964614082953216 |