Interestelar: o diálogo entre arte e ciência dando voz ao imaginário

• Autor(a) principal: Cunha, Caio César Guedes da
• Data de Publicação: 2021
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
• Texto Completo: https://dspace.mackenzie.br/handle/10899/28537
• topic: Interestelar; filmes de ficção científica; imaginário social; cosmologia; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES

This thesis aims to reflect on the film Interstellar (2014) , directed by Christopher Nolan. This study sought to understand the dialogue between the concept of Arts - focusing on Science Fiction cinema and Sciences of Nature. At this point, it is important to consider the relation between the social imaginary and its representations to understanding this study . The main purpose is to explore the issues that stand the social imaginary, used as support of reasoning in Science Fiction films, leaving an implicit or explicit message to the viewer. Interstellar film explores this imaginary pattern to urge the discussion about morals and ethics that lead to exploring natural resources, so important to humanity's existence. The intention is to warn about a possible disastrous scenario in the future, if humanity is no longer concerned about Earth limits to tolerate this inconsequential behaviour. This study intends to show Science Fiction cinema also as a way of representing a kind of escape from our planet, even in an uncertain future. Therefore, a brief overview of Cosmology was proposed and there is a discussion about theories conducted by the narrative, exploring the use of Science in Art scenario and identifying a connection between these dialogues. All analyses were taken for presenting the film’s plot, followed by the characters’ analysis, by the soundtrack’s role and by the opinion of national and international critics about the object. Finally, a discussion was opened to expand the understanding of imaginary, utopia and dystopia as a reflection of the movie’s plot, corroborating that the dialogue between Art and Science is always positive, being Interstellar film an example, not unique, but very original of this proposition.