A estética da imagem na TV digital
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://www.revistatrampas.com.ar/2014/10/a-estetica-da-imagem-na-tv-digital.html http://hdl.handle.net/11449/135522 |
Resumo: | This text reflects on the techniques and the process of image production and its artistic composition to digital television in high defini- tion, whereas the 4:3 and 16:9 formats will exist until shutdown of the analog signal. Within this period, consumers of television programming that have analog receivers will continue to see the images in 4:3 format. That fact determines that the productions in high definition, while capturing images with larger viewing area and have high contrast ratio (>1000:1) must be main- tain the elements of visual storytelling within the smallest area and with the contrast ratio of the analog tv (30:1), at the risk of distorting visually the messages produced by the directors. |
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A estética da imagem na TV digitalTelevisual aestheticImage composition16:9Digital TVEstética televisivaComposición de imágenes16:09TV digitalThis text reflects on the techniques and the process of image production and its artistic composition to digital television in high defini- tion, whereas the 4:3 and 16:9 formats will exist until shutdown of the analog signal. Within this period, consumers of television programming that have analog receivers will continue to see the images in 4:3 format. That fact determines that the productions in high definition, while capturing images with larger viewing area and have high contrast ratio (>1000:1) must be main- tain the elements of visual storytelling within the smallest area and with the contrast ratio of the analog tv (30:1), at the risk of distorting visually the messages produced by the directors.Este texto reflexiona sobre las técnicas y el proceso de producción de la imagen y su composición artística a la televisión digital en alta definición, mientras que existirán los dos formatos (4:3 y 16:9) hasta la desconexión de la señal analógica. Dentro de este período, los consumidores de la programación de televisión que tienen receptores analógicos continuarán viendo las imágenes en formato 4:3. Ese hecho determina que las producciones en alta defini- ción, con la captura de imágenes con mayor área de visualización y con alta relación de contraste (>1000:1) deberán mantener los elementos de la narración visual en el área más pequeña y la relación de contraste de la televisión analógica (30:1), con el riesgo de distorsionar visualmente, las mensajes producidos por los directores.Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Comunicação Social, Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av. Luiz Edmundo Carrijo Coube, s/n, Vargem Limpa, CEP 17033-360, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Comunicação Social, Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av. Luiz Edmundo Carrijo Coube, s/n, Vargem Limpa, CEP 17033-360, SP, BrasilUniversidade Estadual Paulista (Unesp)Balan, Willians Cerozzi [UNESP]2016-03-02T13:03:09Z2016-03-02T13:03:09Z2014info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article113-124application/pdfhttp://www.revistatrampas.com.ar/2014/10/a-estetica-da-imagem-na-tv-digital.htmlTram[p]as de la comunicación y la cultura, v. 77, p. 113-124, 2014.2314-274Xhttp://hdl.handle.net/11449/135522ISSN2314-274X-2014-77-113-124.pdf4011754130230212Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporTram[p]as de la comunicación y la culturainfo:eu-repo/semantics/openAccess2024-04-17T15:50:04Zoai:repositorio.unesp.br:11449/135522Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-05T15:30:23.760763Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
A estética da imagem na TV digital |
title |
A estética da imagem na TV digital |
spellingShingle |
A estética da imagem na TV digital Balan, Willians Cerozzi [UNESP] Televisual aesthetic Image composition 16:9 Digital TV Estética televisiva Composición de imágenes 16:09 TV digital |
title_short |
A estética da imagem na TV digital |
title_full |
A estética da imagem na TV digital |
title_fullStr |
A estética da imagem na TV digital |
title_full_unstemmed |
A estética da imagem na TV digital |
title_sort |
A estética da imagem na TV digital |
author |
Balan, Willians Cerozzi [UNESP] |
author_facet |
Balan, Willians Cerozzi [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Balan, Willians Cerozzi [UNESP] |
dc.subject.por.fl_str_mv |
Televisual aesthetic Image composition 16:9 Digital TV Estética televisiva Composición de imágenes 16:09 TV digital |
topic |
Televisual aesthetic Image composition 16:9 Digital TV Estética televisiva Composición de imágenes 16:09 TV digital |
description |
This text reflects on the techniques and the process of image production and its artistic composition to digital television in high defini- tion, whereas the 4:3 and 16:9 formats will exist until shutdown of the analog signal. Within this period, consumers of television programming that have analog receivers will continue to see the images in 4:3 format. That fact determines that the productions in high definition, while capturing images with larger viewing area and have high contrast ratio (>1000:1) must be main- tain the elements of visual storytelling within the smallest area and with the contrast ratio of the analog tv (30:1), at the risk of distorting visually the messages produced by the directors. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014 2016-03-02T13:03:09Z 2016-03-02T13:03:09Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.revistatrampas.com.ar/2014/10/a-estetica-da-imagem-na-tv-digital.html Tram[p]as de la comunicación y la cultura, v. 77, p. 113-124, 2014. 2314-274X http://hdl.handle.net/11449/135522 ISSN2314-274X-2014-77-113-124.pdf 4011754130230212 |
url |
http://www.revistatrampas.com.ar/2014/10/a-estetica-da-imagem-na-tv-digital.html http://hdl.handle.net/11449/135522 |
identifier_str_mv |
Tram[p]as de la comunicación y la cultura, v. 77, p. 113-124, 2014. 2314-274X ISSN2314-274X-2014-77-113-124.pdf 4011754130230212 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Tram[p]as de la comunicación y la cultura |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
113-124 application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
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1808128523340087296 |