1989 and consequences: the representations of absence in the post-Mauer German films

Detalhes bibliográficos
Autor(a) principal: Dornbusch, Claudia S.
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Pandaemonium Germanicum (Online)
Texto Completo: https://www.revistas.usp.br/pg/article/view/38098
Resumo: It might sound odd to work with the theme of absence, a theme which has occupied the minds of anthropologists, artists, and semioticians for a long time. So we present a brief conceptualization of absence and a short panorama of German movie after 1989, to show how film and literature have developed similarly in the same period. The main goal of this analysis is to detect structures of absence in German films after the German reunification. To illustrate the representation of absence, we propose an analysis of film stills. We rely mainly on the theories and concepts of Lehmann/Weibel, of the German philosopher Bernhard Waldenfels, as well as those of Gilles Deleuze and Michel Chion.
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spelling 1989 and consequences: the representations of absence in the post-Mauer German films 1989 e as consequências: as representações da ausência no cinema pós-muro Deutscher Film nach 1989AbwesenheitLeereGerman film after 1989absenceemptinessCinema alemão após 1989ausênciavazio It might sound odd to work with the theme of absence, a theme which has occupied the minds of anthropologists, artists, and semioticians for a long time. So we present a brief conceptualization of absence and a short panorama of German movie after 1989, to show how film and literature have developed similarly in the same period. The main goal of this analysis is to detect structures of absence in German films after the German reunification. To illustrate the representation of absence, we propose an analysis of film stills. We rely mainly on the theories and concepts of Lehmann/Weibel, of the German philosopher Bernhard Waldenfels, as well as those of Gilles Deleuze and Michel Chion. Es erscheint auf den ersten Blick kurios, das Thema der Abwesenheit zu behandeln, ein Thema, das der Semiotik, der Anthropologie und der Kunst schon lange vertraut ist. Hierzu gehen wir eingangs kurz auf eine Begriffseingrenzung ein, um dann ein zusammenfassendes Panorama der Filmproduktion der letzten 20 Jahre in Deutschland zu kommentieren, die größtenteils die Entwicklungen in der literarischen Produktion desselben Zeitraums begleitet. Im folgenden wird untersucht, inwiefern Strukturen der Abwesenheit im Postwendefilm in Deutschland festzustellen sind. Anschließend werden Filmeinstellungen von drei Filmen untersucht, in denen sich die Repräsentation von Abwesenheit verdeutlicht. Als theoretische Grundlage dienen uns Ausführungen von Lehmann/Weibel, Bernhard Waldenfels, Gilles Deleuze und Michel Chion. Parece estranho à primeira vista tratarmos do tema da ausência, tão caro à antropologia, à semiótica e às artes. Para tanto, procederemos inicialmente a uma breve conceituação do termo, para depois passarmos a um curto panorama da produção cinematográfica dos últimos 20 anos na Alemanha, que geralmente acompanha tendências semelhantes na literatura. Verificaremos em que medida podem ser detectados elementos de ausência no cinema pós-muro na Alemanha. Em seguida, procederemos a uma análise de planos fílmicos de três filmes nos quais se evidencia a questão da ausência. Para este trabalho, utilizaremos como base teórica considerações de Lehmann/Weibel, Bernhard Waldenfels, Gilles Deleuze e Michel Chion. Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2011-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/3809810.1590/S1982-88372011000100003Pandaemonium Germanicum; n. 17 (2011); 25-491982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/38098/40828Copyright (c) 2018 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessDornbusch, Claudia S.2015-06-15T19:46:51Zoai:revistas.usp.br:article/38098Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:34.274264Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv 1989 and consequences: the representations of absence in the post-Mauer German films
1989 e as consequências: as representações da ausência no cinema pós-muro
title 1989 and consequences: the representations of absence in the post-Mauer German films
spellingShingle 1989 and consequences: the representations of absence in the post-Mauer German films
Dornbusch, Claudia S.
Deutscher Film nach 1989
Abwesenheit
Leere
German film after 1989
absence
emptiness
Cinema alemão após 1989
ausência
vazio
title_short 1989 and consequences: the representations of absence in the post-Mauer German films
title_full 1989 and consequences: the representations of absence in the post-Mauer German films
title_fullStr 1989 and consequences: the representations of absence in the post-Mauer German films
title_full_unstemmed 1989 and consequences: the representations of absence in the post-Mauer German films
title_sort 1989 and consequences: the representations of absence in the post-Mauer German films
author Dornbusch, Claudia S.
author_facet Dornbusch, Claudia S.
author_role author
dc.contributor.author.fl_str_mv Dornbusch, Claudia S.
dc.subject.por.fl_str_mv Deutscher Film nach 1989
Abwesenheit
Leere
German film after 1989
absence
emptiness
Cinema alemão após 1989
ausência
vazio
topic Deutscher Film nach 1989
Abwesenheit
Leere
German film after 1989
absence
emptiness
Cinema alemão após 1989
ausência
vazio
description It might sound odd to work with the theme of absence, a theme which has occupied the minds of anthropologists, artists, and semioticians for a long time. So we present a brief conceptualization of absence and a short panorama of German movie after 1989, to show how film and literature have developed similarly in the same period. The main goal of this analysis is to detect structures of absence in German films after the German reunification. To illustrate the representation of absence, we propose an analysis of film stills. We rely mainly on the theories and concepts of Lehmann/Weibel, of the German philosopher Bernhard Waldenfels, as well as those of Gilles Deleuze and Michel Chion.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/pg/article/view/38098
10.1590/S1982-88372011000100003
url https://www.revistas.usp.br/pg/article/view/38098
identifier_str_mv 10.1590/S1982-88372011000100003
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/pg/article/view/38098/40828
dc.rights.driver.fl_str_mv Copyright (c) 2018 Pandaemonium Germanicum
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Pandaemonium Germanicum
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
dc.source.none.fl_str_mv Pandaemonium Germanicum; n. 17 (2011); 25-49
1982-8837
1414-1906
reponame:Pandaemonium Germanicum (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Pandaemonium Germanicum (Online)
collection Pandaemonium Germanicum (Online)
repository.name.fl_str_mv Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||pandaemonium@usp.br
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