"Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920

Detalhes bibliográficos
Autor(a) principal: PALMEIRA, Juliana Dias
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UFRPE
Texto Completo: http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4767
Resumo: The city of Recife during the 1920s has gone through transformations that altered his appearance, behaviors and practices of its inhabitants. Modernity, who craves the new and refutes obsolete, invades the daily lives of the population, so as to interfere even in the carnival party. In this moment of transformation of practices and reaffirmation of traditions, there is, in the newspapers of the period, the emergence of Blocos Carnavalescos Mistos, carnival association mode that has men and women in its formation. They won the city streets as an alternative and opposition to the carnival considered dangerous and licentious of the manifestations of the lower classes. For the purpose of moralize and order the carnival practices, these groups placed themselves as stylish model of how to play the carnival, which should be followed by other groups. Represented by what is considered to be of the scope of "order and elegance" and practicing distinctive actions, the Blocos Carnavalescos Mistos become a way legitimized by society and family to the actions of women in carnival parties of the city so seen as respectful and protected from dishonor. Even under the watchful eyes of families, these women managed to occupy prominent places, and walking between obedience to the rigidity of the standards of morality and inventiveness, these women recreate their spaces. The research uses as a theoretical reference the work of Michel de Certeau to the analysis of daily practices, Roger Chartier to understand the representations and uses as a method, the dense description of Clifford Geertz, who understands the analysis of cultural practices such as interpretation networks of meaning.
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spelling PACHECO, Ricardo de AguiarAREND, Silvia Maria FaveroCOUCEIRO, Sylvia Costahttp://lattes.cnpq.br/1347750138725232PALMEIRA, Juliana Dias2016-06-16T12:01:21Z2015-03-25PALMEIRA, Juliana Dias. "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920. 2015. 196 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4767The city of Recife during the 1920s has gone through transformations that altered his appearance, behaviors and practices of its inhabitants. Modernity, who craves the new and refutes obsolete, invades the daily lives of the population, so as to interfere even in the carnival party. In this moment of transformation of practices and reaffirmation of traditions, there is, in the newspapers of the period, the emergence of Blocos Carnavalescos Mistos, carnival association mode that has men and women in its formation. They won the city streets as an alternative and opposition to the carnival considered dangerous and licentious of the manifestations of the lower classes. For the purpose of moralize and order the carnival practices, these groups placed themselves as stylish model of how to play the carnival, which should be followed by other groups. Represented by what is considered to be of the scope of "order and elegance" and practicing distinctive actions, the Blocos Carnavalescos Mistos become a way legitimized by society and family to the actions of women in carnival parties of the city so seen as respectful and protected from dishonor. Even under the watchful eyes of families, these women managed to occupy prominent places, and walking between obedience to the rigidity of the standards of morality and inventiveness, these women recreate their spaces. The research uses as a theoretical reference the work of Michel de Certeau to the analysis of daily practices, Roger Chartier to understand the representations and uses as a method, the dense description of Clifford Geertz, who understands the analysis of cultural practices such as interpretation networks of meaning.A cidade do Recife durante a década de 1920 passou por transformações que alteraram sua fisionomia, os comportamentos e as práticas de seus habitantes. A modernidade, que anseia o novo e refuta o obsoleto, invade o cotidiano da população, de modo a interferir até mesmo na festa carnavalesca. Nesse momento de transformação das práticas e reafirmação de tradições, nota-se, nos jornais do período, a emergência dos Blocos Carnavalescos Mistos, modalidade de agremiação carnavalesca que possui homens e mulheres em sua formação. Eles ganharam as ruas da cidade como uma alternativa e oposição ao carnaval tido como “perigoso” e “desregrado” das manifestações das camadas populares. Com o propósito de moralizar e ordenar as práticas carnavalescas, esses grupos se colocavam como modelo primoroso de como brincar o carnaval, que deveria ser seguido pelos demais grupos. Representados pelo que se considerava ser do âmbito da “ordem e elegância”, e praticando ações distintivas, os Blocos Carnavalescos Mistos tornaram-se uma maneira legitimada pela sociedade e pela família para a atuação das mulheres nas festas carnavalescas da cidade de forma vista como respeitosa e protegida da desonra. Ainda que sob os olhos vigilante das famílias, essas mulheres conseguiram ocupar lugares de destaque e, caminhando entre a obediência à rigidez dos padrões de moralidade e a inventividade, essas mulheres recriavam seus espaços de movimentação. A pesquisa tem como referencial teórico a obra de Michel de Certeau para a análise das práticas cotidianas, Roger Chartier para o entendimento das representações e, utiliza como método, a descrição densa do Clifford Geertz, que entende a análise das práticas culturais como interpretação das redes de sentido.Submitted by (lucia.rodrigues@ufrpe.br) on 2016-06-16T12:01:21Z No. of bitstreams: 1 Juliana Dias Palmeira.pdf: 3764262 bytes, checksum: b9d9852e0fb3fb5df846ad94d1eab3f3 (MD5)Made available in DSpace on 2016-06-16T12:01:21Z (GMT). No. of bitstreams: 1 Juliana Dias Palmeira.pdf: 3764262 bytes, checksum: b9d9852e0fb3fb5df846ad94d1eab3f3 (MD5) Previous issue date: 2015-03-25Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Federal Rural de PernambucoPrograma de Pós-Graduação em HistóriaUFRPEBrasilDepartamento de HistóriaMulherBloco Carnavalesco MistoCarnavalCIENCIAS HUMANAS::HISTORIA"Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis17407005178065347876006006006001686574110831741672-38409219363320405912075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UFRPEinstname:Universidade Federal Rural de Pernambuco (UFRPE)instacron:UFRPELICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://www.tede2.ufrpe.br:8080/tede2/bitstream/tede2/4767/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALJuliana Dias Palmeira.pdfJuliana Dias Palmeira.pdfapplication/pdf3764262http://www.tede2.ufrpe.br:8080/tede2/bitstream/tede2/4767/2/Juliana+Dias+Palmeira.pdfb9d9852e0fb3fb5df846ad94d1eab3f3MD52tede2/47672024-02-23 16:17:12.076oai:tede2: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Biblioteca Digital de Teses e Dissertaçõeshttp://www.tede2.ufrpe.br:8080/tede/PUBhttp://www.tede2.ufrpe.br:8080/oai/requestbdtd@ufrpe.br ||bdtd@ufrpe.bropendoar:2024-05-28T12:32:09.861318Biblioteca Digital de Teses e Dissertações da UFRPE - Universidade Federal Rural de Pernambuco (UFRPE)false
dc.title.por.fl_str_mv "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
title "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
spellingShingle "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
PALMEIRA, Juliana Dias
Mulher
Bloco Carnavalesco Misto
Carnaval
CIENCIAS HUMANAS::HISTORIA
title_short "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
title_full "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
title_fullStr "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
title_full_unstemmed "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
title_sort "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920
author PALMEIRA, Juliana Dias
author_facet PALMEIRA, Juliana Dias
author_role author
dc.contributor.advisor1.fl_str_mv PACHECO, Ricardo de Aguiar
dc.contributor.referee1.fl_str_mv AREND, Silvia Maria Favero
dc.contributor.referee2.fl_str_mv COUCEIRO, Sylvia Costa
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1347750138725232
dc.contributor.author.fl_str_mv PALMEIRA, Juliana Dias
contributor_str_mv PACHECO, Ricardo de Aguiar
AREND, Silvia Maria Favero
COUCEIRO, Sylvia Costa
dc.subject.por.fl_str_mv Mulher
Bloco Carnavalesco Misto
Carnaval
topic Mulher
Bloco Carnavalesco Misto
Carnaval
CIENCIAS HUMANAS::HISTORIA
dc.subject.cnpq.fl_str_mv CIENCIAS HUMANAS::HISTORIA
description The city of Recife during the 1920s has gone through transformations that altered his appearance, behaviors and practices of its inhabitants. Modernity, who craves the new and refutes obsolete, invades the daily lives of the population, so as to interfere even in the carnival party. In this moment of transformation of practices and reaffirmation of traditions, there is, in the newspapers of the period, the emergence of Blocos Carnavalescos Mistos, carnival association mode that has men and women in its formation. They won the city streets as an alternative and opposition to the carnival considered dangerous and licentious of the manifestations of the lower classes. For the purpose of moralize and order the carnival practices, these groups placed themselves as stylish model of how to play the carnival, which should be followed by other groups. Represented by what is considered to be of the scope of "order and elegance" and practicing distinctive actions, the Blocos Carnavalescos Mistos become a way legitimized by society and family to the actions of women in carnival parties of the city so seen as respectful and protected from dishonor. Even under the watchful eyes of families, these women managed to occupy prominent places, and walking between obedience to the rigidity of the standards of morality and inventiveness, these women recreate their spaces. The research uses as a theoretical reference the work of Michel de Certeau to the analysis of daily practices, Roger Chartier to understand the representations and uses as a method, the dense description of Clifford Geertz, who understands the analysis of cultural practices such as interpretation networks of meaning.
publishDate 2015
dc.date.issued.fl_str_mv 2015-03-25
dc.date.accessioned.fl_str_mv 2016-06-16T12:01:21Z
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dc.identifier.citation.fl_str_mv PALMEIRA, Juliana Dias. "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920. 2015. 196 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
dc.identifier.uri.fl_str_mv http://www.tede2.ufrpe.br:8080/tede2/handle/tede2/4767
identifier_str_mv PALMEIRA, Juliana Dias. "Aqui, apesar do frevo, há moralidade" : a presença das mulheres no Bloco Carnavalesco Misto do Recife na década de 1920. 2015. 196 f. Dissertação (Programa de Pós-Graduação em História) - Universidade Federal Rural de Pernambuco, Recife.
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