Sonoridades fronteiriças contemporâneas: conexões, diálogos e reconhecimento identitário em gêneros musicais platinos

• Autor(a) principal: Carraro, Ghadyego
• Data de Publicação: 2020
• Tipo de documento: Tese
• Idioma: por
• Título da fonte: Biblioteca de teses e dissertações da Universidade de Passo Fundo (BDTD UPF)
• Texto Completo: http://tede.upf.br:8080/jspui/handle/tede/2113
• topic: Música e história; Músicos - Tríplice Fronteira (Argentina, Brasil e Uruguai); Gênero musical; CIENCIAS HUMANAS::HISTORIA

The thesis in question aims to understand aspects of the historiography of the musical genres present in the south american border space, particularly focused on the dialogues and connections between latin american musicians, composers and interpreters. Given this, the focus is based on the idea of a symbolic space based on the perspective of belonging and latinity, which starts from the choice of subjects for integration in music-cultural relations. The argument, in the musical sphere, the border projects peculiar dialogues and connections that go beyond national limits, forming a kind of sonoritie space, hybrid and transnational. Observing the triple border (Rio Grande do Sul - Uruguay - Argentina), a place marked by climatic characteristics (cold and wind), ways of life (isolation and melancholy) and distinct cultural encounters that reflect perspectives of the border imaginary. A situation that involves very important hybrid processes, which were able to stimulate different relationships and dialogues in the musical field. Highlight for musical genres such as milonga, chacarera and chamamé, among others widely disseminated and shared in the context of South America. In this sense, the border aspect constitutes a mark of identity with the indigenous cultural heritage, African, and European, which established exchanges that go beyond the perspective of a geographical, but symbolic border, recognized in the Latin sonorities identity. The study consisted in the observation and understanding of factors that involve the sonorities present in this context. For this, was divided into two main axes. The first axis focused on the discussion of the main concepts used in the research, as well as clarifications on the social and cultural conjuncture that make up the border space. The second axis deepens elements of identity comprehension with a focus on musical and symbolic aspects discourse that make up this sonorities. For this purpose, analyzes were carried out in order to identify possible musical connections and dialogues involving south american artists and borders musical genres. The study pointed that among music genres of borders, there is a vast set of elements of shared identity promoted by latin american artists. With these artists, a set of musical aspects that converge to different sound expressions is propagated, forming networks of dialogues and connections that integrate the universe of borders music sonorities.