Acts of seeing and making cities: reemployment as detour and invention

Detalhes bibliográficos
Autor(a) principal: Lima, Érico Araújo
Data de Publicação: 2020
Outros Autores: Portugal, Aline
Tipo de documento: Artigo
Idioma: eng
por
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/160513
Resumo: This article analyzes the intimate contagion between the ways of elaborating the visible and of producing a city in three Brazilian films made in recent years: It’s never nighttime in the map (2016), by Ernesto de Carvalho, and The Time Between (2015), by Frederico Benevides and Yuri Firmeza. Focusing on the singular ways in which these films interrogate and confront certain visual representations of the urban space, we reflect about the relations between technologies of the visible and technologies for the control and management of populations, highlighting the critical gesture of the films, which also impacts the composition of cities.
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spelling Acts of seeing and making cities: reemployment as detour and inventionFazer ver, fazer cidade: o reemprego como desvio e invençãoCinema brasileiroCidadeVisualidadesReempregoDesvioBrazilian cinemaCityVisualitiesReemploymentDetourThis article analyzes the intimate contagion between the ways of elaborating the visible and of producing a city in three Brazilian films made in recent years: It’s never nighttime in the map (2016), by Ernesto de Carvalho, and The Time Between (2015), by Frederico Benevides and Yuri Firmeza. Focusing on the singular ways in which these films interrogate and confront certain visual representations of the urban space, we reflect about the relations between technologies of the visible and technologies for the control and management of populations, highlighting the critical gesture of the films, which also impacts the composition of cities.Este artigo busca sublinhar o íntimo contágio entre maneiras de elaborar o visível e formas de produzir uma cidade, a partir de dois filmes brasileiros realizados nos últimos anos: Nunca é noite no mapa (2016), de Ernesto de Carvalho, e Entretempos (2015), de Frederico Benevides e Yuri Firmeza. Com uma atenção aos modos singulares através dos quais esses filmes interrogam e confrontam determinadas representações visuais do espaço urbano, propomos uma reflexão acerca das relações que se estabelecem entre as tecnologias do visível e as tecnologias de controle e gestão das populações, com ênfase no gesto crítico dos filmes, que também atuam na composição das cidades.Universidade de São Paulo. Escola de Comunicações e Artes2020-07-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfapplication/pdftext/xmltext/xmlhttps://www.revistas.usp.br/significacao/article/view/16051310.11606/issn.2316-7114.sig.2020.160513Significação: Journal of Audiovisual Culture; Vol. 47 No. 54 (2020): The scenic space in audiovisual media: transits between theater and cinema; 159-179Significação: Revista de Cultura Audiovisual; v. 47 n. 54 (2020): O espaço cênico no audiovisual: trânsitos entre teatro e cinema; 159-1792316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPengporhttps://www.revistas.usp.br/significacao/article/view/160513/166710https://www.revistas.usp.br/significacao/article/view/160513/161864https://www.revistas.usp.br/significacao/article/view/160513/186090https://www.revistas.usp.br/significacao/article/view/160513/186108Copyright (c) 2020 Érico Araújo Lima, Aline Portugalhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLima, Érico AraújoPortugal, Aline2020-07-31T17:56:04Zoai:revistas.usp.br:article/160513Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2020-07-31T17:56:04Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Acts of seeing and making cities: reemployment as detour and invention
Fazer ver, fazer cidade: o reemprego como desvio e invenção
title Acts of seeing and making cities: reemployment as detour and invention
spellingShingle Acts of seeing and making cities: reemployment as detour and invention
Lima, Érico Araújo
Cinema brasileiro
Cidade
Visualidades
Reemprego
Desvio
Brazilian cinema
City
Visualities
Reemployment
Detour
title_short Acts of seeing and making cities: reemployment as detour and invention
title_full Acts of seeing and making cities: reemployment as detour and invention
title_fullStr Acts of seeing and making cities: reemployment as detour and invention
title_full_unstemmed Acts of seeing and making cities: reemployment as detour and invention
title_sort Acts of seeing and making cities: reemployment as detour and invention
author Lima, Érico Araújo
author_facet Lima, Érico Araújo
Portugal, Aline
author_role author
author2 Portugal, Aline
author2_role author
dc.contributor.author.fl_str_mv Lima, Érico Araújo
Portugal, Aline
dc.subject.por.fl_str_mv Cinema brasileiro
Cidade
Visualidades
Reemprego
Desvio
Brazilian cinema
City
Visualities
Reemployment
Detour
topic Cinema brasileiro
Cidade
Visualidades
Reemprego
Desvio
Brazilian cinema
City
Visualities
Reemployment
Detour
description This article analyzes the intimate contagion between the ways of elaborating the visible and of producing a city in three Brazilian films made in recent years: It’s never nighttime in the map (2016), by Ernesto de Carvalho, and The Time Between (2015), by Frederico Benevides and Yuri Firmeza. Focusing on the singular ways in which these films interrogate and confront certain visual representations of the urban space, we reflect about the relations between technologies of the visible and technologies for the control and management of populations, highlighting the critical gesture of the films, which also impacts the composition of cities.
publishDate 2020
dc.date.none.fl_str_mv 2020-07-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/160513
10.11606/issn.2316-7114.sig.2020.160513
url https://www.revistas.usp.br/significacao/article/view/160513
identifier_str_mv 10.11606/issn.2316-7114.sig.2020.160513
dc.language.iso.fl_str_mv eng
por
language eng
por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/160513/166710
https://www.revistas.usp.br/significacao/article/view/160513/161864
https://www.revistas.usp.br/significacao/article/view/160513/186090
https://www.revistas.usp.br/significacao/article/view/160513/186108
dc.rights.driver.fl_str_mv Copyright (c) 2020 Érico Araújo Lima, Aline Portugal
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Érico Araújo Lima, Aline Portugal
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
text/xml
text/xml
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Journal of Audiovisual Culture; Vol. 47 No. 54 (2020): The scenic space in audiovisual media: transits between theater and cinema; 159-179
Significação: Revista de Cultura Audiovisual; v. 47 n. 54 (2020): O espaço cênico no audiovisual: trânsitos entre teatro e cinema; 159-179
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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