Information and postmodernity in the fable of Little Red Riding Hood
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | InCID |
Texto Completo: | https://www.revistas.usp.br/incid/article/view/42308 |
Resumo: | The fable of Hoodwinked is analysed with deleuzian category of rhizoma in order to overcome the polarization between work and reception, polarization respectively represented by the works of Leo Vygotsky and Hans Robert Jauss, authors well known in subject fields as Education and Literature. Rhizome is one of the most popular concepts of Gilles Deleuze and Félix Guattari and refers to connections where multiple ideas, processes and things are assemblaged. We understand the fable as rhizome because it shows a multiplicity of different versions of the traditional story of Little Red Riding Hood. But more than that, we call it a rhizome because the story ends with the characters entering in new assemblages, letting us know so many other stories of Little Red Riding Hood that could be told, beyond those we already know. The categories of post-modernity as trade mark, information, identities and intertextuality are analyzed. |
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Information and postmodernity in the fable of Little Red Riding HoodInformação e pós-modernidade na fábula do Chapeuzinho VermelhoInformaçãoPós-modernidadeRhizomeFablePost-modernityThe fable of Hoodwinked is analysed with deleuzian category of rhizoma in order to overcome the polarization between work and reception, polarization respectively represented by the works of Leo Vygotsky and Hans Robert Jauss, authors well known in subject fields as Education and Literature. Rhizome is one of the most popular concepts of Gilles Deleuze and Félix Guattari and refers to connections where multiple ideas, processes and things are assemblaged. We understand the fable as rhizome because it shows a multiplicity of different versions of the traditional story of Little Red Riding Hood. But more than that, we call it a rhizome because the story ends with the characters entering in new assemblages, letting us know so many other stories of Little Red Riding Hood that could be told, beyond those we already know. The categories of post-modernity as trade mark, information, identities and intertextuality are analyzed.Analisa a fábula do filme de animação Deu a louca no Chapeuzinho, com a categoria deleuziana do rizoma, para poder superar a polarização presente na literatura entre obra e recepção. Polarização representada respectivamente pelos trabalhos de Leo Vygotsky e Hans Robert Jauss, autores mais conhecidos nas áreas da Educação e da Literatura. Rizoma é um dos conceitos mais populares de Deleuze e Guattari e refere-se às conexões sempre múltiplas de ideias, processos e coisas; entendemos a fábula como rizoma porque apresenta uma multiplicidade de versões diferentes da tradicional estória do Chapeuzinho Vermelho. Mas, mais que isto, porque a fábula termina com os personagens em novos agenciamentos, deixando-nos ver que muitas outras histórias de Chapeuzinho poderão ser contadas, além dessas que já conhecemos. As categorias da pósmodernidade como marca, informação, diferenças identitárias e intertextualidade são analisadas.Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto2010-07-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/incid/article/view/4230810.11606/issn.2178-2075.v1i1p112-124InCID: Revista de Ciência da Informação e Documentação; v. 1 n. 1 (2010); 112-1242178-2075reponame:InCIDinstname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/incid/article/view/42308/45979Pinheiro, Cláudia Ferreirainfo:eu-repo/semantics/openAccess2015-04-14T11:22:29ZRevistahttp://revistas.ffclrp.usp.br/incidPUB |
dc.title.none.fl_str_mv |
Information and postmodernity in the fable of Little Red Riding Hood Informação e pós-modernidade na fábula do Chapeuzinho Vermelho |
title |
Information and postmodernity in the fable of Little Red Riding Hood |
spellingShingle |
Information and postmodernity in the fable of Little Red Riding Hood Pinheiro, Cláudia Ferreira Informação Pós-modernidade Rhizome Fable Post-modernity |
title_short |
Information and postmodernity in the fable of Little Red Riding Hood |
title_full |
Information and postmodernity in the fable of Little Red Riding Hood |
title_fullStr |
Information and postmodernity in the fable of Little Red Riding Hood |
title_full_unstemmed |
Information and postmodernity in the fable of Little Red Riding Hood |
title_sort |
Information and postmodernity in the fable of Little Red Riding Hood |
author |
Pinheiro, Cláudia Ferreira |
author_facet |
Pinheiro, Cláudia Ferreira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pinheiro, Cláudia Ferreira |
dc.subject.por.fl_str_mv |
Informação Pós-modernidade Rhizome Fable Post-modernity |
topic |
Informação Pós-modernidade Rhizome Fable Post-modernity |
description |
The fable of Hoodwinked is analysed with deleuzian category of rhizoma in order to overcome the polarization between work and reception, polarization respectively represented by the works of Leo Vygotsky and Hans Robert Jauss, authors well known in subject fields as Education and Literature. Rhizome is one of the most popular concepts of Gilles Deleuze and Félix Guattari and refers to connections where multiple ideas, processes and things are assemblaged. We understand the fable as rhizome because it shows a multiplicity of different versions of the traditional story of Little Red Riding Hood. But more than that, we call it a rhizome because the story ends with the characters entering in new assemblages, letting us know so many other stories of Little Red Riding Hood that could be told, beyond those we already know. The categories of post-modernity as trade mark, information, identities and intertextuality are analyzed. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-07-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/incid/article/view/42308 10.11606/issn.2178-2075.v1i1p112-124 |
url |
https://www.revistas.usp.br/incid/article/view/42308 |
identifier_str_mv |
10.11606/issn.2178-2075.v1i1p112-124 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/incid/article/view/42308/45979 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto |
dc.source.none.fl_str_mv |
InCID: Revista de Ciência da Informação e Documentação; v. 1 n. 1 (2010); 112-124 2178-2075 reponame:InCID instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
InCID |
collection |
InCID |
repository.name.fl_str_mv |
|
repository.mail.fl_str_mv |
|
_version_ |
1787713838224769024 |