O citar no Twitter: o caso de Clarice Lispector
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Trabalho de conclusão de curso |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/122978 http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2015-04-06/000821567.pdf |
Resumo: | The phenomenon of the World Wide Web, the Internet, has revolutionized the way we live in a contemporary relevance. The relationships among people have changed since the media also changed: the cyberspace has been established as an important vehicle of communication in which different languages, cultures and peoples coexist. Within the virtual space there are several fica possibilities for communication, interaction, fun, knowledge etc. Everything happens extremely quickly. An interesting example of that are blogs that, to survive virtuality, require constant updating. It has become interesting to notice the factor of personal expressiveness taking a new shape in the context of network, before being seen in elements such as diaries, poetry, artistic production or debate. The chances and, thus, the need to find people to interact and to share interests has taken a gigantic proportion, and, in this way, sources of audiovisual and reading activities are always in vogue, being shared every second. Blogging can be about different subjects, but what is perceived on all blogs is the strong trace of written text is always presented. Twitter has established itself as a microblogging network for the expression of dynamism, information sharing and interaction. Thus, it was interesting to approach the manner language is expressed in these microblogs thinking about the way that literary discourse is constructed when is seen, on quotations, in the context of this social network: Twitter. Being able to attest the great increase on the occurrences of quotes from different literary genres, it was useful to pay attention to this fact. In Brazil, Twitter has thousands of users, fans and readers, that rewrite and quote authors. The number of quotations is so abundant that it has popularized several Brazilian writers, such as: Clarice Lispector and Caio Fernando Abreu; authors that are frequetenly quoted. So, we made usage of semiotic studies of the French line. In... |
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O citar no Twitter: o caso de Clarice LispectorLispector, Clarice 1920-1977TwitterSemioticaLiteraturaLiteratureThe phenomenon of the World Wide Web, the Internet, has revolutionized the way we live in a contemporary relevance. The relationships among people have changed since the media also changed: the cyberspace has been established as an important vehicle of communication in which different languages, cultures and peoples coexist. Within the virtual space there are several fica possibilities for communication, interaction, fun, knowledge etc. Everything happens extremely quickly. An interesting example of that are blogs that, to survive virtuality, require constant updating. It has become interesting to notice the factor of personal expressiveness taking a new shape in the context of network, before being seen in elements such as diaries, poetry, artistic production or debate. The chances and, thus, the need to find people to interact and to share interests has taken a gigantic proportion, and, in this way, sources of audiovisual and reading activities are always in vogue, being shared every second. Blogging can be about different subjects, but what is perceived on all blogs is the strong trace of written text is always presented. Twitter has established itself as a microblogging network for the expression of dynamism, information sharing and interaction. Thus, it was interesting to approach the manner language is expressed in these microblogs thinking about the way that literary discourse is constructed when is seen, on quotations, in the context of this social network: Twitter. Being able to attest the great increase on the occurrences of quotes from different literary genres, it was useful to pay attention to this fact. In Brazil, Twitter has thousands of users, fans and readers, that rewrite and quote authors. The number of quotations is so abundant that it has popularized several Brazilian writers, such as: Clarice Lispector and Caio Fernando Abreu; authors that are frequetenly quoted. So, we made usage of semiotic studies of the French line. In...O fenômeno da rede mundial de computadores, a Internet, revolucionou a maneira contemporânea de viver de uma forma muito relevante. As relações entre as pessoas modificaram, já que o suportes também mudaram: o ciberespaço firmou-se como veículo comunicativo muito importante, no qual convivem diferentes linguagens, culturas e povos. Dentro do espaço virtual existem n possibilidades de comunicação, interação, divertimento, conhecimento, etc. Tudo se dá de forma extremamente rápida. Um exemplo interessante são os blogs, que para sobreviverem na virtualidade, necessitam de atualização constante. O fator expressividade pessoal, antes reconhecido em elementos como diários, produção poética, artística ou debates, tem tomado uma nova roupagem em contexto de rede. As possibilidades e consequentemente a necessidade de encontrar pessoas, compartilhar interessess, interagir, assumiu proporções gigantescas, e assim subsídios como vídeos e leituras estão sempre em voga, sendo compartilhados a todo segundo. Os blogs podem ser tematizados por diferentes assuntos, mas o que se percebe em quase todos é o traço do texto escrito sempre presente. O Twitter afirmou-se como uma rede de microblogs de traço dinâmico quanto à expressão, informação, compartilhamento e interação. Partindo dessas premissas, mostrou-se interessante abordar a forma de expressão nestes microblogs observando o formato em que se dão as citações, como esse conteúdo de literatura acontece, pensando nos sentidos que o discurso literário constrói quando em contexto de rede social, no Twitter. Em vista às ocorrências cada vez mais frequentes de citações de diferentes gêneros literários, pareceu útil atentar a este acontecimento. No Brasil, o Twitter possui milhares de usuários que, como leitores fãs, reescrevem e citam autores. Esses usuários da rede trouxeram à tona e popularizaram nomes de escritores...Universidade Estadual Paulista (Unesp)Cortina, Arnaldo [UNESP]Universidade Estadual Paulista (Unesp)Silva, Maria Verônica da [UNESP]2015-05-14T16:52:19Z2015-05-14T16:52:19Z2013-11-28info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisapplication/pdfSILVA, Maria Verônica da. O citar no Twitter: o caso de Clarice Lispector. 2013. 1 CD-ROM. Trabalho de conclusão de curso (bacharelado - Letras) - Universidade Estadual Paulista Julio de Mesquita Filho, Faculdade de Ciências e Letras (Campus de Araraquara), 2013.http://hdl.handle.net/11449/122978000821567http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2015-04-06/000821567.pdf043260733228945236203633688093400000-0001-9404-8352Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2024-06-11T17:52:04Zoai:repositorio.unesp.br:11449/122978Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T21:52:55.285960Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
O citar no Twitter: o caso de Clarice Lispector |
title |
O citar no Twitter: o caso de Clarice Lispector |
spellingShingle |
O citar no Twitter: o caso de Clarice Lispector Silva, Maria Verônica da [UNESP] Lispector, Clarice 1920-1977 Semiotica Literatura Literature |
title_short |
O citar no Twitter: o caso de Clarice Lispector |
title_full |
O citar no Twitter: o caso de Clarice Lispector |
title_fullStr |
O citar no Twitter: o caso de Clarice Lispector |
title_full_unstemmed |
O citar no Twitter: o caso de Clarice Lispector |
title_sort |
O citar no Twitter: o caso de Clarice Lispector |
author |
Silva, Maria Verônica da [UNESP] |
author_facet |
Silva, Maria Verônica da [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Cortina, Arnaldo [UNESP] Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Silva, Maria Verônica da [UNESP] |
dc.subject.por.fl_str_mv |
Lispector, Clarice 1920-1977 Semiotica Literatura Literature |
topic |
Lispector, Clarice 1920-1977 Semiotica Literatura Literature |
description |
The phenomenon of the World Wide Web, the Internet, has revolutionized the way we live in a contemporary relevance. The relationships among people have changed since the media also changed: the cyberspace has been established as an important vehicle of communication in which different languages, cultures and peoples coexist. Within the virtual space there are several fica possibilities for communication, interaction, fun, knowledge etc. Everything happens extremely quickly. An interesting example of that are blogs that, to survive virtuality, require constant updating. It has become interesting to notice the factor of personal expressiveness taking a new shape in the context of network, before being seen in elements such as diaries, poetry, artistic production or debate. The chances and, thus, the need to find people to interact and to share interests has taken a gigantic proportion, and, in this way, sources of audiovisual and reading activities are always in vogue, being shared every second. Blogging can be about different subjects, but what is perceived on all blogs is the strong trace of written text is always presented. Twitter has established itself as a microblogging network for the expression of dynamism, information sharing and interaction. Thus, it was interesting to approach the manner language is expressed in these microblogs thinking about the way that literary discourse is constructed when is seen, on quotations, in the context of this social network: Twitter. Being able to attest the great increase on the occurrences of quotes from different literary genres, it was useful to pay attention to this fact. In Brazil, Twitter has thousands of users, fans and readers, that rewrite and quote authors. The number of quotations is so abundant that it has popularized several Brazilian writers, such as: Clarice Lispector and Caio Fernando Abreu; authors that are frequetenly quoted. So, we made usage of semiotic studies of the French line. In... |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-11-28 2015-05-14T16:52:19Z 2015-05-14T16:52:19Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/bachelorThesis |
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bachelorThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
SILVA, Maria Verônica da. O citar no Twitter: o caso de Clarice Lispector. 2013. 1 CD-ROM. Trabalho de conclusão de curso (bacharelado - Letras) - Universidade Estadual Paulista Julio de Mesquita Filho, Faculdade de Ciências e Letras (Campus de Araraquara), 2013. http://hdl.handle.net/11449/122978 000821567 http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2015-04-06/000821567.pdf 0432607332289452 3620363368809340 0000-0001-9404-8352 |
identifier_str_mv |
SILVA, Maria Verônica da. O citar no Twitter: o caso de Clarice Lispector. 2013. 1 CD-ROM. Trabalho de conclusão de curso (bacharelado - Letras) - Universidade Estadual Paulista Julio de Mesquita Filho, Faculdade de Ciências e Letras (Campus de Araraquara), 2013. 000821567 0432607332289452 3620363368809340 0000-0001-9404-8352 |
url |
http://hdl.handle.net/11449/122978 http://www.athena.biblioteca.unesp.br/exlibris/bd/capelo/2015-04-06/000821567.pdf |
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Universidade Estadual Paulista (Unesp) |
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Universidade Estadual Paulista (Unesp) |
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