América latina transterritorial: percursos em fronteiras fluidas
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://proceedings.copec.org.br/index.php/wcca/article/view/137 http://hdl.handle.net/11449/135164 |
Resumo: | Contemporary artists have proposed repositioning of the view as a psicogeographics, routes of drifts, affectives maps, subverting the physical, historical, political and social places in the global mapping. The Chilean artist Eugenio Dittborn with their "Airmail Paintings" that design, sewing, painting and collage are folded and placed in an envelope and sent by post. At your destination, the paint is removed from the envelope, unfolded and hung leaving the marks of the route traveled. The Argentine artist Alicia Herrero in his work "The trip Revoluvionário - title inspired by the trip that Ernesto Guevara held in South America, traveled by navigable rivers of South America and composed the work in the form of a" novel navigated "where each chapter is a port route. As the river of Heraclitus, the writing of "novel navigated" composes processes transposing borders. |
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América latina transterritorial: percursos em fronteiras fluidasLatin AmericaContemporary artAlicia HerreroEugenio Dittborn8a. Bienal do MercosulContemporary artists have proposed repositioning of the view as a psicogeographics, routes of drifts, affectives maps, subverting the physical, historical, political and social places in the global mapping. The Chilean artist Eugenio Dittborn with their "Airmail Paintings" that design, sewing, painting and collage are folded and placed in an envelope and sent by post. At your destination, the paint is removed from the envelope, unfolded and hung leaving the marks of the route traveled. The Argentine artist Alicia Herrero in his work "The trip Revoluvionário - title inspired by the trip that Ernesto Guevara held in South America, traveled by navigable rivers of South America and composed the work in the form of a" novel navigated "where each chapter is a port route. As the river of Heraclitus, the writing of "novel navigated" composes processes transposing borders.Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista (Unesp)Costa, Maria Luiza Calim de Carvalho [UNESP]2016-03-02T13:00:01Z2016-03-02T13:00:01Z2013info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article179-182application/pdfhttp://proceedings.copec.org.br/index.php/wcca/article/view/137Proceedings of World Congress of Communication nad Arts, v. 1, n. 1, p. 179-182, 2013.2317-1707http://hdl.handle.net/11449/135164ISSN2317-1707-2013-01-01-179-182.pdf5190303339099095Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporProceedings of World Congress of Communication nad Artsinfo:eu-repo/semantics/openAccess2024-04-16T19:55:26Zoai:repositorio.unesp.br:11449/135164Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T18:07:04.407566Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
América latina transterritorial: percursos em fronteiras fluidas |
title |
América latina transterritorial: percursos em fronteiras fluidas |
spellingShingle |
América latina transterritorial: percursos em fronteiras fluidas Costa, Maria Luiza Calim de Carvalho [UNESP] Latin America Contemporary art Alicia Herrero Eugenio Dittborn 8a. Bienal do Mercosul |
title_short |
América latina transterritorial: percursos em fronteiras fluidas |
title_full |
América latina transterritorial: percursos em fronteiras fluidas |
title_fullStr |
América latina transterritorial: percursos em fronteiras fluidas |
title_full_unstemmed |
América latina transterritorial: percursos em fronteiras fluidas |
title_sort |
América latina transterritorial: percursos em fronteiras fluidas |
author |
Costa, Maria Luiza Calim de Carvalho [UNESP] |
author_facet |
Costa, Maria Luiza Calim de Carvalho [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Costa, Maria Luiza Calim de Carvalho [UNESP] |
dc.subject.por.fl_str_mv |
Latin America Contemporary art Alicia Herrero Eugenio Dittborn 8a. Bienal do Mercosul |
topic |
Latin America Contemporary art Alicia Herrero Eugenio Dittborn 8a. Bienal do Mercosul |
description |
Contemporary artists have proposed repositioning of the view as a psicogeographics, routes of drifts, affectives maps, subverting the physical, historical, political and social places in the global mapping. The Chilean artist Eugenio Dittborn with their "Airmail Paintings" that design, sewing, painting and collage are folded and placed in an envelope and sent by post. At your destination, the paint is removed from the envelope, unfolded and hung leaving the marks of the route traveled. The Argentine artist Alicia Herrero in his work "The trip Revoluvionário - title inspired by the trip that Ernesto Guevara held in South America, traveled by navigable rivers of South America and composed the work in the form of a" novel navigated "where each chapter is a port route. As the river of Heraclitus, the writing of "novel navigated" composes processes transposing borders. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013 2016-03-02T13:00:01Z 2016-03-02T13:00:01Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://proceedings.copec.org.br/index.php/wcca/article/view/137 Proceedings of World Congress of Communication nad Arts, v. 1, n. 1, p. 179-182, 2013. 2317-1707 http://hdl.handle.net/11449/135164 ISSN2317-1707-2013-01-01-179-182.pdf 5190303339099095 |
url |
http://proceedings.copec.org.br/index.php/wcca/article/view/137 http://hdl.handle.net/11449/135164 |
identifier_str_mv |
Proceedings of World Congress of Communication nad Arts, v. 1, n. 1, p. 179-182, 2013. 2317-1707 ISSN2317-1707-2013-01-01-179-182.pdf 5190303339099095 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Proceedings of World Congress of Communication nad Arts |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
179-182 application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128897384972288 |