Entre o corpo da obra e o corpo do observador

Detalhes bibliográficos
Autor(a) principal: Coelho, Ricardo [UNESP]
Data de Publicação: 2015
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://hdl.handle.net/11449/132181
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/10-11-2015/000853009.pdf
Resumo: Since the first expressive demonstrations of humanity, the human body is certainly the most recurrent subject in the history of representations in the West, from the 6th century B.C in Greece to Contemporary Art, period approached of synchronous mode in this study. Our main objective was to analyze the relations established between the body of the work (always taken as a representation) and the body of the observer at the time of the aesthetic fruition. This relationship inherent to the artistic phenomenon, changes in each context, depending of a complex network of meanings, which are not restricted to the specificities of expressive languages. Therefore, it was important to consider the fact that the space between the body of the work and the body of the observer - as well as the space that separate the reader (observer) and this text (work) at the moment - is also virtually filled by their personal experiences and the several representations, which make the body in the complex sociocultural setting. In other words, more than specific representations of visual arts field, it was necessary to consider and to approach some of the multiple dimensions of culture, expressed in social, political, religious, legal, medical, scientific and sexual representation of the body. This decision is due to our consideration that there is a virtual space inhabited by their personal experiences and by other representations produced in the cultural universe between the observer and any work. The body through its feelings, the work on its autonomy and the space, full of sliding meaning, form an organic and complex network, as if we were the center of a city where local interactions can lead to a more complex global order
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spelling Entre o corpo da obra e o corpo do observadorArtes - Aspectos psicológicosArte - ApreciaçãoFigura humana na arteHuman figure in artSince the first expressive demonstrations of humanity, the human body is certainly the most recurrent subject in the history of representations in the West, from the 6th century B.C in Greece to Contemporary Art, period approached of synchronous mode in this study. Our main objective was to analyze the relations established between the body of the work (always taken as a representation) and the body of the observer at the time of the aesthetic fruition. This relationship inherent to the artistic phenomenon, changes in each context, depending of a complex network of meanings, which are not restricted to the specificities of expressive languages. Therefore, it was important to consider the fact that the space between the body of the work and the body of the observer - as well as the space that separate the reader (observer) and this text (work) at the moment - is also virtually filled by their personal experiences and the several representations, which make the body in the complex sociocultural setting. In other words, more than specific representations of visual arts field, it was necessary to consider and to approach some of the multiple dimensions of culture, expressed in social, political, religious, legal, medical, scientific and sexual representation of the body. This decision is due to our consideration that there is a virtual space inhabited by their personal experiences and by other representations produced in the cultural universe between the observer and any work. The body through its feelings, the work on its autonomy and the space, full of sliding meaning, form an organic and complex network, as if we were the center of a city where local interactions can lead to a more complex global orderO corpo humano no Ocidente é, sem dúvida alguma, desde as primeiras manifestações expressivas da humanidade, o tema mais recorrente na história das representações, inclusive no campo privilegiado das artes visuais, no lapso que vai da Grécia no século VI a.C. até a Arte Contemporânea, período abordado de modo sincrônico no presente estudo. Nosso objetivo principal foi a analise das relações que se estabelecem entre o corpo da obra (sempre tomada como representação) e o corpo do observador no momento da fruição estética. Essa relação, inerente ao fenômeno artístico, altera-se a cada contexto em função de uma complexa rede de significações, as quais não se restringem às especificidades das linguagens expressivas. Por isso, foi determinante considerar o fato de que o espaço entre o corpo da obra e o corpo do observador - assim como o espaço que separa o leitor (observador) e o presente texto (obra) nesse momento - também é preenchido virtualmente por suas experiências pessoais e pelas diversas representações que se fazem do corpo no complexo cenário sociocultural. Em outras palavras, além das representações específicas ao campo das artes visuais, foi necessário considerar e abordar algumas das múltiplas dimensões da cultura expressas nas representação sociais, políticas, religiosas, jurídicas, médicas, científicas e sexuais do corpo. Essa decisão se deve ao fato de considerarmos que entre o observador e qualquer obra há um espaço virtual povoado por suas experiências pessoais e pelas demais representações produzidas no universo da cultura. O corpo através de seus sentidos, a obra em sua autonomia e esse espaço carregado de significações deslizantes formam uma orgânica e complexa rede, como se estivéssemos no centro de uma cidade onde interações locais podem levar a uma ordem global mais complexaUniversidade Estadual Paulista (Unesp)Sogabe, Milton Terumitsu [UNESP]Universidade Estadual Paulista (Unesp)Coelho, Ricardo [UNESP]2015-12-10T14:24:25Z2015-12-10T14:24:25Z2015-08-31info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis488 p.: il.application/pdfCOELHO, Ricardo. Entre o corpo da obra e o corpo do observador. 2015. 488 p. Tese (doutorado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015.http://hdl.handle.net/11449/132181000853009http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/10-11-2015/000853009.pdf33004013063P47600718608296628Alephreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporinfo:eu-repo/semantics/openAccess2023-10-04T06:02:21Zoai:repositorio.unesp.br:11449/132181Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462023-10-04T06:02:21Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Entre o corpo da obra e o corpo do observador
title Entre o corpo da obra e o corpo do observador
spellingShingle Entre o corpo da obra e o corpo do observador
Coelho, Ricardo [UNESP]
Artes - Aspectos psicológicos
Arte - Apreciação
Figura humana na arte
Human figure in art
title_short Entre o corpo da obra e o corpo do observador
title_full Entre o corpo da obra e o corpo do observador
title_fullStr Entre o corpo da obra e o corpo do observador
title_full_unstemmed Entre o corpo da obra e o corpo do observador
title_sort Entre o corpo da obra e o corpo do observador
author Coelho, Ricardo [UNESP]
author_facet Coelho, Ricardo [UNESP]
author_role author
dc.contributor.none.fl_str_mv Sogabe, Milton Terumitsu [UNESP]
Universidade Estadual Paulista (Unesp)
dc.contributor.author.fl_str_mv Coelho, Ricardo [UNESP]
dc.subject.por.fl_str_mv Artes - Aspectos psicológicos
Arte - Apreciação
Figura humana na arte
Human figure in art
topic Artes - Aspectos psicológicos
Arte - Apreciação
Figura humana na arte
Human figure in art
description Since the first expressive demonstrations of humanity, the human body is certainly the most recurrent subject in the history of representations in the West, from the 6th century B.C in Greece to Contemporary Art, period approached of synchronous mode in this study. Our main objective was to analyze the relations established between the body of the work (always taken as a representation) and the body of the observer at the time of the aesthetic fruition. This relationship inherent to the artistic phenomenon, changes in each context, depending of a complex network of meanings, which are not restricted to the specificities of expressive languages. Therefore, it was important to consider the fact that the space between the body of the work and the body of the observer - as well as the space that separate the reader (observer) and this text (work) at the moment - is also virtually filled by their personal experiences and the several representations, which make the body in the complex sociocultural setting. In other words, more than specific representations of visual arts field, it was necessary to consider and to approach some of the multiple dimensions of culture, expressed in social, political, religious, legal, medical, scientific and sexual representation of the body. This decision is due to our consideration that there is a virtual space inhabited by their personal experiences and by other representations produced in the cultural universe between the observer and any work. The body through its feelings, the work on its autonomy and the space, full of sliding meaning, form an organic and complex network, as if we were the center of a city where local interactions can lead to a more complex global order
publishDate 2015
dc.date.none.fl_str_mv 2015-12-10T14:24:25Z
2015-12-10T14:24:25Z
2015-08-31
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv COELHO, Ricardo. Entre o corpo da obra e o corpo do observador. 2015. 488 p. Tese (doutorado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015.
http://hdl.handle.net/11449/132181
000853009
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/10-11-2015/000853009.pdf
33004013063P4
7600718608296628
identifier_str_mv COELHO, Ricardo. Entre o corpo da obra e o corpo do observador. 2015. 488 p. Tese (doutorado) - Universidade Estadual Paulista Júlio de Mesquita Filho, Instituto de Artes, 2015.
000853009
33004013063P4
7600718608296628
url http://hdl.handle.net/11449/132181
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/10-11-2015/000853009.pdf
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 488 p.: il.
application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
publisher.none.fl_str_mv Universidade Estadual Paulista (Unesp)
dc.source.none.fl_str_mv Aleph
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv
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