Capital limits: the design and the manufacturing workplace

Detalhes bibliográficos
Autor(a) principal: Guimarães, Humberto Pio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: arq.urb
Texto Completo: https://revistaarqurb.com.br/arqurb/article/view/482
Resumo: It approaches the relation in Sérgio Ferro's first production side by side with Flávio Império and Rodrigo Lefèvre and with the São Paulo modern architecture scene in terms of its ideology and language scope before the 1964 military coup and the radical criticism that they would later elaborate. Witch it affiliated to the Brazilian Marxist intellectual interpretive approach, which was related to the duality between archaic and modern. It enlightens the commitment of their ideas to users and architects with a view for a solution for the housing construction with social concern. It is about bourgeois residences designed by Ferro, characterized by construction sites served as heterogeneous manufacturing laboratories - Boris Fausto’s house, in São Paulo - and organic manufacture - Bernardo Isller’s house, in Cotia – this one in a dome design.
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spelling Capital limits: the design and the manufacturing workplaceMargens capitais: o desenho e o canteiro da manufaturaArquiteturaCanteiro de obrasSérgio FerroArchitectureConstruction SiteSérgio FerroIt approaches the relation in Sérgio Ferro's first production side by side with Flávio Império and Rodrigo Lefèvre and with the São Paulo modern architecture scene in terms of its ideology and language scope before the 1964 military coup and the radical criticism that they would later elaborate. Witch it affiliated to the Brazilian Marxist intellectual interpretive approach, which was related to the duality between archaic and modern. It enlightens the commitment of their ideas to users and architects with a view for a solution for the housing construction with social concern. It is about bourgeois residences designed by Ferro, characterized by construction sites served as heterogeneous manufacturing laboratories - Boris Fausto’s house, in São Paulo - and organic manufacture - Bernardo Isller’s house, in Cotia – this one in a dome design.Aborda os vínculos da primeira produção de Sérgio Ferro, ao lado de Flávio Império e Rodrigo Lefèvre com a corrente paulista da arquitetura moderna no âmbito da ideologia e da linguagem, anterior ao golpe militar de 1964 e à crítica radical que elaborariam na sequência, filiada à corrente interpretativa de intelectuais brasileiros marxistas, nos termos da dualidade entre arcaico e moderno. Ilumina o comprometimento de suas ideias com usuários e produtores da arquitetura, com vistas a uma solução para a construção de habitações de interesse social. Trata de duas residências burguesas projetadas por Ferro, cujos canteiros de obras serviram como laboratórios de manufatura heterogênea – casa Boris Fausto, em São Paulo – e manufatura orgânica – casa Bernardo Isller, em Cotia – essa última em abóboda.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2020-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/48210.37916/arq.urb.vi29.482arq.urb; No. 29 (2020): set. - dez.; 41-49arq.urb; Núm. 29 (2020): set. - dez.; 41-49arq.urb; n. 29 (2020): set. - dez.; 41-491984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporenghttps://revistaarqurb.com.br/arqurb/article/view/482/403https://revistaarqurb.com.br/arqurb/article/view/482/404Copyright (c) 2020 Humberto Pio Guimarãeshttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessGuimarães, Humberto Pio 2021-12-06T19:57:32Zoai:ojs.emnuvens.com.br:article/482Revistahttps://revistaarqurb.com.br/arqurbPRIhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-12-06T19:57:32arq.urb - Universidade São Judas Tadeufalse
dc.title.none.fl_str_mv Capital limits: the design and the manufacturing workplace
Margens capitais: o desenho e o canteiro da manufatura
title Capital limits: the design and the manufacturing workplace
spellingShingle Capital limits: the design and the manufacturing workplace
Guimarães, Humberto Pio
Arquitetura
Canteiro de obras
Sérgio Ferro
Architecture
Construction Site
Sérgio Ferro
title_short Capital limits: the design and the manufacturing workplace
title_full Capital limits: the design and the manufacturing workplace
title_fullStr Capital limits: the design and the manufacturing workplace
title_full_unstemmed Capital limits: the design and the manufacturing workplace
title_sort Capital limits: the design and the manufacturing workplace
author Guimarães, Humberto Pio
author_facet Guimarães, Humberto Pio
author_role author
dc.contributor.author.fl_str_mv Guimarães, Humberto Pio
dc.subject.por.fl_str_mv Arquitetura
Canteiro de obras
Sérgio Ferro
Architecture
Construction Site
Sérgio Ferro
topic Arquitetura
Canteiro de obras
Sérgio Ferro
Architecture
Construction Site
Sérgio Ferro
description It approaches the relation in Sérgio Ferro's first production side by side with Flávio Império and Rodrigo Lefèvre and with the São Paulo modern architecture scene in terms of its ideology and language scope before the 1964 military coup and the radical criticism that they would later elaborate. Witch it affiliated to the Brazilian Marxist intellectual interpretive approach, which was related to the duality between archaic and modern. It enlightens the commitment of their ideas to users and architects with a view for a solution for the housing construction with social concern. It is about bourgeois residences designed by Ferro, characterized by construction sites served as heterogeneous manufacturing laboratories - Boris Fausto’s house, in São Paulo - and organic manufacture - Bernardo Isller’s house, in Cotia – this one in a dome design.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-08
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/482
10.37916/arq.urb.vi29.482
url https://revistaarqurb.com.br/arqurb/article/view/482
identifier_str_mv 10.37916/arq.urb.vi29.482
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/482/403
https://revistaarqurb.com.br/arqurb/article/view/482/404
dc.rights.driver.fl_str_mv Copyright (c) 2020 Humberto Pio Guimarães
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Humberto Pio Guimarães
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
dc.source.none.fl_str_mv arq.urb; No. 29 (2020): set. - dez.; 41-49
arq.urb; Núm. 29 (2020): set. - dez.; 41-49
arq.urb; n. 29 (2020): set. - dez.; 41-49
1984-5766
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instname:Universidade São Judas Tadeu
instacron:USJT
instname_str Universidade São Judas Tadeu
instacron_str USJT
institution USJT
reponame_str arq.urb
collection arq.urb
repository.name.fl_str_mv arq.urb - Universidade São Judas Tadeu
repository.mail.fl_str_mv revista.arq.urb@saojudas.br||
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