DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://hdl.handle.net/11449/194990 |
Resumo: | The starting point of the review of Teolinda Gersao's novel Os teclados [The keyboards] is the relation between Literature and Music, announced by its title. That review demonstrates how musical elements, especially the those from the sonata form compositions, works in the structure of the text. We have analyzed the presence of the silence (under the forms of suspension of saying, blanks of the page, deletion of meanings, and others) as a means of textually staging musical effects and sound contrasts. We based the study on the theorizing of the constitutive silence proposed by Eni Puccinelli Orlandi, as well as music theory and history, mainly Donald Grout e Claude Palisca's ocidental music history, and the study of sound and its senses, by Jose Miguel Wisnik. Besides to highlighting the ways in which the dialogue between music and literature takes place in the novel, we aim to demonstrate the confrontational and resistance relations between oppressive and oppressed groups and how musical language can be used to signify what cannot be said. |
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Repositório Institucional da UNESP |
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DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOSLiterature and musicSilence in literaturesonata form in literatureTeolinda GersaoOs tecladosThe starting point of the review of Teolinda Gersao's novel Os teclados [The keyboards] is the relation between Literature and Music, announced by its title. That review demonstrates how musical elements, especially the those from the sonata form compositions, works in the structure of the text. We have analyzed the presence of the silence (under the forms of suspension of saying, blanks of the page, deletion of meanings, and others) as a means of textually staging musical effects and sound contrasts. We based the study on the theorizing of the constitutive silence proposed by Eni Puccinelli Orlandi, as well as music theory and history, mainly Donald Grout e Claude Palisca's ocidental music history, and the study of sound and its senses, by Jose Miguel Wisnik. Besides to highlighting the ways in which the dialogue between music and literature takes place in the novel, we aim to demonstrate the confrontational and resistance relations between oppressive and oppressed groups and how musical language can be used to signify what cannot be said.Univ Estadual Paulista, Estudos Literarios, Campus Araraquara, Araraquara, SP, BrazilUniv Estadual Paulista, Estudos Literarios, Campus Araraquara, Araraquara, SP, BrazilUniv Estadual Mato Grosso SulUniversidade Estadual Paulista (Unesp)Mattos, Audrey Castanon de [UNESP]2020-12-10T17:00:54Z2020-12-10T17:00:54Z2019-08-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article480-505Revell-revista De Estudos Literarios Da Uems. Dourados: Univ Estadual Mato Grosso Sul, v. 2, n. 22, p. 480-505, 2019.2179-4456http://hdl.handle.net/11449/194990WOS:000496958500022Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporRevell-revista De Estudos Literarios Da Uemsinfo:eu-repo/semantics/openAccess2021-10-23T03:12:53Zoai:repositorio.unesp.br:11449/194990Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462021-10-23T03:12:53Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
title |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
spellingShingle |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS Mattos, Audrey Castanon de [UNESP] Literature and music Silence in literature sonata form in literature Teolinda Gersao Os teclados |
title_short |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
title_full |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
title_fullStr |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
title_full_unstemmed |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
title_sort |
DIALOGUES BETWEEN LITERATURE E MUSIC: SONATA FORM ELEMENTS IN TEOLINDA GERSAO'S NOVEL OS TECLADOS |
author |
Mattos, Audrey Castanon de [UNESP] |
author_facet |
Mattos, Audrey Castanon de [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Mattos, Audrey Castanon de [UNESP] |
dc.subject.por.fl_str_mv |
Literature and music Silence in literature sonata form in literature Teolinda Gersao Os teclados |
topic |
Literature and music Silence in literature sonata form in literature Teolinda Gersao Os teclados |
description |
The starting point of the review of Teolinda Gersao's novel Os teclados [The keyboards] is the relation between Literature and Music, announced by its title. That review demonstrates how musical elements, especially the those from the sonata form compositions, works in the structure of the text. We have analyzed the presence of the silence (under the forms of suspension of saying, blanks of the page, deletion of meanings, and others) as a means of textually staging musical effects and sound contrasts. We based the study on the theorizing of the constitutive silence proposed by Eni Puccinelli Orlandi, as well as music theory and history, mainly Donald Grout e Claude Palisca's ocidental music history, and the study of sound and its senses, by Jose Miguel Wisnik. Besides to highlighting the ways in which the dialogue between music and literature takes place in the novel, we aim to demonstrate the confrontational and resistance relations between oppressive and oppressed groups and how musical language can be used to signify what cannot be said. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-08-01 2020-12-10T17:00:54Z 2020-12-10T17:00:54Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
Revell-revista De Estudos Literarios Da Uems. Dourados: Univ Estadual Mato Grosso Sul, v. 2, n. 22, p. 480-505, 2019. 2179-4456 http://hdl.handle.net/11449/194990 WOS:000496958500022 |
identifier_str_mv |
Revell-revista De Estudos Literarios Da Uems. Dourados: Univ Estadual Mato Grosso Sul, v. 2, n. 22, p. 480-505, 2019. 2179-4456 WOS:000496958500022 |
url |
http://hdl.handle.net/11449/194990 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Revell-revista De Estudos Literarios Da Uems |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
480-505 |
dc.publisher.none.fl_str_mv |
Univ Estadual Mato Grosso Sul |
publisher.none.fl_str_mv |
Univ Estadual Mato Grosso Sul |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
_version_ |
1792961829088002048 |