Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi

Detalhes bibliográficos
Autor(a) principal: Rocha, Abel Luís Bernardo da [UNESP]
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://www.revistas.ufg.br/index.php/musica/article/view/22542
http://hdl.handle.net/11449/42686
Resumo: This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based on theories and classifications of modes of the sixteenth and seventeenth centuries. At first, it approaches the matter of the multiple names and meanings of the modes and their potential allegorical references according to different authors. Secondly, it presents the analysis of two examples from his operas that deal with the representation of the death of Euridice and Clorinda (Orfeo & Il combattimento de Tancredi e Clorinda, respectively), correlating their harmonic procedures to the corresponding dramaturgical situations.
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spelling Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio MonteverdiThe Representation of feminine death in L'Orfeo and Il Combattimento di Tancredi et Clorinda by Claudio MonteverdiHarmony in MonteverdiOpera ConductingMode Theory in the 16th and 17th centuriesMusic and dramaturgyThis paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based on theories and classifications of modes of the sixteenth and seventeenth centuries. At first, it approaches the matter of the multiple names and meanings of the modes and their potential allegorical references according to different authors. Secondly, it presents the analysis of two examples from his operas that deal with the representation of the death of Euridice and Clorinda (Orfeo & Il combattimento de Tancredi e Clorinda, respectively), correlating their harmonic procedures to the corresponding dramaturgical situations.Univ Estadual Paulista, Inst Artes, São Paulo, BrazilUniv Estadual Paulista, Inst Artes, São Paulo, BrazilUniv Federal GoiasUniversidade Estadual Paulista (Unesp)Rocha, Abel Luís Bernardo da [UNESP]2014-05-20T15:34:53Z2014-05-20T15:34:53Z2012-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article24-30application/pdfhttp://www.revistas.ufg.br/index.php/musica/article/view/22542Musica Hodie. Goiania Go: Univ Federal Goias, v. 12, n. 2, p. 24-30, 2012.1676-3939http://hdl.handle.net/11449/42686WOS:000315511900003WOS000315511900003.pdf0870958769180987Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporMusica Hodie735170,115info:eu-repo/semantics/openAccess2024-10-02T19:17:29Zoai:repositorio.unesp.br:11449/42686Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-10-02T19:17:29Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
The Representation of feminine death in L'Orfeo and Il Combattimento di Tancredi et Clorinda by Claudio Monteverdi
title Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
spellingShingle Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
Rocha, Abel Luís Bernardo da [UNESP]
Harmony in Monteverdi
Opera Conducting
Mode Theory in the 16th and 17th centuries
Music and dramaturgy
title_short Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
title_full Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
title_fullStr Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
title_full_unstemmed Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
title_sort Representação da morte feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi
author Rocha, Abel Luís Bernardo da [UNESP]
author_facet Rocha, Abel Luís Bernardo da [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Rocha, Abel Luís Bernardo da [UNESP]
dc.subject.por.fl_str_mv Harmony in Monteverdi
Opera Conducting
Mode Theory in the 16th and 17th centuries
Music and dramaturgy
topic Harmony in Monteverdi
Opera Conducting
Mode Theory in the 16th and 17th centuries
Music and dramaturgy
description This paper refers to issues related to the harmonic language of Claudio Monteverdi, its harmonic procedures and resulting melodic movements, its use as a dramaturgical resource and its potential allegorical meanings, based on theories and classifications of modes of the sixteenth and seventeenth centuries. At first, it approaches the matter of the multiple names and meanings of the modes and their potential allegorical references according to different authors. Secondly, it presents the analysis of two examples from his operas that deal with the representation of the death of Euridice and Clorinda (Orfeo & Il combattimento de Tancredi e Clorinda, respectively), correlating their harmonic procedures to the corresponding dramaturgical situations.
publishDate 2012
dc.date.none.fl_str_mv 2012-01-01
2014-05-20T15:34:53Z
2014-05-20T15:34:53Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www.revistas.ufg.br/index.php/musica/article/view/22542
Musica Hodie. Goiania Go: Univ Federal Goias, v. 12, n. 2, p. 24-30, 2012.
1676-3939
http://hdl.handle.net/11449/42686
WOS:000315511900003
WOS000315511900003.pdf
0870958769180987
url http://www.revistas.ufg.br/index.php/musica/article/view/22542
http://hdl.handle.net/11449/42686
identifier_str_mv Musica Hodie. Goiania Go: Univ Federal Goias, v. 12, n. 2, p. 24-30, 2012.
1676-3939
WOS:000315511900003
WOS000315511900003.pdf
0870958769180987
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Musica Hodie
73517
0,115
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 24-30
application/pdf
dc.publisher.none.fl_str_mv Univ Federal Goias
publisher.none.fl_str_mv Univ Federal Goias
dc.source.none.fl_str_mv Web of Science
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
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