Portraits of identification: the image-archive as memory protection
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Tipo de documento: | Artigo |
| Idioma: | por eng |
| Título da fonte: | Significação (Online) |
| Texto Completo: | https://www.revistas.usp.br/significacao/article/view/148487 |
Resumo: | Portraits of identification (2014) offers, from its archivist and cinematographic montage, a new historical readability for the images made by the Brazilian military dictatorship. In case, the mugshots (the famous “prisoner photos”) and the images clandestinely captured by the military agents to accuse the then “enemies” of the regime. Displayed through time, transformed into archives, these images prove the deep violence and perversion perpetrated by the military organs from 1964. Thus, the article will probe the gesture of survival of the images-archive that, displayed through time, became historical inscriptions of the crimes committed by the Brazilian military regime. |
| id |
USP-12_cd168cfb43153264544f6e3db77372b2 |
|---|---|
| oai_identifier_str |
oai:revistas.usp.br:article/148487 |
| network_acronym_str |
USP-12 |
| network_name_str |
Significação (Online) |
| repository_id_str |
|
| spelling |
Portraits of identification: the image-archive as memory protectionRetratos de identificação: a imagem-arquivo como morada da memóriaRetratos de identificaçãoimagens-arquivomugshotsditadura militarmemóriaPortraits of identificationimages-archivemugshotsmilitary dictatorshipmemoryPortraits of identification (2014) offers, from its archivist and cinematographic montage, a new historical readability for the images made by the Brazilian military dictatorship. In case, the mugshots (the famous “prisoner photos”) and the images clandestinely captured by the military agents to accuse the then “enemies” of the regime. Displayed through time, transformed into archives, these images prove the deep violence and perversion perpetrated by the military organs from 1964. Thus, the article will probe the gesture of survival of the images-archive that, displayed through time, became historical inscriptions of the crimes committed by the Brazilian military regime.Retratos de identificação (2014) oferece, a partir de sua montagem arquivista e cinematográfica, uma nova legibilidade histórica para as imagens realizadas pela ditadura militar brasileira – no caso, os mugshots (as famosas “fotos de prisioneiro”) e as imagens capturadas de maneira clandestina pelos militares para acusar os então “inimigos” do regime. Alçadas ao tempo, tornadas arquivos, estas imagens comprovam a profunda violência e perversão perpetradas pelos órgãos militares a partir de 1964. Assim, o artigo sondará o gesto de sobrevivência das imagens-arquivo que, elevadas ao tempo, tornaramse inscrições históricas e comprobatórias dos crimes cometidos pelo regime militar brasileiro.Universidade de São Paulo. Escola de Comunicações e Artes2019-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/14848710.11606/issn.2316-7114.sig.2019.148487Significação: Journal of Audiovisual Culture; Vol. 46 No. 52 (2019): Dossiê: História e AudiovisualSignificação: Revista de Cultura Audiovisual; v. 46 n. 52 (2019): Dossiê: História e Audiovisual2316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/significacao/article/view/148487/154289https://www.revistas.usp.br/significacao/article/view/148487/154383Copyright (c) 2019 Ricardo Lessa Filhohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLessa Filho, Ricardo2020-06-26T20:43:10Zoai:revistas.usp.br:article/148487Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2020-06-26T20:43:10Significação (Online) - Universidade de São Paulo (USP)false |
| dc.title.none.fl_str_mv |
Portraits of identification: the image-archive as memory protection Retratos de identificação: a imagem-arquivo como morada da memória |
| title |
Portraits of identification: the image-archive as memory protection |
| spellingShingle |
Portraits of identification: the image-archive as memory protection Lessa Filho, Ricardo Retratos de identificação imagens-arquivo mugshots ditadura militar memória Portraits of identification images-archive mugshots military dictatorship memory |
| title_short |
Portraits of identification: the image-archive as memory protection |
| title_full |
Portraits of identification: the image-archive as memory protection |
| title_fullStr |
Portraits of identification: the image-archive as memory protection |
| title_full_unstemmed |
Portraits of identification: the image-archive as memory protection |
| title_sort |
Portraits of identification: the image-archive as memory protection |
| author |
Lessa Filho, Ricardo |
| author_facet |
Lessa Filho, Ricardo |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Lessa Filho, Ricardo |
| dc.subject.por.fl_str_mv |
Retratos de identificação imagens-arquivo mugshots ditadura militar memória Portraits of identification images-archive mugshots military dictatorship memory |
| topic |
Retratos de identificação imagens-arquivo mugshots ditadura militar memória Portraits of identification images-archive mugshots military dictatorship memory |
| description |
Portraits of identification (2014) offers, from its archivist and cinematographic montage, a new historical readability for the images made by the Brazilian military dictatorship. In case, the mugshots (the famous “prisoner photos”) and the images clandestinely captured by the military agents to accuse the then “enemies” of the regime. Displayed through time, transformed into archives, these images prove the deep violence and perversion perpetrated by the military organs from 1964. Thus, the article will probe the gesture of survival of the images-archive that, displayed through time, became historical inscriptions of the crimes committed by the Brazilian military regime. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-07-01 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/148487 10.11606/issn.2316-7114.sig.2019.148487 |
| url |
https://www.revistas.usp.br/significacao/article/view/148487 |
| identifier_str_mv |
10.11606/issn.2316-7114.sig.2019.148487 |
| dc.language.iso.fl_str_mv |
por eng |
| language |
por eng |
| dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/significacao/article/view/148487/154289 https://www.revistas.usp.br/significacao/article/view/148487/154383 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Ricardo Lessa Filho http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2019 Ricardo Lessa Filho http://creativecommons.org/licenses/by-nc/4.0 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf application/pdf |
| dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
| publisher.none.fl_str_mv |
Universidade de São Paulo. Escola de Comunicações e Artes |
| dc.source.none.fl_str_mv |
Significação: Journal of Audiovisual Culture; Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual Significação: Revista de Cultura Audiovisual; v. 46 n. 52 (2019): Dossiê: História e Audiovisual 2316-7114 1516-4330 reponame:Significação (Online) instname:Universidade de São Paulo (USP) instacron:USP |
| instname_str |
Universidade de São Paulo (USP) |
| instacron_str |
USP |
| institution |
USP |
| reponame_str |
Significação (Online) |
| collection |
Significação (Online) |
| repository.name.fl_str_mv |
Significação (Online) - Universidade de São Paulo (USP) |
| repository.mail.fl_str_mv |
||significacao@usp.br |
| _version_ |
1787713787973861376 |