O olhar como experiência: a pintura

Detalhes bibliográficos
Autor(a) principal: Rela, Maryana Lemos Nogueira [UNESP]
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/127951
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/03-09-2015/000847641.pdf
Resumo: This research is constituted by two complimentary parts: the first one reports the creative process of the paintings produced by myself between 2013 and 2015, which are exhibited here. The key-concepts analyzed on the following chapters are originated from the report and aim to expose reflections derived from practice by establishing links with other authors and artists. The dissertation focuses on the act of seeing, since the paintings I produce require direct observation of visual references. In that sense, the act of looking at things around me led to the finding that I'm not visible to myself, and starting from this premise, the research investigates the necessity of visual perception of oneself, by analyzing self-portrait paintings and the usage of instruments that make us visible, such as the mirror and photograph, and the visual perception of others, by examining our relation with the objects that belong to the interior of a home. It is also presented an investigation of two artists: Jean-Baptiste Siméon Chardin and Giorgio Morandi. The research conclusions, in accordance with Silvio Zamboni conceptions, are contained in the produced paintings.
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spelling O olhar como experiência: a pinturaChardin, Jean Baptiste Simeon, 1699-1779Morandi, Giorgio, 1890-1964PinturaAutorretratosAutopercepçãoSelf-portraitsThis research is constituted by two complimentary parts: the first one reports the creative process of the paintings produced by myself between 2013 and 2015, which are exhibited here. The key-concepts analyzed on the following chapters are originated from the report and aim to expose reflections derived from practice by establishing links with other authors and artists. The dissertation focuses on the act of seeing, since the paintings I produce require direct observation of visual references. In that sense, the act of looking at things around me led to the finding that I'm not visible to myself, and starting from this premise, the research investigates the necessity of visual perception of oneself, by analyzing self-portrait paintings and the usage of instruments that make us visible, such as the mirror and photograph, and the visual perception of others, by examining our relation with the objects that belong to the interior of a home. It is also presented an investigation of two artists: Jean-Baptiste Siméon Chardin and Giorgio Morandi. The research conclusions, in accordance with Silvio Zamboni conceptions, are contained in the produced paintings.Resumo Esta pesquisa constitui-se de duas partes complementares: a primeira apresenta um relato do processo de criação das pinturas que desenvolvi entre os anos de 2013 e 2015, as quais são exibidas aqui. Desse relato se originam as ideias-chaves que compõem a trama teórica apresentada nos capítulos seguintes, cujo objetivo consiste em expor as reflexões oriundas da prática, relacionando-as com o pensamento de autores e artistas afins. O eixo central desta dissertação gira em torno da questão do olhar, posto que as pinturas por mim elaboradas utilizam referências visuais para sua criação. Nesse sentido, a observação das coisas que existem ao redor levou à constatação de que não sou visível para mim mesma e, partindo dessa premissa, são analisadas questões como a necessidade da percepção visual de si, por meio da investigação da pintura de autorretrato e da autocontemplação mediante o uso de instrumentos como espelho e fotografia, e a percepção visual do outro, tomando como foco o olhar que se direciona aos objetos que existem no interior da casa. É apresentada, ainda, análise acerca de dois artistas específicos: Jean-Baptiste Siméon Chardin e Giorgio Morandi. As conclusões desta pesquisa,...Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)Universidade Estadual Paulista (Unesp)Romagnolo, Sergio Mauro [UNESP]Universidade Estadual Paulista (Unesp)Rela, Maryana Lemos Nogueira [UNESP]2015-09-17T15:26:46Z2015-09-17T15:26:46Z2015-06-25info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis134 p. : il.application/pdfRELA, Maryana Lemos Nogueira. O olhar como experiência: a pintura. 2015. 134 p. Dissertação (Mestrado em Artes) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015, 2015.http://hdl.handle.net/11449/127951000847641http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/03-09-2015/000847641.pdf33004013063P49910860279064872Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2024-10-04T19:12:31Zoai:repositorio.unesp.br:11449/127951Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-10-04T19:12:31Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv O olhar como experiência: a pintura
title O olhar como experiência: a pintura
spellingShingle O olhar como experiência: a pintura
Rela, Maryana Lemos Nogueira [UNESP]
Chardin, Jean Baptiste Simeon, 1699-1779
Morandi, Giorgio, 1890-1964
Pintura
Autorretratos
Autopercepção
Self-portraits
title_short O olhar como experiência: a pintura
title_full O olhar como experiência: a pintura
title_fullStr O olhar como experiência: a pintura
title_full_unstemmed O olhar como experiência: a pintura
title_sort O olhar como experiência: a pintura
author Rela, Maryana Lemos Nogueira [UNESP]
author_facet Rela, Maryana Lemos Nogueira [UNESP]
author_role author
dc.contributor.none.fl_str_mv Romagnolo, Sergio Mauro [UNESP]
Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Rela, Maryana Lemos Nogueira [UNESP]
dc.subject.por.fl_str_mv Chardin, Jean Baptiste Simeon, 1699-1779
Morandi, Giorgio, 1890-1964
Pintura
Autorretratos
Autopercepção
Self-portraits
topic Chardin, Jean Baptiste Simeon, 1699-1779
Morandi, Giorgio, 1890-1964
Pintura
Autorretratos
Autopercepção
Self-portraits
description This research is constituted by two complimentary parts: the first one reports the creative process of the paintings produced by myself between 2013 and 2015, which are exhibited here. The key-concepts analyzed on the following chapters are originated from the report and aim to expose reflections derived from practice by establishing links with other authors and artists. The dissertation focuses on the act of seeing, since the paintings I produce require direct observation of visual references. In that sense, the act of looking at things around me led to the finding that I'm not visible to myself, and starting from this premise, the research investigates the necessity of visual perception of oneself, by analyzing self-portrait paintings and the usage of instruments that make us visible, such as the mirror and photograph, and the visual perception of others, by examining our relation with the objects that belong to the interior of a home. It is also presented an investigation of two artists: Jean-Baptiste Siméon Chardin and Giorgio Morandi. The research conclusions, in accordance with Silvio Zamboni conceptions, are contained in the produced paintings.
publishDate 2015
dc.date.none.fl_str_mv 2015-09-17T15:26:46Z
2015-09-17T15:26:46Z
2015-06-25
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv RELA, Maryana Lemos Nogueira. O olhar como experiência: a pintura. 2015. 134 p. Dissertação (Mestrado em Artes) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015, 2015.
http://hdl.handle.net/11449/127951
000847641
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/03-09-2015/000847641.pdf
33004013063P4
9910860279064872
identifier_str_mv RELA, Maryana Lemos Nogueira. O olhar como experiência: a pintura. 2015. 134 p. Dissertação (Mestrado em Artes) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015, 2015.
000847641
33004013063P4
9910860279064872
url http://hdl.handle.net/11449/127951
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/03-09-2015/000847641.pdf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 134 p. : il.
application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.source.none.fl_str_mv Aleph
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
_version_ 1813546403206529024

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