Ernst Jünger: figures of conservatism
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pandaemonium Germanicum (Online) |
Texto Completo: | https://www.revistas.usp.br/pg/article/view/155119 |
Resumo: | The article aims at a comparative analysis of Ernst Jünger's works The worker and On the Marble Cliffs. Its objective is to demonstrate that the author's conservatism encompasses the two works, which represent two distinct phases: the first was marked by the search for the union of the mechanic and the organic through heroic realism, and the second by the search for a transcendent Order. Thus, if, on the one hand, the author changes his political view, departing from the horizon of Nacional-socialism by means of the allegorical character of On the Marble Cliffs, on the other hand, his work remains linked to an aristocratic and conservative emphasis on an Order that determines life. From that perspective, we look for similarities between figures and images outlined in both in The worker and On the Marble Cliff, as well as other works created in the interwar period. |
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Ernst Jünger: figures of conservatismErnst Jünger: figuras do conservadorismoErnst JüngerHistoryconservatismErnst JüngerhistóriaconservadorismoThe article aims at a comparative analysis of Ernst Jünger's works The worker and On the Marble Cliffs. Its objective is to demonstrate that the author's conservatism encompasses the two works, which represent two distinct phases: the first was marked by the search for the union of the mechanic and the organic through heroic realism, and the second by the search for a transcendent Order. Thus, if, on the one hand, the author changes his political view, departing from the horizon of Nacional-socialism by means of the allegorical character of On the Marble Cliffs, on the other hand, his work remains linked to an aristocratic and conservative emphasis on an Order that determines life. From that perspective, we look for similarities between figures and images outlined in both in The worker and On the Marble Cliff, as well as other works created in the interwar period.O artigo visa a uma análise comparativa das obras de Ernst Jünger O trabalhador e Nos penhascos de mármore. O objetivo é demonstrar que o conservadorismo do autor abrange essas duas obras, que representam fases distintas: a primeira marcada a busca pela junção do mecânico e do orgânico através do realismo heroico, e a segunda pela busca por uma Ordem transcendente. Assim, se houve, por um lado, uma mudança política do autor, que se afasta definitivamente do horizonte nazista através do caráter alegórico de Nos penhascos de mármore, por outro lado, sua obra continua ligada a uma ênfase aristocrática e conservadora numa Ordem que determina a vida. Nesse sentido, buscamos as similaridades entre figuras e imagens delineadas pelo autor em O trabalhador, Nos penhascos de mármore, assim como outras obras do período do entreguerras.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2019-02-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/15511910.11606/1982-88372237129Pandaemonium Germanicum; v. 22 n. 37 (2019); 129-1571982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/155119/150974Copyright (c) 2019 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessCoelho, Victor de Oliveira Pinto2019-02-28T10:45:44Zoai:revistas.usp.br:article/155119Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:53.761323Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Ernst Jünger: figures of conservatism Ernst Jünger: figuras do conservadorismo |
title |
Ernst Jünger: figures of conservatism |
spellingShingle |
Ernst Jünger: figures of conservatism Coelho, Victor de Oliveira Pinto Ernst Jünger History conservatism Ernst Jünger história conservadorismo |
title_short |
Ernst Jünger: figures of conservatism |
title_full |
Ernst Jünger: figures of conservatism |
title_fullStr |
Ernst Jünger: figures of conservatism |
title_full_unstemmed |
Ernst Jünger: figures of conservatism |
title_sort |
Ernst Jünger: figures of conservatism |
author |
Coelho, Victor de Oliveira Pinto |
author_facet |
Coelho, Victor de Oliveira Pinto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Coelho, Victor de Oliveira Pinto |
dc.subject.por.fl_str_mv |
Ernst Jünger History conservatism Ernst Jünger história conservadorismo |
topic |
Ernst Jünger History conservatism Ernst Jünger história conservadorismo |
description |
The article aims at a comparative analysis of Ernst Jünger's works The worker and On the Marble Cliffs. Its objective is to demonstrate that the author's conservatism encompasses the two works, which represent two distinct phases: the first was marked by the search for the union of the mechanic and the organic through heroic realism, and the second by the search for a transcendent Order. Thus, if, on the one hand, the author changes his political view, departing from the horizon of Nacional-socialism by means of the allegorical character of On the Marble Cliffs, on the other hand, his work remains linked to an aristocratic and conservative emphasis on an Order that determines life. From that perspective, we look for similarities between figures and images outlined in both in The worker and On the Marble Cliff, as well as other works created in the interwar period. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-02-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/155119 10.11606/1982-88372237129 |
url |
https://www.revistas.usp.br/pg/article/view/155119 |
identifier_str_mv |
10.11606/1982-88372237129 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/155119/150974 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Pandaemonium Germanicum info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Pandaemonium Germanicum |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Pandaemonium Germanicum; v. 22 n. 37 (2019); 129-157 1982-8837 1414-1906 reponame:Pandaemonium Germanicum (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Pandaemonium Germanicum (Online) |
collection |
Pandaemonium Germanicum (Online) |
repository.name.fl_str_mv |
Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||pandaemonium@usp.br |
_version_ |
1800221979014332416 |