Figuras fulgurantes: a geometrização do espaço Llansol
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://www.uftm.edu.br/revistaeletronica/index.php/sell/article/view/40 http://hdl.handle.net/11449/122535 |
Resumo: | Os pregos na erva (1962), the first book by Maria Gabriela Llansol, presents us several textures and pictures that break the dividing lines of both textual and imaging spaces due to the figurative compositional process that stands within the literary universe, coloring it with words. The short stories found in this book are based on minimum action that silences the voices of the characters, expanding some other composition, a new course, not in the order of the narrative continuum, but of the textual one. The three short stories to be analyzed (“Intróito”, “A casa às avessas” e “A manhã morta”) are highlighted due to the meaningful incidence of poetic colors that set representation and the motionless universe of narrative on the move, due to the dialogue established with painting, especially with the pictures by Amadeo Modigliani (“Young Brunette”) and Picasso (“Child holding a dove”). Thus, the lines of writing and the geometric ones of painting cross with each other and draft triangles and circles, being responsible for figures that go beyond figurative language and, by doing so, making the suggested images of textuality’s “fulgor” stronger. |
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Figuras fulgurantes: a geometrização do espaço Llansol“Fulgurante” figure: the geometry of llansol’s spaceespaço textualespaço pictóricofigurasLlansolLlansolfigurestextual spaceimaging spaceOs pregos na erva (1962), the first book by Maria Gabriela Llansol, presents us several textures and pictures that break the dividing lines of both textual and imaging spaces due to the figurative compositional process that stands within the literary universe, coloring it with words. The short stories found in this book are based on minimum action that silences the voices of the characters, expanding some other composition, a new course, not in the order of the narrative continuum, but of the textual one. The three short stories to be analyzed (“Intróito”, “A casa às avessas” e “A manhã morta”) are highlighted due to the meaningful incidence of poetic colors that set representation and the motionless universe of narrative on the move, due to the dialogue established with painting, especially with the pictures by Amadeo Modigliani (“Young Brunette”) and Picasso (“Child holding a dove”). Thus, the lines of writing and the geometric ones of painting cross with each other and draft triangles and circles, being responsible for figures that go beyond figurative language and, by doing so, making the suggested images of textuality’s “fulgor” stronger.Os pregos na erva (1962), the first book by Maria Gabriela Llansol, presents us several textures and pictures that break the dividing lines of both textual and imaging spaces due to the figurative compositional process that stands within the literary universe, coloring it with words. The short stories found in this book are based on minimum action that silences the voices of the characters, expanding some other composition, a new course, not in the order of the narrative continuum, but of the textual one. The three short stories to be analyzed (“Intróito”, “A casa às avessas” e “A manhã morta”) are highlighted due to the meaningful incidence of poetic colors that set representation and the motionless universe of narrative on the move, due to the dialogue established with painting, especially with the pictures by Amadeo Modigliani (“Young Brunette”) and Picasso (“Child holding a dove”). Thus, the lines of writing and the geometric ones of painting cross with each other and draft triangles and circles, being responsible for figures that go beyond figurative language and, by doing so, making the suggested images of textuality’s “fulgor” stronger.Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Estudos Lingüísticos e Literários, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, Sao Jose do Rio Preto, Rua Cristovão Colombo, 2265, Jardim Nazareth, CEP 15054000, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Estudos Lingüísticos e Literários, Instituto de Biociências Letras e Ciências Exatas de São José do Rio Preto, Sao Jose do Rio Preto, Rua Cristovão Colombo, 2265, Jardim Nazareth, CEP 15054000, SP, BrasilUniversidade Estadual Paulista (Unesp)Vitagliano, Karina Marize [UNESP]Piteri, Sônia Helena de Oliveira Raymundo [UNESP]2015-04-27T11:55:50Z2015-04-27T11:55:50Z2010info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1-15application/pdfhttp://www.uftm.edu.br/revistaeletronica/index.php/sell/article/view/40Revista do SELL, v. 2, n. 1, p. 1-15, 2010.1983-3873http://hdl.handle.net/11449/122535ISSN1983-3873-2010-02-01-01-15.pdf51487855827584507988697804947990Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRevista do SELLinfo:eu-repo/semantics/openAccess2024-01-26T06:34:18Zoai:repositorio.unesp.br:11449/122535Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-06T00:02:26.488201Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Figuras fulgurantes: a geometrização do espaço Llansol “Fulgurante” figure: the geometry of llansol’s space |
title |
Figuras fulgurantes: a geometrização do espaço Llansol |
spellingShingle |
Figuras fulgurantes: a geometrização do espaço Llansol Vitagliano, Karina Marize [UNESP] espaço textual espaço pictórico figuras Llansol Llansol figures textual space imaging space |
title_short |
Figuras fulgurantes: a geometrização do espaço Llansol |
title_full |
Figuras fulgurantes: a geometrização do espaço Llansol |
title_fullStr |
Figuras fulgurantes: a geometrização do espaço Llansol |
title_full_unstemmed |
Figuras fulgurantes: a geometrização do espaço Llansol |
title_sort |
Figuras fulgurantes: a geometrização do espaço Llansol |
author |
Vitagliano, Karina Marize [UNESP] |
author_facet |
Vitagliano, Karina Marize [UNESP] Piteri, Sônia Helena de Oliveira Raymundo [UNESP] |
author_role |
author |
author2 |
Piteri, Sônia Helena de Oliveira Raymundo [UNESP] |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Vitagliano, Karina Marize [UNESP] Piteri, Sônia Helena de Oliveira Raymundo [UNESP] |
dc.subject.por.fl_str_mv |
espaço textual espaço pictórico figuras Llansol Llansol figures textual space imaging space |
topic |
espaço textual espaço pictórico figuras Llansol Llansol figures textual space imaging space |
description |
Os pregos na erva (1962), the first book by Maria Gabriela Llansol, presents us several textures and pictures that break the dividing lines of both textual and imaging spaces due to the figurative compositional process that stands within the literary universe, coloring it with words. The short stories found in this book are based on minimum action that silences the voices of the characters, expanding some other composition, a new course, not in the order of the narrative continuum, but of the textual one. The three short stories to be analyzed (“Intróito”, “A casa às avessas” e “A manhã morta”) are highlighted due to the meaningful incidence of poetic colors that set representation and the motionless universe of narrative on the move, due to the dialogue established with painting, especially with the pictures by Amadeo Modigliani (“Young Brunette”) and Picasso (“Child holding a dove”). Thus, the lines of writing and the geometric ones of painting cross with each other and draft triangles and circles, being responsible for figures that go beyond figurative language and, by doing so, making the suggested images of textuality’s “fulgor” stronger. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010 2015-04-27T11:55:50Z 2015-04-27T11:55:50Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.uftm.edu.br/revistaeletronica/index.php/sell/article/view/40 Revista do SELL, v. 2, n. 1, p. 1-15, 2010. 1983-3873 http://hdl.handle.net/11449/122535 ISSN1983-3873-2010-02-01-01-15.pdf 5148785582758450 7988697804947990 |
url |
http://www.uftm.edu.br/revistaeletronica/index.php/sell/article/view/40 http://hdl.handle.net/11449/122535 |
identifier_str_mv |
Revista do SELL, v. 2, n. 1, p. 1-15, 2010. 1983-3873 ISSN1983-3873-2010-02-01-01-15.pdf 5148785582758450 7988697804947990 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Revista do SELL |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
1-15 application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
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1808129575947862016 |