Representations of the German Pavilion by Mies van der Rohe, 1929

Detalhes bibliográficos
Autor(a) principal: Vázquez Ramos, Fernando Guillermo
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: arq.urb
Texto Completo: https://revistaarqurb.com.br/arqurb/article/view/438
Resumo: The Article is about the German Pavilion, an oeuvre by Mies van der Rohe, designed and built for the 1929 Barcelona International Exhibition. In specific terms analyzes (and think about) the interpretative possibilities that the official photographic representations of the pavilion offered at the time of their circulation, both from the comments of experts and historians (who comment on them until today), as well as from a new approach (that of visual logic, for example) related to graphic representations (mainly that of perspective) and their influence in the construction of the publicity images of the well-known building, as well as its significant and expressive perception, which has been mediated by these photographs for decades.
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spelling Representations of the German Pavilion by Mies van der Rohe, 1929Representações do Pavilhão da Alemanha de Mies van der Rohe, 1929Representação da arquiteturaFotografiaPerspectiva gráficaLógica visualArquitetura ModernaArchitectural representationPhotographyGraphic PerspectiveVisual logicModern ArchitectureThe Article is about the German Pavilion, an oeuvre by Mies van der Rohe, designed and built for the 1929 Barcelona International Exhibition. In specific terms analyzes (and think about) the interpretative possibilities that the official photographic representations of the pavilion offered at the time of their circulation, both from the comments of experts and historians (who comment on them until today), as well as from a new approach (that of visual logic, for example) related to graphic representations (mainly that of perspective) and their influence in the construction of the publicity images of the well-known building, as well as its significant and expressive perception, which has been mediated by these photographs for decades.El artículo discute el Pabellón de Alemania, obra de Mies van der Rohe, proyectado y construido para la Exposición Internacional de Barcelona, de 1919. Específicamente, analiza y reflexiona sobre las posibilidades interpretativas que las representaciones fotográficas oficiales del Pabellón han ofrecido desde su divulgación, sea a partir de los comentarios de especialistas e historiadores (que las comentan hasta nuestros días), sea bajo nuevas ópticas (la de la lógica visual, por ejemplo), relativas a las representaciones gráficas (principalmente a la de la perspectiva) y a su influencia en la construcción de las imágenes de divulgación del conocido edificio, así como de sus percepciones significativas y expresivas, que hace décadas vienen siendo mediadas por esas imágenes.O artigo discute o Pavilhão da Alemanha, obra de Mies van der Rohe, projetado e construído para a Exposição Internacional de Barcelona, de 1929. Especificamente, analisa e reflete sobre possibilidades interpretativas que as representações fotográficas oficiais do pavilhão têm oferecido desde sua divulgação, seja a partir de comentários de especialistas e historiadores (que as comentam até nossos dias), seja sob novas óticas (a da lógica visual, por exemplo), relativas às representações gráficas (principalmente a da perspectiva) e a sua influência na construção das imagens de divulgação do conhecido edifício, assim como de sua percepção significativa e expressiva, que há décadas vem sendo mediada por essas imagens.Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo2020-08-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaarqurb.com.br/arqurb/article/view/43810.37916/arq.urb.v28i.438arq.urb; No. 28 (2020): maio - ago; 91-108arq.urb; Núm. 28 (2020): maio - ago; 91-108arq.urb; n. 28 (2020): maio - ago; 91-1081984-5766reponame:arq.urbinstname:Universidade São Judas Tadeuinstacron:USJTporhttps://revistaarqurb.com.br/arqurb/article/view/438/381Copyright (c) 2020 Fernando Guillermo Vázquez Ramoshttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessVázquez Ramos, Fernando Guillermo2021-03-26T19:29:49Zoai:ojs.emnuvens.com.br:article/438Revistahttps://revistaarqurb.com.br/arqurbhttps://revistaarqurb.com.br/arqurb/oairevista.arq.urb@saojudas.br||1984-57661984-5766opendoar:2021-03-26T19:29:49arq.urb - Universidade São Judas Tadeufalse
dc.title.none.fl_str_mv Representations of the German Pavilion by Mies van der Rohe, 1929
Representações do Pavilhão da Alemanha de Mies van der Rohe, 1929
title Representations of the German Pavilion by Mies van der Rohe, 1929
spellingShingle Representations of the German Pavilion by Mies van der Rohe, 1929
Vázquez Ramos, Fernando Guillermo
Representação da arquitetura
Fotografia
Perspectiva gráfica
Lógica visual
Arquitetura Moderna
Architectural representation
Photography
Graphic Perspective
Visual logic
Modern Architecture
title_short Representations of the German Pavilion by Mies van der Rohe, 1929
title_full Representations of the German Pavilion by Mies van der Rohe, 1929
title_fullStr Representations of the German Pavilion by Mies van der Rohe, 1929
title_full_unstemmed Representations of the German Pavilion by Mies van der Rohe, 1929
title_sort Representations of the German Pavilion by Mies van der Rohe, 1929
author Vázquez Ramos, Fernando Guillermo
author_facet Vázquez Ramos, Fernando Guillermo
author_role author
dc.contributor.author.fl_str_mv Vázquez Ramos, Fernando Guillermo
dc.subject.por.fl_str_mv Representação da arquitetura
Fotografia
Perspectiva gráfica
Lógica visual
Arquitetura Moderna
Architectural representation
Photography
Graphic Perspective
Visual logic
Modern Architecture
topic Representação da arquitetura
Fotografia
Perspectiva gráfica
Lógica visual
Arquitetura Moderna
Architectural representation
Photography
Graphic Perspective
Visual logic
Modern Architecture
description The Article is about the German Pavilion, an oeuvre by Mies van der Rohe, designed and built for the 1929 Barcelona International Exhibition. In specific terms analyzes (and think about) the interpretative possibilities that the official photographic representations of the pavilion offered at the time of their circulation, both from the comments of experts and historians (who comment on them until today), as well as from a new approach (that of visual logic, for example) related to graphic representations (mainly that of perspective) and their influence in the construction of the publicity images of the well-known building, as well as its significant and expressive perception, which has been mediated by these photographs for decades.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/438
10.37916/arq.urb.v28i.438
url https://revistaarqurb.com.br/arqurb/article/view/438
identifier_str_mv 10.37916/arq.urb.v28i.438
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaarqurb.com.br/arqurb/article/view/438/381
dc.rights.driver.fl_str_mv Copyright (c) 2020 Fernando Guillermo Vázquez Ramos
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Fernando Guillermo Vázquez Ramos
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
publisher.none.fl_str_mv Universidade São Judas Tadeu – Programa de Pós-Graduação Stricto Sensu em Arquitetura e Urbanismo
dc.source.none.fl_str_mv arq.urb; No. 28 (2020): maio - ago; 91-108
arq.urb; Núm. 28 (2020): maio - ago; 91-108
arq.urb; n. 28 (2020): maio - ago; 91-108
1984-5766
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