Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957
Autor(a) principal: | |
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | arq.urb |
Texto Completo: | https://revistaarqurb.com.br/arqurb/article/view/165 |
Resumo: | The following paper presents a comparison between the paths of Waldemar Cordeiro and Mario Pedrosa as conducting agents of concrete art movements in the cities of São Paulo and Rio de Janeiro respectively. the following aspects to the perception of the similarities and differences of the actions of these agents are covered: their political views, the striking presence of critical, theoretical postulates and the formation of the artists who joined the artistic movement of concrete art. The time frame begins with the first manifestations of these characters towards a geometric abstract art to the joint exposition of São Paulo and Rio groups, representing the moment of affirmation of concrete art in Brazil. |
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Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957Caminhos da Arte Concreta. Os percursos da vanguarda construtiva no Rio de Janeiro e em São Paulo entre 1946 e1957Arte ConcretaWaldemar CordeiroMário PedrosaConcrete ArtWaldemar CordeiroMário PedrosaThe following paper presents a comparison between the paths of Waldemar Cordeiro and Mario Pedrosa as conducting agents of concrete art movements in the cities of São Paulo and Rio de Janeiro respectively. the following aspects to the perception of the similarities and differences of the actions of these agents are covered: their political views, the striking presence of critical, theoretical postulates and the formation of the artists who joined the artistic movement of concrete art. The time frame begins with the first manifestations of these characters towards a geometric abstract art to the joint exposition of São Paulo and Rio groups, representing the moment of affirmation of concrete art in Brazil.O seguinte trabalho apresenta um comparativo entre os percursos de Waldemar Cordeiro e Mário Pedrosa como agentes condutores dos movimentos de arte concreta nas cidades da São Paulo e Rio de Janeiro, respectivamente. São abordados os seguintes aspectos para a percepção das semelhanças e divergências das ações destes agentes: suas posturas políticas, a presença marcante da crítica, os postulados teóricos e a formação dos artistas que aderiram ao movimento artístico da arte concreta. O recorte temporal inicia com as primeiras manifestações destes personagens em prol de uma arte abstrato geométrica até a exposição conjunta dos grupos paulista e carioca, que representa o momento de afirmação da arte concreta no Brasil.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2019-12-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/165arq.urb; No. 18 (2017): jan. - abr.; 104-123arq.urb; Núm. 18 (2017): jan. - abr.; 104-123arq.urb; n. 18 (2017): jan. - abr.; 104-1231984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporhttps://revistaarqurb.com.br/arqurb/article/view/165/150Freiberger, Stefanie Augusto de Almeida Alves, André info:eu-repo/semantics/openAccess2021-03-26T19:30:12Zoai:ojs.emnuvens.com.br:article/165Revistahttps://revistaarqurb.com.br/arqurbPRIhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-03-26T19:30:12arq.urb - Universidade São Judas Tadeufalse |
dc.title.none.fl_str_mv |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 Caminhos da Arte Concreta. Os percursos da vanguarda construtiva no Rio de Janeiro e em São Paulo entre 1946 e1957 |
title |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
spellingShingle |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 Freiberger, Stefanie Arte Concreta Waldemar Cordeiro Mário Pedrosa Concrete Art Waldemar Cordeiro Mário Pedrosa |
title_short |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
title_full |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
title_fullStr |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
title_full_unstemmed |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
title_sort |
Ways of Concrete Art. The paths of constructive vanguard in Rio de Janeiro and Sao Paulo between 1946 e1957 |
author |
Freiberger, Stefanie |
author_facet |
Freiberger, Stefanie Augusto de Almeida Alves, André |
author_role |
author |
author2 |
Augusto de Almeida Alves, André |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Freiberger, Stefanie Augusto de Almeida Alves, André |
dc.subject.por.fl_str_mv |
Arte Concreta Waldemar Cordeiro Mário Pedrosa Concrete Art Waldemar Cordeiro Mário Pedrosa |
topic |
Arte Concreta Waldemar Cordeiro Mário Pedrosa Concrete Art Waldemar Cordeiro Mário Pedrosa |
description |
The following paper presents a comparison between the paths of Waldemar Cordeiro and Mario Pedrosa as conducting agents of concrete art movements in the cities of São Paulo and Rio de Janeiro respectively. the following aspects to the perception of the similarities and differences of the actions of these agents are covered: their political views, the striking presence of critical, theoretical postulates and the formation of the artists who joined the artistic movement of concrete art. The time frame begins with the first manifestations of these characters towards a geometric abstract art to the joint exposition of São Paulo and Rio groups, representing the moment of affirmation of concrete art in Brazil. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-12 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistaarqurb.com.br/arqurb/article/view/165 |
url |
https://revistaarqurb.com.br/arqurb/article/view/165 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistaarqurb.com.br/arqurb/article/view/165/150 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo |
publisher.none.fl_str_mv |
Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo |
dc.source.none.fl_str_mv |
arq.urb; No. 18 (2017): jan. - abr.; 104-123 arq.urb; Núm. 18 (2017): jan. - abr.; 104-123 arq.urb; n. 18 (2017): jan. - abr.; 104-123 1984-5766 reponame:arq.urb instname:Universidade São Judas Tadeu instacron:USJT |
instname_str |
Universidade São Judas Tadeu |
instacron_str |
USJT |
institution |
USJT |
reponame_str |
arq.urb |
collection |
arq.urb |
repository.name.fl_str_mv |
arq.urb - Universidade São Judas Tadeu |
repository.mail.fl_str_mv |
revista.arq.urb@saojudas.br|| |
_version_ |
1809730427704836096 |