The chromatic cadences of Nicola Vicentino
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.20504/opus2021b2706 http://hdl.handle.net/11449/218922 |
Resumo: | Nicola Vicentino (1511-1576/1577) was an important Italian musician and theorist who widely discussed chromatic music in the 16th century. His treatise, L 'antica musica ridotta alla moderna prattica (1555), on the application of Greek genera practiced at the time is an important source for understanding the chromatic music of this period. Chromaticism of 16th-century music is still comprehended in many divergent ways by researchers in this area. Seeking greater depth in this aspect of the repertoire, the present study aims to elucidate the cadential foundations of Vicentino's chromatic music presented in his treatise and examine the composer's use of this theory in his compositional practice. To achieve this aim, we conducted a bibliographic review of the main works about Vicentino and his theory in parallel with a careful examination of his treatise, the main source of his ideas, and some other contemporary writings of the author. The focus was placed on the particular aspects of the theory of chromaticism proposed by Vicentino, the premises of his compositional thinking, and its possible practical applications. As a result, we present the structure and peculiarities of Vicentino's cadential movements, tracing the relationship of these peculiarities to his theory and demonstrating the composer's use of chromatic cadences in pieces of his treatise and his fifth book of madrigals (1572). |
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The chromatic cadences of Nicola VicentinoNicola VicentinoSixteenth-century musicChromaticismCadencesNicola Vicentino (1511-1576/1577) was an important Italian musician and theorist who widely discussed chromatic music in the 16th century. His treatise, L 'antica musica ridotta alla moderna prattica (1555), on the application of Greek genera practiced at the time is an important source for understanding the chromatic music of this period. Chromaticism of 16th-century music is still comprehended in many divergent ways by researchers in this area. Seeking greater depth in this aspect of the repertoire, the present study aims to elucidate the cadential foundations of Vicentino's chromatic music presented in his treatise and examine the composer's use of this theory in his compositional practice. To achieve this aim, we conducted a bibliographic review of the main works about Vicentino and his theory in parallel with a careful examination of his treatise, the main source of his ideas, and some other contemporary writings of the author. The focus was placed on the particular aspects of the theory of chromaticism proposed by Vicentino, the premises of his compositional thinking, and its possible practical applications. As a result, we present the structure and peculiarities of Vicentino's cadential movements, tracing the relationship of these peculiarities to his theory and demonstrating the composer's use of chromatic cadences in pieces of his treatise and his fifth book of madrigals (1572).Univ Estadual Paulista, Sao Paulo, SP, BrazilUniv Estadual Paulista, Sao Paulo, SP, BrazilAssoc Nac Pesquisa & Pos-graduacao & MusicaUniversidade Estadual Paulista (UNESP)Nogueira, Marcos Pupo [UNESP]Peinado Pereira, Maria Clara [UNESP]2022-04-28T17:30:29Z2022-04-28T17:30:29Z2021-05-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article26http://dx.doi.org/10.20504/opus2021b2706Opus. Campinas: Assoc Nac Pesquisa & Pos-graduacao & Musica, v. 27, n. 2, 26 p., 2021.1517-7017http://hdl.handle.net/11449/21892210.20504/opus2021b2706WOS:000718051800001Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporOpusinfo:eu-repo/semantics/openAccess2023-01-04T18:01:03Zoai:repositorio.unesp.br:11449/218922Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462023-01-04T18:01:03Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The chromatic cadences of Nicola Vicentino |
title |
The chromatic cadences of Nicola Vicentino |
spellingShingle |
The chromatic cadences of Nicola Vicentino Nogueira, Marcos Pupo [UNESP] Nicola Vicentino Sixteenth-century music Chromaticism Cadences |
title_short |
The chromatic cadences of Nicola Vicentino |
title_full |
The chromatic cadences of Nicola Vicentino |
title_fullStr |
The chromatic cadences of Nicola Vicentino |
title_full_unstemmed |
The chromatic cadences of Nicola Vicentino |
title_sort |
The chromatic cadences of Nicola Vicentino |
author |
Nogueira, Marcos Pupo [UNESP] |
author_facet |
Nogueira, Marcos Pupo [UNESP] Peinado Pereira, Maria Clara [UNESP] |
author_role |
author |
author2 |
Peinado Pereira, Maria Clara [UNESP] |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Nogueira, Marcos Pupo [UNESP] Peinado Pereira, Maria Clara [UNESP] |
dc.subject.por.fl_str_mv |
Nicola Vicentino Sixteenth-century music Chromaticism Cadences |
topic |
Nicola Vicentino Sixteenth-century music Chromaticism Cadences |
description |
Nicola Vicentino (1511-1576/1577) was an important Italian musician and theorist who widely discussed chromatic music in the 16th century. His treatise, L 'antica musica ridotta alla moderna prattica (1555), on the application of Greek genera practiced at the time is an important source for understanding the chromatic music of this period. Chromaticism of 16th-century music is still comprehended in many divergent ways by researchers in this area. Seeking greater depth in this aspect of the repertoire, the present study aims to elucidate the cadential foundations of Vicentino's chromatic music presented in his treatise and examine the composer's use of this theory in his compositional practice. To achieve this aim, we conducted a bibliographic review of the main works about Vicentino and his theory in parallel with a careful examination of his treatise, the main source of his ideas, and some other contemporary writings of the author. The focus was placed on the particular aspects of the theory of chromaticism proposed by Vicentino, the premises of his compositional thinking, and its possible practical applications. As a result, we present the structure and peculiarities of Vicentino's cadential movements, tracing the relationship of these peculiarities to his theory and demonstrating the composer's use of chromatic cadences in pieces of his treatise and his fifth book of madrigals (1572). |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-05-01 2022-04-28T17:30:29Z 2022-04-28T17:30:29Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.20504/opus2021b2706 Opus. Campinas: Assoc Nac Pesquisa & Pos-graduacao & Musica, v. 27, n. 2, 26 p., 2021. 1517-7017 http://hdl.handle.net/11449/218922 10.20504/opus2021b2706 WOS:000718051800001 |
url |
http://dx.doi.org/10.20504/opus2021b2706 http://hdl.handle.net/11449/218922 |
identifier_str_mv |
Opus. Campinas: Assoc Nac Pesquisa & Pos-graduacao & Musica, v. 27, n. 2, 26 p., 2021. 1517-7017 10.20504/opus2021b2706 WOS:000718051800001 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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Opus |
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info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
26 |
dc.publisher.none.fl_str_mv |
Assoc Nac Pesquisa & Pos-graduacao & Musica |
publisher.none.fl_str_mv |
Assoc Nac Pesquisa & Pos-graduacao & Musica |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1797789516009832448 |