Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)

Detalhes bibliográficos
Autor(a) principal: Krug, Flavia Susana
Data de Publicação: 2022
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca de teses e dissertações da Universidade de Passo Fundo (BDTD UPF)
Texto Completo: http://tede.upf.br:8080/jspui/handle/tede/2479
Resumo: The theme of this thesis is the interrelation between reading and technological devices, having as a corpus of analysis publications in the press produced by Josué Guimarães, in the period between 1981 and 1986, included in the Josué Guimarães Literary Collection (ALJOG/UPF), under the custody of the Universidade de Passo Fundo (UPF), as an integrating part of the infrastructure of the Postgraduate Program in Languages and the Institution's Languages Course. The present work has the purpose of contributing with considerations about the (re)reading of the original journalistic material, as well as discussing the results obtained in the exploration of the IRAMUTEQ digital platform, in a literary collection, via Word Cloud and Similitude Analysis resources. The main theoretical framework, on which the study is developed, is centered on the assumptions of Maria da Glória Bordini (2003, 2009, 2017), based on statements that make us ponder the real indispensability of materials protected in collections also depending on the mobilization to use technological resources to perpetuate them from aspired articulations either with literary works, or with historical works in general. In environments like this, texts and extra-texts come together. In this bias, when studying authors, works, facts, events and the like in collections, the essence of each construction, through existing technologies, is portrayed with more success and relational potential. As for the studies of Miguel Rettenmaier (2008), it is important to take advantage of his ideas about investigating through literary collections which, in the author's view, increases the capacity of (re)interpretation based on the variety of textuality related to the intellectual production of certain writers, as well as the documentary information that permeates its existence. It is in collections, especially literary ones, that memory is explored to its limit, and manuscripts reveal even much more than an author's hands were capable of writing. On the other hand, Alberto Cupanni (2017) exposes essential understandings, as well as important philosophical statements that go beyond the philosophy of technology. In order to cover technology as an inviting and thought-provoking product, its studies facilitate reflective debates and challenge the existence of new research on the subject, since it is seldom explored in Brazil. Lúcia Santaella (2013, 2014) contributes with important reflections about the propagation of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. As for the IRAMUTEQ Software, research by Ana Maria Justo and Brigido Vizeu Camargo (2013) leads to the understanding and appreciation of reading performed on technological platforms in different and dynamic ways. Lúcia Santaella (2013) contributes with important reflections about the multiplication of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. In addition, the authors' observations on the IRAMUTEQ Software contribute to the perception of the agility and efficiency offered by the program in order to provide new perspectives on the observance of a texture, as well as the rigor of the qualitative textual data analysis performed by it. The research fits into the qualitative perspective of the descriptive-exploratory type. The corpus consists of 93 (ninety-three) texts, classified under the name passive production, items published in the press and examined from readings and singular observations, in addition to meticulous preparation for forwarding them to the selected program. The research is not intended to create interpretative models, yet it has the purpose of socializing a closer look at the journalistic production of Josué Guimarães in a period that registers significant marks in the political and social scenario in Brazil. The result of the exploration of the chronicles sent to IRAMUTEQ aims to demonstrate the essence of the thinking of the writer and journalist Josué Guimarães, experienced in the context of the period from 1980 to 1986.
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spelling Rettenmaier, MiguelCPF: 49652800082http://lattes.cnpq.br/9201120360134334CPF: 84615036949http://lattes.cnpq.br/6769096597234117Krug, Flavia Susana2023-03-30T12:57:42Z2022-12-16KRUG, Flavia Susana. Acervo literário e software leitor : a crônica de Josué Guimarães (entre 1980 a 1986). 2022. 146 f. Tese (Doutorado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2022.http://tede.upf.br:8080/jspui/handle/tede/2479The theme of this thesis is the interrelation between reading and technological devices, having as a corpus of analysis publications in the press produced by Josué Guimarães, in the period between 1981 and 1986, included in the Josué Guimarães Literary Collection (ALJOG/UPF), under the custody of the Universidade de Passo Fundo (UPF), as an integrating part of the infrastructure of the Postgraduate Program in Languages and the Institution's Languages Course. The present work has the purpose of contributing with considerations about the (re)reading of the original journalistic material, as well as discussing the results obtained in the exploration of the IRAMUTEQ digital platform, in a literary collection, via Word Cloud and Similitude Analysis resources. The main theoretical framework, on which the study is developed, is centered on the assumptions of Maria da Glória Bordini (2003, 2009, 2017), based on statements that make us ponder the real indispensability of materials protected in collections also depending on the mobilization to use technological resources to perpetuate them from aspired articulations either with literary works, or with historical works in general. In environments like this, texts and extra-texts come together. In this bias, when studying authors, works, facts, events and the like in collections, the essence of each construction, through existing technologies, is portrayed with more success and relational potential. As for the studies of Miguel Rettenmaier (2008), it is important to take advantage of his ideas about investigating through literary collections which, in the author's view, increases the capacity of (re)interpretation based on the variety of textuality related to the intellectual production of certain writers, as well as the documentary information that permeates its existence. It is in collections, especially literary ones, that memory is explored to its limit, and manuscripts reveal even much more than an author's hands were capable of writing. On the other hand, Alberto Cupanni (2017) exposes essential understandings, as well as important philosophical statements that go beyond the philosophy of technology. In order to cover technology as an inviting and thought-provoking product, its studies facilitate reflective debates and challenge the existence of new research on the subject, since it is seldom explored in Brazil. Lúcia Santaella (2013, 2014) contributes with important reflections about the propagation of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. As for the IRAMUTEQ Software, research by Ana Maria Justo and Brigido Vizeu Camargo (2013) leads to the understanding and appreciation of reading performed on technological platforms in different and dynamic ways. Lúcia Santaella (2013) contributes with important reflections about the multiplication of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. In addition, the authors' observations on the IRAMUTEQ Software contribute to the perception of the agility and efficiency offered by the program in order to provide new perspectives on the observance of a texture, as well as the rigor of the qualitative textual data analysis performed by it. The research fits into the qualitative perspective of the descriptive-exploratory type. The corpus consists of 93 (ninety-three) texts, classified under the name passive production, items published in the press and examined from readings and singular observations, in addition to meticulous preparation for forwarding them to the selected program. The research is not intended to create interpretative models, yet it has the purpose of socializing a closer look at the journalistic production of Josué Guimarães in a period that registers significant marks in the political and social scenario in Brazil. The result of the exploration of the chronicles sent to IRAMUTEQ aims to demonstrate the essence of the thinking of the writer and journalist Josué Guimarães, experienced in the context of the period from 1980 to 1986.O tema desta tese é a inter-relação entre leitura e aparatos tecnológicos, tendo como corpus de análise publicações na imprensa produzidas por Josué Guimarães, no período entre 1981 a 1986, constantes no Acervo Literário Josué Guimarães (ALJOG/UPF), sob a guarda da Universidade de Passo Fundo (UPF), como parte integrante da infraestrutura do Programa de Pós-Graduação em Letras e do Curso de Letras da Instituição. O presente trabalho tem o propósito de contribuir com reflexões acerca da (re)leitura do material jornalístico original, bem como discutir os resultados obtidos na exploração da plataforma digital IRAMUTEQ, em acervo literário, via recursos Nuvem de Palavras e Análise de Similitude. O marco teórico principal, sobre o qual se desenvolve o estudo, está centrado nos pressupostos de Maria da Glória Bordini (2003, 2009, 2017), a partir de colocações que nos fazem refletir sobre a real indispensabilidade dos materiais protegidos em acervos dependerem também da mobilização e uso dos recursos tecnológicos para os perpetuarem, a partir de aspiradas articulações, seja com obras literárias, seja com obras históricas em geral. Em ambientes assim, textos e extratextos se conjugam. Neste viés, quando se estuda sobre autores, obras, fatos, acontecimentos e afins em acervos, a essência de cada construção, por meio das tecnologias existentes, é retratada com mais êxito e potencialidade relacional. Quanto aos estudos de Miguel Rettenmaier (2008), importa aproveitarmos suas ideias sobre investigar a partir de acervos literários, pois isso, na visão do autor, aumenta a capacidade de (re)interpretação a contar da variedade de textualidade relacionada à produção intelectual de determinados escritores, bem como as informações documentais que permeiam sua existência. É em acervos, especialmente os literários, que a memória é explorada até seu limite e os manuscritos revelam até muito mais do que as mãos de um autor foi capaz de escrever. Por outro lado, Alberto Cupani (2017) expõe entendimentos essenciais, como também principais colocações filosóficas que ultrapassam a filosofia da tecnologia. Com a finalidade de abranger a tecnologia como produto convidativo e instigante, seus estudos facilitam debates reflexivos e desafiam a existência de novas pesquisas a respeito do tema, uma vez que é pouco explorado no Brasil. Lúcia Santaella (2013) contribui com reflexões importantes sobre a multiplicação dos espaços digitais, principalmente no que diz respeito à mídia que atualmente favorece o acesso à comunicação. Além disso, ela afirma sobre os atuais processos de comunicação ocorrendo de forma fluida, bem como sobre a hipermobilidade que se desdobra através de objetos, ambientes, corpos e mentes. Quanto ao Software IRAMUTEQ, as pesquisas de Ana Maria Justo e Brigido Vizeu Camargo (2013) direcionam à compreensão e à apreciação da leitura realizada em plataformas tecnológicas de maneiras diferenciadas e dinâmicas. Além disso, as observações dos autores sobre o Software IRAMUTEQ contribuem para que a agilidade e a eficiência oferecidas pelo programa sejam percebidas, no intuito de proporcionar novas perspectivas de observância de uma tessitura, assim como o rigor das análises de dados textuais qualitativos efetuados por ele. A pesquisa enquadra-se na perspectiva qualitativa do tipo descritivo-exploratória. O corpus é composto por 93 (noventa e três) textos, classificados sob a denominação produção passiva, itens de publicação na imprensa, e examinados a partir de leituras e observações singulares, além de preparo minucioso para encaminhamento ao programa selecionado. A pesquisa não tem a intenção de criar modelos interpretativos, mas possui o propósito de socializar um olhar mais atento à produção jornalística de Josué Guimarães em um período que registra marcas significativas no cenário político-social do Brasil. O resultado da exploração das crônicas enviadas ao IRAMUTEQ deseja demonstrar a essência do pensamento do escritor e jornalista Josué Guimarães, vivenciado no contexto referente ao período de 1980 a 1986.Submitted by Jucelei Domingues (jucelei@upf.br) on 2023-03-30T12:57:42Z No. of bitstreams: 1 2022FlaviaSusanaKrug.pdf: 1654828 bytes, checksum: e7ccba25152a0fca13dab8141549bb34 (MD5)Made available in DSpace on 2023-03-30T12:57:42Z (GMT). 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dc.title.por.fl_str_mv Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
dc.title.alternative.eng.fl_str_mv Literary collection and reader software : the chronicle of Josué Guimarães (between 1980 and 1986)
title Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
spellingShingle Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
Krug, Flavia Susana
Guimarães, Josué, 1921-1986
Análise do discurso literário - Software
LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
title_full Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
title_fullStr Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
title_full_unstemmed Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
title_sort Acervo literário e software leitor : a crônica de Josué Guimarães (entre1980 a 1986)
author Krug, Flavia Susana
author_facet Krug, Flavia Susana
author_role author
dc.contributor.advisor1.fl_str_mv Rettenmaier, Miguel
dc.contributor.advisor1ID.fl_str_mv CPF: 49652800082
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/9201120360134334
dc.contributor.authorID.fl_str_mv CPF: 84615036949
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/6769096597234117
dc.contributor.author.fl_str_mv Krug, Flavia Susana
contributor_str_mv Rettenmaier, Miguel
dc.subject.por.fl_str_mv Guimarães, Josué, 1921-1986
Análise do discurso literário - Software
topic Guimarães, Josué, 1921-1986
Análise do discurso literário - Software
LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS
description The theme of this thesis is the interrelation between reading and technological devices, having as a corpus of analysis publications in the press produced by Josué Guimarães, in the period between 1981 and 1986, included in the Josué Guimarães Literary Collection (ALJOG/UPF), under the custody of the Universidade de Passo Fundo (UPF), as an integrating part of the infrastructure of the Postgraduate Program in Languages and the Institution's Languages Course. The present work has the purpose of contributing with considerations about the (re)reading of the original journalistic material, as well as discussing the results obtained in the exploration of the IRAMUTEQ digital platform, in a literary collection, via Word Cloud and Similitude Analysis resources. The main theoretical framework, on which the study is developed, is centered on the assumptions of Maria da Glória Bordini (2003, 2009, 2017), based on statements that make us ponder the real indispensability of materials protected in collections also depending on the mobilization to use technological resources to perpetuate them from aspired articulations either with literary works, or with historical works in general. In environments like this, texts and extra-texts come together. In this bias, when studying authors, works, facts, events and the like in collections, the essence of each construction, through existing technologies, is portrayed with more success and relational potential. As for the studies of Miguel Rettenmaier (2008), it is important to take advantage of his ideas about investigating through literary collections which, in the author's view, increases the capacity of (re)interpretation based on the variety of textuality related to the intellectual production of certain writers, as well as the documentary information that permeates its existence. It is in collections, especially literary ones, that memory is explored to its limit, and manuscripts reveal even much more than an author's hands were capable of writing. On the other hand, Alberto Cupanni (2017) exposes essential understandings, as well as important philosophical statements that go beyond the philosophy of technology. In order to cover technology as an inviting and thought-provoking product, its studies facilitate reflective debates and challenge the existence of new research on the subject, since it is seldom explored in Brazil. Lúcia Santaella (2013, 2014) contributes with important reflections about the propagation of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. As for the IRAMUTEQ Software, research by Ana Maria Justo and Brigido Vizeu Camargo (2013) leads to the understanding and appreciation of reading performed on technological platforms in different and dynamic ways. Lúcia Santaella (2013) contributes with important reflections about the multiplication of digital spaces, especially regarding the media that currently favors the access to communication. In addition, she asserts about the current processes of communication taking place fluidly, as well as about the hypermobility that unfolds through objects, environments, bodies and minds. In addition, the authors' observations on the IRAMUTEQ Software contribute to the perception of the agility and efficiency offered by the program in order to provide new perspectives on the observance of a texture, as well as the rigor of the qualitative textual data analysis performed by it. The research fits into the qualitative perspective of the descriptive-exploratory type. The corpus consists of 93 (ninety-three) texts, classified under the name passive production, items published in the press and examined from readings and singular observations, in addition to meticulous preparation for forwarding them to the selected program. The research is not intended to create interpretative models, yet it has the purpose of socializing a closer look at the journalistic production of Josué Guimarães in a period that registers significant marks in the political and social scenario in Brazil. The result of the exploration of the chronicles sent to IRAMUTEQ aims to demonstrate the essence of the thinking of the writer and journalist Josué Guimarães, experienced in the context of the period from 1980 to 1986.
publishDate 2022
dc.date.issued.fl_str_mv 2022-12-16
dc.date.accessioned.fl_str_mv 2023-03-30T12:57:42Z
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dc.identifier.citation.fl_str_mv KRUG, Flavia Susana. Acervo literário e software leitor : a crônica de Josué Guimarães (entre 1980 a 1986). 2022. 146 f. Tese (Doutorado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2022.
dc.identifier.uri.fl_str_mv http://tede.upf.br:8080/jspui/handle/tede/2479
identifier_str_mv KRUG, Flavia Susana. Acervo literário e software leitor : a crônica de Josué Guimarães (entre 1980 a 1986). 2022. 146 f. Tese (Doutorado em Letras) - Universidade de Passo Fundo, Passo Fundo, RS, 2022.
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