Vasculhando baús de memórias do nazismo por imagens: olhares e possibilidades diversos

• Autor(a) principal: Brandt, Cleri Aparecida [UNESP]
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UNESP
• Texto Completo: http://hdl.handle.net/11449/121997
• topic: Language - Philosophy; Linguagem - Filosofia; Nazismo; Nazismo e educação; Análise de imagem; Imagens, ilustrações, etc. como recursos de informação; Alienação (Filosofia)

The chests in the history of mankind are places rich of possibilities to study, since they keep memories transcribed in images that, depicting moments and events, can present themselves as powerful tools to think about on the paths and wrong turns in the world, especially regarding to education and training. These historical moments, translated by and in experiences, left their marks which can inspire modes of view, of being and feeling, revealing themselves as the true mirrors where we can see the reflection of what leads us to what we are today. Searching by and in those cases, we are faced with the chests that hold the relics of the period called the Third Reich (1933-1945), when Germany was under the rule of Nazism, a period that, because of intolerance, domination and violence, was marked on the pages of this story. The volunteer involvement of German people, especially children and young people, who from an early age were educated to accept and join the fight for Nazi ideals, for, according to Michauld (1996), expanding Reich's ideal, also deserves attention. Supposedly proven theories, that aims to achieve it, were transposed to education and German culture by various means, one of which shows the language, in particular, the image as language that, shrouded in various symbols and rites, took care to put into practice the remodelling of social, educational and cultural life of the German people, which imposed these people - voluntarily or not – behaviors, fads, ideologies and as a consequence, the alienation. On these observations, it is understandable that the memories of Nazism are places rich in possibilities to the study and understanding of the present world, considering this world as belonging to what Almeida (2001) called new orality that presents itself consisted basically in images and sounds. We propose the opening of these chests and invite for a walk, for a look at their images. To this end, we take the film...