Paris 1900 and Le souvenir d’un avenir: the present and the future of images

Detalhes bibliográficos
Autor(a) principal: Mamede, Liciane Timoteo de
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/168468
Resumo: This article explores two compilation films, Paris 1900 (Nicole Vedrès, 1946) and Le souvenir d’un avenir (Chris Marker and Yannick Bellon, 2001), with the purpose of making a comparative analysis focusing particularly on the way both films, in approaching the same themes, places their enunciative strategies in the sense of creating in the viewer the sensation of a double layered temporality of the images. The methodology is based on film analysis and discourse analysis. It also employs theories by Bazin, Didi-Huberman, Rancière and works on reemployment of found footage in films.
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spelling Paris 1900 and Le souvenir d’un avenir: the present and the future of imagesParis 1900 e Le souvenir d’un avenir: o presente e o futuro das imagensDocumentaryArchiveMemoryNicole VedrèsChris MarkerYannick BellonDocumentárioArquivoMemóriaNicole VedrèsChris MarkerYannick BellonThis article explores two compilation films, Paris 1900 (Nicole Vedrès, 1946) and Le souvenir d’un avenir (Chris Marker and Yannick Bellon, 2001), with the purpose of making a comparative analysis focusing particularly on the way both films, in approaching the same themes, places their enunciative strategies in the sense of creating in the viewer the sensation of a double layered temporality of the images. The methodology is based on film analysis and discourse analysis. It also employs theories by Bazin, Didi-Huberman, Rancière and works on reemployment of found footage in films.O artigo aproxima dois filmes de compilação, Paris 1900 (Nicole Vedrès, 1946) e Le souvenir d’un avenir (Chris Marker e Yannick Bellon, 2001), propondo-se a fazer uma análise comparativa a partir da forma como, a fim de tratar de uma mesma temática (tal seja, a guerra enquanto evento traumático e o dever de memória), eles acabam por adotar estratégias enunciativas parecidas, que consistem principalmente em criar um efeito de sentido de dupla temporalidade das imagens, de maneira a congregar presente e futuro diegéticos num único bloco de significação. A metodologia centra-se na análise fílmica, na análise do discurso, além dos pensamentos de Bazin, Didi-Huberman e Rancière, entre outros.Universidade de São Paulo. Escola de Comunicações e Artes2021-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/16846810.11606/issn.2316-7114.sig.2021.168468Significação: Journal of Audiovisual Culture; Vol. 48 No. 55 (2021); 231-249Significação: Revista de Cultura Audiovisual; v. 48 n. 55 (2021); 231-2492316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/significacao/article/view/168468/168396Copyright (c) 2021 Liciane Timoteo de Mamedehttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMamede, Liciane Timoteo de2021-02-09T13:46:22Zoai:revistas.usp.br:article/168468Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2021-02-09T13:46:22Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Paris 1900 and Le souvenir d’un avenir: the present and the future of images
Paris 1900 e Le souvenir d’un avenir: o presente e o futuro das imagens
title Paris 1900 and Le souvenir d’un avenir: the present and the future of images
spellingShingle Paris 1900 and Le souvenir d’un avenir: the present and the future of images
Mamede, Liciane Timoteo de
Documentary
Archive
Memory
Nicole Vedrès
Chris Marker
Yannick Bellon
Documentário
Arquivo
Memória
Nicole Vedrès
Chris Marker
Yannick Bellon
title_short Paris 1900 and Le souvenir d’un avenir: the present and the future of images
title_full Paris 1900 and Le souvenir d’un avenir: the present and the future of images
title_fullStr Paris 1900 and Le souvenir d’un avenir: the present and the future of images
title_full_unstemmed Paris 1900 and Le souvenir d’un avenir: the present and the future of images
title_sort Paris 1900 and Le souvenir d’un avenir: the present and the future of images
author Mamede, Liciane Timoteo de
author_facet Mamede, Liciane Timoteo de
author_role author
dc.contributor.author.fl_str_mv Mamede, Liciane Timoteo de
dc.subject.por.fl_str_mv Documentary
Archive
Memory
Nicole Vedrès
Chris Marker
Yannick Bellon
Documentário
Arquivo
Memória
Nicole Vedrès
Chris Marker
Yannick Bellon
topic Documentary
Archive
Memory
Nicole Vedrès
Chris Marker
Yannick Bellon
Documentário
Arquivo
Memória
Nicole Vedrès
Chris Marker
Yannick Bellon
description This article explores two compilation films, Paris 1900 (Nicole Vedrès, 1946) and Le souvenir d’un avenir (Chris Marker and Yannick Bellon, 2001), with the purpose of making a comparative analysis focusing particularly on the way both films, in approaching the same themes, places their enunciative strategies in the sense of creating in the viewer the sensation of a double layered temporality of the images. The methodology is based on film analysis and discourse analysis. It also employs theories by Bazin, Didi-Huberman, Rancière and works on reemployment of found footage in films.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/168468
10.11606/issn.2316-7114.sig.2021.168468
url https://www.revistas.usp.br/significacao/article/view/168468
identifier_str_mv 10.11606/issn.2316-7114.sig.2021.168468
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/168468/168396
dc.rights.driver.fl_str_mv Copyright (c) 2021 Liciane Timoteo de Mamede
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Liciane Timoteo de Mamede
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 48 No. 55 (2021); 231-249
Significação: Revista de Cultura Audiovisual; v. 48 n. 55 (2021); 231-249
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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