Habitado: um projeto intersemiótico na fotografia contemporânea

• Autor(a) principal: Bessler, Ilana
• Data de Publicação: 2019
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
• Texto Completo: http://dspace.mackenzie.br/handle/10899/25090
• topic: fotografia; contemporaneidade; pesquisa em artes; cultura contemporânea; arte-educação; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FOTOGRAFIA

In this dissertation we present a creative critical research developed by the author and named Habitado, which aims to test the reach of photography in contemporary times. When we live in a world of 7 billion inhabitants and 5 billion smartphones, a world where we are all photographers, we perceive photography ubiquitously and the extent of the photographer's role in this context. For this, we appropriated the Inhabited project, as a research field and experimental laboratory. Discussing concepts such as: work networks; representation of reality; incorporation of daily life in art; experience as a form of knowledge creation, affective memory, imagetic literacy and the methodology of academic research in the arts. Importantly, the format of this research is also content. Many pages with images without text show us visual narrative forms that can be included not only in our everyday Instagram, but also in academic research. In order to experience this scope procedurally, this dissertation is divided into three themes that relate respectively: ART, the photographic making; CULTURE, communication with image and EDUCATION, use of photography in teaching methodologies. Finally, we realize a need to synthesize the structure of reasoning created by the vast extension of the imaginary world, which we call “photographic logic” and with it we experience the possibility of expansion to the production of knowledge in other languages of intersemiotic translations. That is, we use a set of signs acquired by the continuous production and consumption of photographs in our daily lives, to allow us to expand and transpose ideas, concepts, thoughts to any other form of communication and representation. Photography as the contemporary Bic pen. With the complexity of the contemporary world. That not only allows us to produce content, but also changes our structure and, most of all, the way we relate to other beings and the world.