The face and voice as suffering inscriptions in two road movies

Detalhes bibliográficos
Autor(a) principal: Silva, Gustavo Souza da
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/114479
Resumo: The brown bunny (Vincent Gallo, 2003) and Viajo porque preciso, volto porque te amo (Marcelo Gomes e Karim Aïnouz, 2010) are road movies with many points in common: the main one is the mood of their central characters, Bud Clay and José Renato, both suffering due to the end of their affective relationships. Therefore, this paper discusses the framework of road movies the field of film genres. Also, a debate is developed about how movies materialize in image and sound the emotional state of their characters, especially the pain of an absence. The hypothesis adopted is that the close-ups on the face of Clay and oral reports of José Renato inscribe of the emotions of these protagonists.
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spelling The face and voice as suffering inscriptions in two road moviesO rosto e a voz como inscrições do sofrimento em dois road moviesRoad movieemotionclose-upvoiceFilme de estradaemoçãoclose-upvoz. The brown bunny (Vincent Gallo, 2003) and Viajo porque preciso, volto porque te amo (Marcelo Gomes e Karim Aïnouz, 2010) are road movies with many points in common: the main one is the mood of their central characters, Bud Clay and José Renato, both suffering due to the end of their affective relationships. Therefore, this paper discusses the framework of road movies the field of film genres. Also, a debate is developed about how movies materialize in image and sound the emotional state of their characters, especially the pain of an absence. The hypothesis adopted is that the close-ups on the face of Clay and oral reports of José Renato inscribe of the emotions of these protagonists. The brown bunny (Vincent Gallo, 2003) e Viajo porque preciso, volto porque te amo (Marcelo Gomes e Karim Aïnouz, 2010) são dois filmes de estrada com muitos pontos em comum: o principal deles é o estado de espírito de seus protagonistas, Bud Clay e José Renato, que sofrem pelo término de seus relacionamentos afetivos. Diante disso, este trabalho discute o enquadramento dos road movies na seara dos gêneros cinematográficos, para, a seguir, debater como os filmes inscrevem na imagem e no som o estado emocional de seus personagens. A hipótese é de que os close-ups no rosto de Clay e os relatos orais de José Renato funcionam como catalisadores das emoções dos protagonistas nesses dois filmes.Universidade de São Paulo. Escola de Comunicações e Artes2016-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/11447910.11606/issn.2316-7114.sig.2016.114479Significação: Journal of Audiovisual Culture; Vol. 43 No. 46 (2016); 69-84Significação: Revista de Cultura Audiovisual; v. 43 n. 46 (2016); 69-842316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/114479/121179Copyright (c) 2016 Gustavo Souza da Silvahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSilva, Gustavo Souza da2019-03-28T02:21:13Zoai:revistas.usp.br:article/114479Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2019-03-28T02:21:13Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv The face and voice as suffering inscriptions in two road movies
O rosto e a voz como inscrições do sofrimento em dois road movies
title The face and voice as suffering inscriptions in two road movies
spellingShingle The face and voice as suffering inscriptions in two road movies
Silva, Gustavo Souza da
Road movie
emotion
close-up
voice
Filme de estrada
emoção
close-up
voz.
title_short The face and voice as suffering inscriptions in two road movies
title_full The face and voice as suffering inscriptions in two road movies
title_fullStr The face and voice as suffering inscriptions in two road movies
title_full_unstemmed The face and voice as suffering inscriptions in two road movies
title_sort The face and voice as suffering inscriptions in two road movies
author Silva, Gustavo Souza da
author_facet Silva, Gustavo Souza da
author_role author
dc.contributor.author.fl_str_mv Silva, Gustavo Souza da
dc.subject.por.fl_str_mv Road movie
emotion
close-up
voice
Filme de estrada
emoção
close-up
voz.
topic Road movie
emotion
close-up
voice
Filme de estrada
emoção
close-up
voz.
description The brown bunny (Vincent Gallo, 2003) and Viajo porque preciso, volto porque te amo (Marcelo Gomes e Karim Aïnouz, 2010) are road movies with many points in common: the main one is the mood of their central characters, Bud Clay and José Renato, both suffering due to the end of their affective relationships. Therefore, this paper discusses the framework of road movies the field of film genres. Also, a debate is developed about how movies materialize in image and sound the emotional state of their characters, especially the pain of an absence. The hypothesis adopted is that the close-ups on the face of Clay and oral reports of José Renato inscribe of the emotions of these protagonists.
publishDate 2016
dc.date.none.fl_str_mv 2016-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/114479
10.11606/issn.2316-7114.sig.2016.114479
url https://www.revistas.usp.br/significacao/article/view/114479
identifier_str_mv 10.11606/issn.2316-7114.sig.2016.114479
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/114479/121179
dc.rights.driver.fl_str_mv Copyright (c) 2016 Gustavo Souza da Silva
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Gustavo Souza da Silva
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 43 No. 46 (2016); 69-84
Significação: Revista de Cultura Audiovisual; v. 43 n. 46 (2016); 69-84
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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