Architecture Exhibitions in Brazil, a brief history

Detalhes bibliográficos
Autor(a) principal: Farias, Agnaldo
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: arq.urb
Texto Completo: https://revistaarqurb.com.br/arqurb/article/view/132
Resumo: The history of architectural exhibitions in Brazil is permeated by erratic movements, generally divergent initiatives, most of them endowed with initial originality and vigor, but which rapidly decline. Few survive, and when this happens, they are characterized by non-linearity, both with regard to the irregular periodicity of exposures and the oscillation of the results obtained. An unstable picture, you see, to some extent in tune with what also happens with art exhibitions, even though these are much more consolidated. The following text gives a concise account of the recent history of these exhibitions, beginning with a description of the failed project of an architecture curator at the “Museu de Arte de São Paulo” (São Paulo Art Museum) in the early 1990s. He goes on to mention an exceptional initiative that took place in Rio de Janeiro in the second half of the same decade, until arriving at the Tomie Ohtake Institute and Museu da Casa Brasileira, both São Paulo institutions responsible for two consistent programs, although sensitive to the circumstances of a fragile system. There is also an edition of the São Paulo Architecture Biennial, whose success contrasts and reinforces a history marked by outrages.
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spelling Architecture Exhibitions in Brazil, a brief historyExposições de Arquitetura no Brasil, um breve balançoExposiçõesMontagensMuseografiaExhibitionsMountsMuseografiaThe history of architectural exhibitions in Brazil is permeated by erratic movements, generally divergent initiatives, most of them endowed with initial originality and vigor, but which rapidly decline. Few survive, and when this happens, they are characterized by non-linearity, both with regard to the irregular periodicity of exposures and the oscillation of the results obtained. An unstable picture, you see, to some extent in tune with what also happens with art exhibitions, even though these are much more consolidated. The following text gives a concise account of the recent history of these exhibitions, beginning with a description of the failed project of an architecture curator at the “Museu de Arte de São Paulo” (São Paulo Art Museum) in the early 1990s. He goes on to mention an exceptional initiative that took place in Rio de Janeiro in the second half of the same decade, until arriving at the Tomie Ohtake Institute and Museu da Casa Brasileira, both São Paulo institutions responsible for two consistent programs, although sensitive to the circumstances of a fragile system. There is also an edition of the São Paulo Architecture Biennial, whose success contrasts and reinforces a history marked by outrages.A história das exposições de arquitetura no Brasil é permeada de movimentos erráticos, iniciativas no geral divergentes entre si, a maioria delas dotadas de originalidade e vigor iniciais, mas que rapidamente declinam. Poucas sobrevivem, e quando isso acontece caracterizam-se pela não linearidade, tanto no que se refere à periodicidade irregular das exposições, quanto pela oscilação dos resultados obtidos. Um quadro instável, já vê, em certa medida afinado com o que também acontece com as exposições de arte ainda que essas estejam bem mais consolidadas. O texto a seguir traz uma notícia concisa sobre a história recente dessas exposições, começando com a descrição do projeto fracassado de implantação de uma curadoria de arquitetura no Museu de Arte de São Paulo, no começo dos anos 1990. Prossegue mencionando uma excepcional iniciativa ocorrida no Rio de Janeiro na segunda metade da mesma década, até chegar ao Instituto Tomie Ohtake e Museu da Casa Brasileira, ambas instituições paulistanas, responsáveis por dois programas consistentes muito embora sensíveis às circunstâncias de um sistema fragilizado. Assinala-se também uma edição da Bienal de Arquitetura de São Paulo, cujo sucesso contrasta e reforça uma história marcada por atropelos.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2017-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/132arq.urb; No. 20 (2017): set. - dez.arq.urb; Núm. 20 (2017): set. - dez.arq.urb; n. 20 (2017): set. - dez.1984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporhttps://revistaarqurb.com.br/arqurb/article/view/132/118https://revistaarqurb.com.br/arqurb/article/view/132/119Farias, Agnaldo info:eu-repo/semantics/openAccess2021-03-26T19:31:05Zoai:ojs.emnuvens.com.br:article/132Revistahttps://revistaarqurb.com.br/arqurbPRIhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-03-26T19:31:05arq.urb - Universidade São Judas Tadeufalse
dc.title.none.fl_str_mv Architecture Exhibitions in Brazil, a brief history
Exposições de Arquitetura no Brasil, um breve balanço
title Architecture Exhibitions in Brazil, a brief history
spellingShingle Architecture Exhibitions in Brazil, a brief history
Farias, Agnaldo
Exposições
Montagens
Museografia
Exhibitions
Mounts
Museografia
title_short Architecture Exhibitions in Brazil, a brief history
title_full Architecture Exhibitions in Brazil, a brief history
title_fullStr Architecture Exhibitions in Brazil, a brief history
title_full_unstemmed Architecture Exhibitions in Brazil, a brief history
title_sort Architecture Exhibitions in Brazil, a brief history
author Farias, Agnaldo
author_facet Farias, Agnaldo
author_role author
dc.contributor.author.fl_str_mv Farias, Agnaldo
dc.subject.por.fl_str_mv Exposições
Montagens
Museografia
Exhibitions
Mounts
Museografia
topic Exposições
Montagens
Museografia
Exhibitions
Mounts
Museografia
description The history of architectural exhibitions in Brazil is permeated by erratic movements, generally divergent initiatives, most of them endowed with initial originality and vigor, but which rapidly decline. Few survive, and when this happens, they are characterized by non-linearity, both with regard to the irregular periodicity of exposures and the oscillation of the results obtained. An unstable picture, you see, to some extent in tune with what also happens with art exhibitions, even though these are much more consolidated. The following text gives a concise account of the recent history of these exhibitions, beginning with a description of the failed project of an architecture curator at the “Museu de Arte de São Paulo” (São Paulo Art Museum) in the early 1990s. He goes on to mention an exceptional initiative that took place in Rio de Janeiro in the second half of the same decade, until arriving at the Tomie Ohtake Institute and Museu da Casa Brasileira, both São Paulo institutions responsible for two consistent programs, although sensitive to the circumstances of a fragile system. There is also an edition of the São Paulo Architecture Biennial, whose success contrasts and reinforces a history marked by outrages.
publishDate 2017
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dc.relation.none.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/132/118
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dc.publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
dc.source.none.fl_str_mv arq.urb; No. 20 (2017): set. - dez.
arq.urb; Núm. 20 (2017): set. - dez.
arq.urb; n. 20 (2017): set. - dez.
1984-5766
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