O signo da jagunçagem como fator ritualizante: a carnavalização rizomática em Diadorim

• Autor(a) principal: Lobo, Dalva de Souza
• Data de Publicação: 2006
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
• Texto Completo: http://dspace.mackenzie.br/handle/10899/25390
• topic: literatura brasileira; semiótica; análise do discurso; brazilian literature; semiotic; discourse analyse; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA

In the tessitura of a speech one observes that several elements are of high relevance once they aid in a character's construction. In the work Grande Sertão: Veredas (Great Hinterland: Paths), by João Guimarães Rosa, the Diadorim's character's construction was privileged, starting from his/her double-gender speech seeking to work the literary carnivalesque which it is the central theme of this research. The theoretical basis for this study was anchored in the concept of carnivalesque by Mikhail Bakhtin, which treats about the ambiguous relationships held in the space of the carnival: these relationships that, referring to the character, broke the paradigms of the ruffian society, congregating the differences and consecrating the discursive polyphony. Other factors that orientated the construction of Diadorim embraced the postulates of rhizomes and of folds, both relevant for the constitution of the social and sexual identity for they corroborate the dual speech that rose to the multiplicity, having in ruffian society the ritual factor of the rhizomatic carnavalesque evidenced in the speech. The methodological process based then on the analysis of a speech originally ambiguous in whose language was observed that the subversion was the condition that made possible the dilution of the gender, producing a rhizome, in other words, a cartography in form of polyphonic voice disseminated among the paths of the Great Hinterland from which Diadorim was exponent factor.