Cenas de enunciação e o ethos discursivo nos hinos de Sarah Poulton Kalley

• Autor(a) principal: Alves, Jeremias Romualdo
• Data de Publicação: 2019
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do Mackenzie
• Texto Completo: http://dspace.mackenzie.br/handle/10899/25772
• topic: hinos; análise do discurso; ethos discursivo; Sarah Poulton Kalley; CNPQ::CIENCIAS HUMANAS::TEOLOGIA

This work’s purpose is to discuss the constitution of discursive ethos and the enunciation scenes in four religious’ hymns, which composition belongs to Sarah Poulton Kalley. The lyrics were written in 1873 aimed to be applied in study classes. The research’s theoretical foundation is inserted in the French Discourse Analysis, specifically in Dominique Maingueneau contributions (1995, 1996, 1997, 2006, 2013), since the methodology applied by this author proposes the analysis of language considering its exteriority in socio-historical conditions. This research objective is the examination of ethos’s construction methods, learning Sarah Kalley’s life and work as well as its importance to Brazilian protestant hymnology, aside from analyzing the hymns composed by the author utilizing enunciative scenes notions as a basis. None the less, the study seeks to investigate the socio-historical context in the 19th century, in order to comprehend how the religious enunciator identity is constructed in discursive ethos present at the compositions. The research presents itself with social and academical value, as it amplifies studies about the insertion of Protestantism in Brazil and the relevant contribution of one of the greatest composers in the Brazilian Christian hymnology. For this work major enrichment, the analyses will receive a sociological regard on Pierre Bourdieu’s perspective at this field, habitus and capital. It becomes thus possible to understand how protestants hymns had acceptance in Brazilian religious field and how it collaborated to the formation of a new religious ethos. It is worth highlighting that although other works emphasize the musical importance also as a constitutional element of ethos, this work is limited to emphasize the verbal dimension only. The theoretical-methodological options and the historical outline defined to the selection of corpus are justified by the importance of hymnology on protestants churches growth in the 19th century’s second half. Through the proposed ministrations, the analysis allows to observe that the enunciator ethos communicates with the social ethical-religious’ world view and corresponds to the religious individual yearnings who longs for a personal connection with the divine.