U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES

Detalhes bibliográficos
Autor(a) principal: Fernandes, Giséle Manganelli [UNESP]
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Institucional da UNESP
Texto Completo: http://dx.doi.org/10.5007/2175-8026.2022.E86453
http://hdl.handle.net/11449/242256
Resumo: The fact that U.S. Latinx live between two worlds makes their artistic production a pungent element to obtain support for social inclusion and equality. The anxieties of these artists are related to a wide range of social and identity matters. Longing for the American Dream, these immigrants and their descendants realized the necessity to overcome not only physical but also cultural, linguistic, economic and racial barriers. In this paper, the text Entre Lucas y Juan Mejía (1992), by Julia Alvarez will base the debate related to the issue of her being hyphenated, that is, a Dominican- American, and the meaning of this situation to her identity. The play Los Vendidos (1967), by Luis Valdez, and poems by Benjamin Alire Sáenz, Jimmy Santiago Baca, Tino Villanueva as well as the movie Sleep Dealer (2009) will be analyzed in order to examine how the authors address stereotypes applied to U.S. Latinx on a daily basis.
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spelling U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPESPRODUÇÕES ARTÍSTICAS DE U.S. LATINX: DEMOLINDO FRONTEIRAS E DESMANCHANDO ESTEREÓTIPOSBordersIdentity(ies)ImmigrationResistanceU.S. LatinxThe fact that U.S. Latinx live between two worlds makes their artistic production a pungent element to obtain support for social inclusion and equality. The anxieties of these artists are related to a wide range of social and identity matters. Longing for the American Dream, these immigrants and their descendants realized the necessity to overcome not only physical but also cultural, linguistic, economic and racial barriers. In this paper, the text Entre Lucas y Juan Mejía (1992), by Julia Alvarez will base the debate related to the issue of her being hyphenated, that is, a Dominican- American, and the meaning of this situation to her identity. The play Los Vendidos (1967), by Luis Valdez, and poems by Benjamin Alire Sáenz, Jimmy Santiago Baca, Tino Villanueva as well as the movie Sleep Dealer (2009) will be analyzed in order to examine how the authors address stereotypes applied to U.S. Latinx on a daily basis.Universidade Estadual Paulista, SPUniversidade Estadual Paulista, SPUniversidade Estadual Paulista (UNESP)Fernandes, Giséle Manganelli [UNESP]2023-03-02T12:25:53Z2023-03-02T12:25:53Z2022-05-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article151-164http://dx.doi.org/10.5007/2175-8026.2022.E86453Ilha do Desterro, v. 75, n. 2, p. 151-164, 2022.2175-80260101-4846http://hdl.handle.net/11449/24225610.5007/2175-8026.2022.E864532-s2.0-85137398818Scopusreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporIlha do Desterroinfo:eu-repo/semantics/openAccess2024-10-29T15:29:57Zoai:repositorio.unesp.br:11449/242256Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestrepositoriounesp@unesp.bropendoar:29462024-10-29T15:29:57Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
PRODUÇÕES ARTÍSTICAS DE U.S. LATINX: DEMOLINDO FRONTEIRAS E DESMANCHANDO ESTEREÓTIPOS
title U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
spellingShingle U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
Fernandes, Giséle Manganelli [UNESP]
Borders
Identity(ies)
Immigration
Resistance
U.S. Latinx
title_short U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
title_full U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
title_fullStr U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
title_full_unstemmed U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
title_sort U.S. LATINX ARTISTIC PRODUCTIONS: DEMOLISHING BORDERS AND DISMANTLING STEREOTYPES
author Fernandes, Giséle Manganelli [UNESP]
author_facet Fernandes, Giséle Manganelli [UNESP]
author_role author
dc.contributor.none.fl_str_mv Universidade Estadual Paulista (UNESP)
dc.contributor.author.fl_str_mv Fernandes, Giséle Manganelli [UNESP]
dc.subject.por.fl_str_mv Borders
Identity(ies)
Immigration
Resistance
U.S. Latinx
topic Borders
Identity(ies)
Immigration
Resistance
U.S. Latinx
description The fact that U.S. Latinx live between two worlds makes their artistic production a pungent element to obtain support for social inclusion and equality. The anxieties of these artists are related to a wide range of social and identity matters. Longing for the American Dream, these immigrants and their descendants realized the necessity to overcome not only physical but also cultural, linguistic, economic and racial barriers. In this paper, the text Entre Lucas y Juan Mejía (1992), by Julia Alvarez will base the debate related to the issue of her being hyphenated, that is, a Dominican- American, and the meaning of this situation to her identity. The play Los Vendidos (1967), by Luis Valdez, and poems by Benjamin Alire Sáenz, Jimmy Santiago Baca, Tino Villanueva as well as the movie Sleep Dealer (2009) will be analyzed in order to examine how the authors address stereotypes applied to U.S. Latinx on a daily basis.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-01
2023-03-02T12:25:53Z
2023-03-02T12:25:53Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://dx.doi.org/10.5007/2175-8026.2022.E86453
Ilha do Desterro, v. 75, n. 2, p. 151-164, 2022.
2175-8026
0101-4846
http://hdl.handle.net/11449/242256
10.5007/2175-8026.2022.E86453
2-s2.0-85137398818
url http://dx.doi.org/10.5007/2175-8026.2022.E86453
http://hdl.handle.net/11449/242256
identifier_str_mv Ilha do Desterro, v. 75, n. 2, p. 151-164, 2022.
2175-8026
0101-4846
10.5007/2175-8026.2022.E86453
2-s2.0-85137398818
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Ilha do Desterro
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 151-164
dc.source.none.fl_str_mv Scopus
reponame:Repositório Institucional da UNESP
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Repositório Institucional da UNESP
collection Repositório Institucional da UNESP
repository.name.fl_str_mv Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv repositoriounesp@unesp.br
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