O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil)
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://proceedings.copec.org.br/index.php/wcca/article/view/132 http://hdl.handle.net/11449/135168 |
Resumo: | This biographical and bibliographical research aimed understanding the circus and its clowns. The origin of the circus is presented taking into account its earliest manifestations in ancient Greece, until the creation of the modern circus in 1970 by Englishman Philip Astley. The clown, who was introduced in 1778 only after the circus has become an essential figure in the show, coming to represent the modern circus. Here, the different types of clowns are presented and their main characteristics are shown as a way to differentiate between them. The difficulties faced by circus companies are pointed, trying to understand the reduction of circus companies. To understand the formation and transformation of the clown in his years at the profession, the Clown Pára-quedas, artist of Bauru / SP was interviewed, their stories help to unravel some of the satisfactions of the profession and the problems faced by circus performers. |
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O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil)CircusClownsProfessionThis biographical and bibliographical research aimed understanding the circus and its clowns. The origin of the circus is presented taking into account its earliest manifestations in ancient Greece, until the creation of the modern circus in 1970 by Englishman Philip Astley. The clown, who was introduced in 1778 only after the circus has become an essential figure in the show, coming to represent the modern circus. Here, the different types of clowns are presented and their main characteristics are shown as a way to differentiate between them. The difficulties faced by circus companies are pointed, trying to understand the reduction of circus companies. To understand the formation and transformation of the clown in his years at the profession, the Clown Pára-quedas, artist of Bauru / SP was interviewed, their stories help to unravel some of the satisfactions of the profession and the problems faced by circus performers.Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura, Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, BrasilUniversidade Estadual Paulista (Unesp)Maciel, Talita Ribeiro [UNESP]Simões, Rosa Maria Araújo [UNESP]2016-03-02T13:00:02Z2016-03-02T13:00:02Z2013info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article164-168application/pdfhttp://proceedings.copec.org.br/index.php/wcca/article/view/132Proceedings of World Congress on Communication and Arts, v. 6, p. 164-168, 2013.2317-1707http://hdl.handle.net/11449/135168ISSN2317-1707-2013-06-164-168.pdf2498087862832692Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporProceedings of World Congress on Communication and Artsinfo:eu-repo/semantics/openAccess2024-04-16T19:55:28Zoai:repositorio.unesp.br:11449/135168Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T22:23:06.463547Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
title |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
spellingShingle |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) Maciel, Talita Ribeiro [UNESP] Circus Clowns Profession |
title_short |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
title_full |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
title_fullStr |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
title_full_unstemmed |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
title_sort |
O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil) |
author |
Maciel, Talita Ribeiro [UNESP] |
author_facet |
Maciel, Talita Ribeiro [UNESP] Simões, Rosa Maria Araújo [UNESP] |
author_role |
author |
author2 |
Simões, Rosa Maria Araújo [UNESP] |
author2_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Maciel, Talita Ribeiro [UNESP] Simões, Rosa Maria Araújo [UNESP] |
dc.subject.por.fl_str_mv |
Circus Clowns Profession |
topic |
Circus Clowns Profession |
description |
This biographical and bibliographical research aimed understanding the circus and its clowns. The origin of the circus is presented taking into account its earliest manifestations in ancient Greece, until the creation of the modern circus in 1970 by Englishman Philip Astley. The clown, who was introduced in 1778 only after the circus has become an essential figure in the show, coming to represent the modern circus. Here, the different types of clowns are presented and their main characteristics are shown as a way to differentiate between them. The difficulties faced by circus companies are pointed, trying to understand the reduction of circus companies. To understand the formation and transformation of the clown in his years at the profession, the Clown Pára-quedas, artist of Bauru / SP was interviewed, their stories help to unravel some of the satisfactions of the profession and the problems faced by circus performers. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013 2016-03-02T13:00:02Z 2016-03-02T13:00:02Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://proceedings.copec.org.br/index.php/wcca/article/view/132 Proceedings of World Congress on Communication and Arts, v. 6, p. 164-168, 2013. 2317-1707 http://hdl.handle.net/11449/135168 ISSN2317-1707-2013-06-164-168.pdf 2498087862832692 |
url |
http://proceedings.copec.org.br/index.php/wcca/article/view/132 http://hdl.handle.net/11449/135168 |
identifier_str_mv |
Proceedings of World Congress on Communication and Arts, v. 6, p. 164-168, 2013. 2317-1707 ISSN2317-1707-2013-06-164-168.pdf 2498087862832692 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Proceedings of World Congress on Communication and Arts |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
164-168 application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
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1808129422482472960 |