La reversión del road movie en el cine de Campusano

Detalhes bibliográficos
Autor(a) principal: Molfetta, Andrea C.
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Significação (Online)
Texto Completo: https://www.revistas.usp.br/significacao/article/view/137969
Resumo: Vikingo (Argentina, 2009), from Campusano, is a case of reversal of the road movie made by the community cinema of Buenos Aires, understood as a driver of social inclusion, as a visibility and self-legitimation that empowers social sectors where it is developed. This inclusion is seen in the emancipated production of singular aesthetic contents and appropriations, symbolic production understood as political action given the struggle that it incarnates against the stigmatizations of poverty done by other cinemas and mass media. Campusano reverses the road movie to initiate an ethical discussion on characters who inhabit a landscape of corrupt institutions and violence.
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spelling La reversión del road movie en el cine de CampusanoThe reversal of the road movie in Campusano’s cinemacommunity cinemaGran Buenos Airesroad movieheroesreversioncine comunitarioGran Buenos Airesroad moviereversiónVikingo (Argentina, 2009), from Campusano, is a case of reversal of the road movie made by the community cinema of Buenos Aires, understood as a driver of social inclusion, as a visibility and self-legitimation that empowers social sectors where it is developed. This inclusion is seen in the emancipated production of singular aesthetic contents and appropriations, symbolic production understood as political action given the struggle that it incarnates against the stigmatizations of poverty done by other cinemas and mass media. Campusano reverses the road movie to initiate an ethical discussion on characters who inhabit a landscape of corrupt institutions and violence.Vikingo (Argentina, 2009), de Campusano, es un caso de reversión del road movie realizada por el cine comunitario de Buenos Aires, entendido como impulsor de inclusión social, como estrategia de visibilidad y autolegitimación que empodera a los sectores sociales donde se desarrolla. Esta inclusión se aprecia en la producción emancipada de contenidos y apropiaciones estéticas singulares, producción simbólica entendida como acción política dada la lucha que encarna contra las estigmatizaciones que otros cines y medios masivos hacen de la pobreza. Campusano reversiona el road movie para plantear una discusión ética sobre personajes que habitan un paisaje de instituciones corruptas y violencia.Universidade de São Paulo. Escola de Comunicações e Artes2018-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://www.revistas.usp.br/significacao/article/view/13796910.11606/issn.2316-7114.sig.2018.137969Significação: Revista de Cultura Audiovisual; v. 45 n. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais; 167-184Significação: Journal of Audiovisual Culture; Vol. 45 No. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais; 167-1842316-71141516-4330reponame:Significação (Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/significacao/article/view/137969/139615Copyright (c) 2018 Andrea C. Molfettahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMolfetta, Andrea C.2024-03-21T13:28:44Zoai:revistas.usp.br:article/137969Revistahttp://www.usp.br/significacao/PUBhttp://www.revistas.usp.br/significacao/oai||significacao@usp.br2316-71141516-4330opendoar:2024-03-21T13:28:44Significação (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv La reversión del road movie en el cine de Campusano
The reversal of the road movie in Campusano’s cinema
title La reversión del road movie en el cine de Campusano
spellingShingle La reversión del road movie en el cine de Campusano
Molfetta, Andrea C.
community cinema
Gran Buenos Aires
road movie
heroes
reversion
cine comunitario
Gran Buenos Aires
road movie
reversión
title_short La reversión del road movie en el cine de Campusano
title_full La reversión del road movie en el cine de Campusano
title_fullStr La reversión del road movie en el cine de Campusano
title_full_unstemmed La reversión del road movie en el cine de Campusano
title_sort La reversión del road movie en el cine de Campusano
author Molfetta, Andrea C.
author_facet Molfetta, Andrea C.
author_role author
dc.contributor.author.fl_str_mv Molfetta, Andrea C.
dc.subject.por.fl_str_mv community cinema
Gran Buenos Aires
road movie
heroes
reversion
cine comunitario
Gran Buenos Aires
road movie
reversión
topic community cinema
Gran Buenos Aires
road movie
heroes
reversion
cine comunitario
Gran Buenos Aires
road movie
reversión
description Vikingo (Argentina, 2009), from Campusano, is a case of reversal of the road movie made by the community cinema of Buenos Aires, understood as a driver of social inclusion, as a visibility and self-legitimation that empowers social sectors where it is developed. This inclusion is seen in the emancipated production of singular aesthetic contents and appropriations, symbolic production understood as political action given the struggle that it incarnates against the stigmatizations of poverty done by other cinemas and mass media. Campusano reverses the road movie to initiate an ethical discussion on characters who inhabit a landscape of corrupt institutions and violence.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/significacao/article/view/137969
10.11606/issn.2316-7114.sig.2018.137969
url https://www.revistas.usp.br/significacao/article/view/137969
identifier_str_mv 10.11606/issn.2316-7114.sig.2018.137969
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://www.revistas.usp.br/significacao/article/view/137969/139615
dc.rights.driver.fl_str_mv Copyright (c) 2018 Andrea C. Molfetta
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Andrea C. Molfetta
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv Significação: Revista de Cultura Audiovisual; v. 45 n. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais; 167-184
Significação: Journal of Audiovisual Culture; Vol. 45 No. 49 (2018): Dossiê: Arte cinematográfica e contextos culturais; 167-184
2316-7114
1516-4330
reponame:Significação (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Significação (Online)
collection Significação (Online)
repository.name.fl_str_mv Significação (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||significacao@usp.br
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