Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud

Detalhes bibliográficos
Autor(a) principal: Gabriel, Marcela de Oliveira [UNESP]
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/151129
Resumo: This work intends to study Une Saison en Enfer, by the French poet Jean-Nicolas Arthur Rimbaud (1854-1891). In the work, the poet descends to the underworld - where a long season passes - and, when leaving, brings out the artistic and personal experiences of this period. The journey to the underworld is, in this sense, a dive in itself, analogous to the process of interiorization and self-knowledge, expressed in the famous "Letters of the Seer" of May 1871. In these letters, in which Rimbaud develops all his poetic theory, The young man creates a unique method that aims at escaping from the real world and breaking away from the aesthetic standards of his time. In this sense, the satanic theme of Une Saison en Enfer stands in perfect harmony with the rimbaudian project of Videncia, since it reveals the double movement of the artist's transgression: on the one hand, his revolt against bourgeois society and, on the other, his Desire to change the course of poetry. Therefore, our proposal aims to link Une Saison en Enfer with Rimbaud's aesthetic theory - in conjunction with Modernity of the 19th century - and then to analyze the mythic-satanic theme of the work as realization of the author's modern presuppositions.
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spelling Une Saison en Enfer: modernidade e satanismo na obra de Arthur RimbaudUne Saison en Enfer: modernité et satanisme dans l'oeuvre d'Arthur RimbaudRimbaudUne Saison en EnferModernidadeMitoSatanismoThis work intends to study Une Saison en Enfer, by the French poet Jean-Nicolas Arthur Rimbaud (1854-1891). In the work, the poet descends to the underworld - where a long season passes - and, when leaving, brings out the artistic and personal experiences of this period. The journey to the underworld is, in this sense, a dive in itself, analogous to the process of interiorization and self-knowledge, expressed in the famous "Letters of the Seer" of May 1871. In these letters, in which Rimbaud develops all his poetic theory, The young man creates a unique method that aims at escaping from the real world and breaking away from the aesthetic standards of his time. In this sense, the satanic theme of Une Saison en Enfer stands in perfect harmony with the rimbaudian project of Videncia, since it reveals the double movement of the artist's transgression: on the one hand, his revolt against bourgeois society and, on the other, his Desire to change the course of poetry. Therefore, our proposal aims to link Une Saison en Enfer with Rimbaud's aesthetic theory - in conjunction with Modernity of the 19th century - and then to analyze the mythic-satanic theme of the work as realization of the author's modern presuppositions.Este trabalho pretende se debruçar sobre a obra Une Saison en Enfer, do poeta francês Jean-Nicolas Arthur Rimbaud (1854-1891). Na obra, o poeta desce ao submundo – onde passa uma longa estação – e, ao sair, traz a tona as vivências artísticas e pessoais desse período. A ida ao submundo é, nesse sentido, um mergulho em si mesmo, análogo ao processo de interiorização e de autoconhecimento, expressos nas famosas “cartas do Vidente”, de maio de 1871. Nessas cartas, nas quais Rimbaud desenvolve toda sua teoria poética, o jovem cria um método único que visa à fuga do mundo real e ao rompimento com os padrões estéticos de seu tempo. Nesse sentido, a temática satânica de Une Saison en Enfer coloca-se em perfeita consonância com o projeto rimbaudiano da Vidência, pois revela o duplo movimento de transgressão do artista: por um lado, sua revolta contra a sociedade burguesa e, por outro, seu desejo de mudar os rumos da poesia. Por conseguinte, nossa proposta visa alinhavar Une Saison en Enfer com a teoria estética de Rimbaud – em confluência com a Modernidade do século XIX –, para, em seguida, analisar a temática mítico-satânica da obra como realização dos pressupostos modernos do autor.Ce travail a l’intention d’analyser l’oeuvre Une Saison en Enfer, du poète français Jean-Nicolas Arthur Rimbaud (1854-1891). Dans cette oeuvre le poète descend aux enfers – où il reste pendant une saison - et à la sortie, il fait également ressortir les expériences artistiques et personnelles de cette période. Ce voyage souterrain est en ce sens un plongeon en soi-même, analogue au processus d'intériorisation et d’autoconnaissance de soi, concepts exprimés dans les célèbres « Lettres du Voyant », de mai 1871. Dans ces lettres, où Rimbaud développe sa propre théorie poétique, il crée une méthode unique qui cherche à échapper au monde réel et rompre en même temps avec les normes esthétiques de son temps. En ce sens, le thème satanique d’ Une saison en enfer est parfaitement placé dans le projet rimbaldien de la « Voyance » et il révèle aussi le double mouvement de transgression de l’artiste: d'une part, sa révolte contre la société bourgeoise et, d'autre part, son désir de changer la poésie traditionnelle. Par conséquent, notre proposition est d’établir une relation entre Une Saison en Enfer et la théorie proposée par Rimbaud - en confluence avec la modernité du XIXe siècle – pour, ensuite, analyser le thème mythique et satanique de l’oeuvre en relation avec ces idées.Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)CNPq: 133994/2015-5Universidade Estadual Paulista (Unesp)Oliveira, Andressa Cristina [UNESP]Universidade Estadual Paulista (Unesp)Gabriel, Marcela de Oliveira [UNESP]2017-07-18T19:54:09Z2017-07-18T19:54:09Z2017-05-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://hdl.handle.net/11449/15112900088923733004030016P0porinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESP2024-06-12T14:27:42Zoai:repositorio.unesp.br:11449/151129Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T19:59:46.867652Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
Une Saison en Enfer: modernité et satanisme dans l'oeuvre d'Arthur Rimbaud
title Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
spellingShingle Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
Gabriel, Marcela de Oliveira [UNESP]
Rimbaud
Une Saison en Enfer
Modernidade
Mito
Satanismo
title_short Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
title_full Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
title_fullStr Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
title_full_unstemmed Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
title_sort Une Saison en Enfer: modernidade e satanismo na obra de Arthur Rimbaud
author Gabriel, Marcela de Oliveira [UNESP]
author_facet Gabriel, Marcela de Oliveira [UNESP]
author_role author
dc.contributor.none.fl_str_mv Oliveira, Andressa Cristina [UNESP]
Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Gabriel, Marcela de Oliveira [UNESP]
dc.subject.por.fl_str_mv Rimbaud
Une Saison en Enfer
Modernidade
Mito
Satanismo
topic Rimbaud
Une Saison en Enfer
Modernidade
Mito
Satanismo
description This work intends to study Une Saison en Enfer, by the French poet Jean-Nicolas Arthur Rimbaud (1854-1891). In the work, the poet descends to the underworld - where a long season passes - and, when leaving, brings out the artistic and personal experiences of this period. The journey to the underworld is, in this sense, a dive in itself, analogous to the process of interiorization and self-knowledge, expressed in the famous "Letters of the Seer" of May 1871. In these letters, in which Rimbaud develops all his poetic theory, The young man creates a unique method that aims at escaping from the real world and breaking away from the aesthetic standards of his time. In this sense, the satanic theme of Une Saison en Enfer stands in perfect harmony with the rimbaudian project of Videncia, since it reveals the double movement of the artist's transgression: on the one hand, his revolt against bourgeois society and, on the other, his Desire to change the course of poetry. Therefore, our proposal aims to link Une Saison en Enfer with Rimbaud's aesthetic theory - in conjunction with Modernity of the 19th century - and then to analyze the mythic-satanic theme of the work as realization of the author's modern presuppositions.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-18T19:54:09Z
2017-07-18T19:54:09Z
2017-05-31
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
format masterThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/11449/151129
000889237
33004030016P0
url http://hdl.handle.net/11449/151129
identifier_str_mv 000889237
33004030016P0
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.source.none.fl_str_mv reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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